Social & External
Voz e Sophia
Dayse, a Brazilian playwright known as Cyclone, wants to study in Paris. Having a career in theater is unthinkable for a woman in São Paulo in 1918. But her director doesn’t want her to go, as he would lose his mistress and ghostwriter. When she becomes pregnant by him, her dream starts to fade. An artist’s struggle for self-determination in a patriarchal society, based on the true story of Daisy Pontes and modernist Oswald de Andrade.
Skinemax is Koyaanisqatsi for a generation raised on late night television and B-movie VHS tapes. It's long form entertainment for short attention spans. An hour long VJ odyssey, it will move your body and warp your mind. A nostalgic look back at a half remembered childhood growing up in the 80s and early 90s, Skinemax takes a close look at the culture of that era. The images that motivated, delighted, and terrified us on the silver screen, set to propulsive modern music that pines for a simpler time.
He is a writer and Ángela, a mature woman, is his domestic employee. Since he can't find inspiration, he decides to accompany her on her work day to other houses. Thus, delving into other people's lives, both begin to stop seeing each other as strangers and have fun, momentarily forgetting their own problems for a while. Without romantic tensions, the two simply enjoy sharing the day and, while Ángela cannot stop remembering Pedro, her dead husband, he only listens. Without advice or sermons, their two visions come together to make, at least that day, a different experience.
During a family reunion in 2000, guests decide to read out laud their "Where I See Myself in 10 Years" wish lists which they wrote down during their 1990 family reunion.
Joy is a journey through the mind of a 65-year-old autistic lesbian who's addicted to sugar and can't stop thinking about her ex-girlfriend from youth. She lives with her partner—a mannequin that she's built to look like her ex. The tragicomic piece delves deep into moments of intimacy, loneliness, sexuality, joy, and the desperate longing to be loved.
The Martin Kušej production of Richard Strauss's "Elektra", filmed live at the Opernhaus Zurich on 30 November and 4 December 2005. Eva Johansson stars as Elektra, with Marjana Lipovšek as Klytämnestra, Melanie Diener as Chrysothemis, Rudolf Schashing as Aegisth, and Alfred Muff as Orest. Christoph von Dohnányi conducts.
I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...
After completing his prison sentence for killing a rival gang leader in self-defence, Benny Horowitz decides to go straight.
It was supposed to be an escape from reality. Little didn't they know the dark secrets haunting this place. A place for solace? Or a fight for survival?
An old couple who has a son and six daughters launch a journey to visit them around the nation as the seven children live throughout the country. During the nation-wide travel, they witness the modernization of Korea and feel satisfied with the children contributing to the national modernization directly or indirectly.
Gundula Bundschuh longs for a peaceful vacation under the sun of Mallorca. However, her mother-in-law's decision to invite the entire whimsical family thwarts her plans.
As the BBC makes its exit from the iconic west London site of Television Centre, BBC Four presents a special night of celebration of the building and its 53-year history. To kick start proceedings, the nation's favourite nutty boys and national treasures Madness take to the stage at the front of BBC Television Centre to perform an hour long concert in front of an assembled audience nine days before TV Centre closes its doors. To help launch this celebration of over 50 years of programme making at TVC Madness treat us to new material and classics alike, such as One Step Beyond, I Never Knew Your Name, Baggy Trousers and Our House.
“If you jerk off a 100 times, you die.” This threat rings through the ears of our main character. One day he has to choose between imminent hell and the impetuousness of adolescence.
Robert Mitchum lives in a deserted movie set.
Joe Dexter, a famous gunfighter known as Nevada Joe, Golden Hill reaches a mining town. There he will find that the transport of gold from the mines is monopolized by John Randolph, who is opposed only Julia Brooks, owner of a mining concession, with which Dexter intimará and support in its confrontation with Randolph.
A young man falls in love with the girl who he met by accident.
The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.
Writing for ITV's SATURDAY NIGHT THEATRE series, Dennis Potter introduced the notion that popular music expresses the yearning of the human spirit for a better world. A troubled young man, David Peters (Ian Holm), claims, "Once dreams were possible, that's what the popular songs told us." Rejecting rock music of the day, Peters is immersed in the tunes of Thirties crooner Al Bowlly (killed during the London blitz). He collects Bowlly memorabilia, publishes the Bowlly fan-club newsletter, and finds pleasure in lip-synching Bowlly records but his obsession with Bowlly masks certain darker events in his past.
