Annie Goldson and Kay Ellmers’ doco, expanded from the film they made for Maori Television, takes a timely look at New Zealand’s military and media, notably journalist Jon Stephenson, in Afghanistan.
Social & External
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According to the official history of Afghanistan, ruthless destruction has always prevailed over art and creation; but there is another tale to be told, the forgotten account of a diverse and progressive country, seen through the lens of innovative filmmakers, a story that survives thanks to a few brave Afghans, a small but very passionate group that secretly fought to save a huge film archive that was constantly menaced by war and religious fanaticism.
Recounted mostly through animation to protect his identity, Amin looks back over his past as a child refugee from Afghanistan as he grapples with a secret he’s kept hidden for 20 years.
An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002.
This film is a glimpse of the traditional life of the Afghan people, their culture and their music, just before the Russian intervention in 1979.
This Russian documentary offered tantalizing glimpses of Afghanistan, which in 1929 was still one of the few heavily-populated areas in the world where the residents continued to live as they did in the Middle Ages. A progressive new leader named Amnullah tries to "Westernize" the country, meeting plenty of resistance from native reactionaries.
The friendship between Christophe de Ponfilly and Commander Massoud, a legendary figure of the Afghan resistance against the Soviet invader, goes back to the filmmaker's first film, "A Valley Against an Empire", made in 1981. Fifteen years later, weakened, isolated, betrayed by many of his own, the "Lion of Panshir" has not surrendered to his new and implacable enemies, the Taliban. While preparing his next offensive, he evokes his commitment and his fights, and bears witness to a history in which he has been one of the main actors for twenty years. At the same time, the director questions the role and power of the media, as well as his own approach as a filmmaker. Commander Massoud was killed in an attack in September 2001.
Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.
Jung is a narrative documentary that follows the human and professional adventure of its protagonists, the Afghan people in the midst of civil war.
On September 9, 2001, Commander Massoud, a hero of the Afghan resistance, was assassinated by two members of al-Qaeda posing as journalists. Two days later, the terrorist organization struck the United States. However, a few months earlier, during a visit to France, Commander Massoud had come to warn the West about the disastrous plans of al-Qaeda and the rise of the Taliban. He asked the West to exert pressure on Pakistan, a country that supplied arms, supported and sheltered the Taliban, but which was also a major buyer of French arms. He was not listened to.
This documentary on the effect the talent competition "Afghan Star" has on the incredibly diverse inhabitants of Afghanistan affords a glimpse into a country rarely seen. Contestants risk their lives to appear on the television show that is a raging success with the public and also monitored closely by the government.
When NATO troops withdrew from Afghanistan, the Afghan National Army (ANA) took over control of Helmand Province, an extremely dangerous region where attacks by Taliban fighters are the order of the day. Security, much less peace, would seem to be unattainable; it is even difficult to find a common language in a country where everyone mistrusts each other. The directors of this film accompanied an ANA company during a year of frontline duty in Helmand. The soldiers are paid irregularly, there are not enough supplies and their equipment is substandard. They cannot fight a war with the equipment left behind by the ISAF.
This film - without commentary and simply accompanied by local music - relates the 1969 ascent of the north face of Kohe Shakhawr, a Himalayan peak located on the border with Afghanistan, by mountaineers Benoît Mathieu, Jacques Soubis, René Thomas, Jean-Paul Paris, Isabelle Agresti, Henri Agresti, Roger Dietz, Jean-Pierre Frésafond, Paul Gendre, Claude Jager and Félix Magnin. As is often the case in Henri Agresti's films, there is an encounter with other peoples, other cultures, documented at length in the introduction. Then, after the interminable approach, the ascent begins: distribution of camps, successive assaults on the mountain, walking on steep scree and snowy slopes, climbing on icy walls... The arrival at the summit, without the aid of oxygen devices, seems to take place in slow motion: exhaustion mixes with the joy of the victorious mountaineers who will celebrate their success on their return to base camp on August 24, 1969.
A documentary that reveals the underbelly of the global aid and investment industry. It's a complex web of interests that span the earth from powerful nations and multinational corporations to tribal and village leaders. This documentary offers unique insights into a multi-billion dollar world by investigating how aid dollars are spent.
In 1979, after the Soviet Union attacked Afghanistan, millions of Afghans were forced to leave their homeland to save their lives, and in the meantime, a huge wave of them immigrated to Iran.
La vie devant elle is the diary of the exile of Elaha, a 14 year old Afghan girl, who films herself with a small camera to tell her story. Through her story, the film portrays the reality of children growing up on the road, tossed from place to place to flee conflicts in the hope of finding a normal life.
The film features the leaders of the Moscow Classic Ballet Theater, Natalia Kasatkina and Vladimir Vasilev, who aspire to transform their theater into an international ballet center. The film is based on a story about the personal life and creative plans of the famous ballet couple.
A journey through the parts of Afghanistan that don't normally feature in news coverage to meet some amazing people and see fascinating places. Lyse Doucet uses her many years experience in Afghanistan to show a different side of a country which has been at war for 30 years.