Flesh of God

The 17th century. Somewhere in the Mexican mountains, a Catholic friar who has fallen victim to a strange disease is carried by his native disciple to the home of an indigenous healer. The old woman will try to cure him by performing an ancient ritual that will have unexpected effects in the body and mind of the evangelist.

Alta Morte

Poltergeist

The Freelings' suburban home becomes the center of paranormal activity that opens a portal to the 'other side'. With help, they must cross over to get their daughter back.

Un Chien Andalou

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

The Demons Beneath

"Les Démons" tells a rather familiar story of a young French man named Franc, who finds an ancient relic in a box hidden away in a cellar. It is soon learned that anyone who touches this relic will become possessed by a demonic entity, and Franc spends the film attempting to fight off this deadly deity.

Giving Up The Ghost

Parents-to-be Scott and Arianna don’t quite see eye to eye on a few things, particularly that Scott’s best friend, Harold, lives in their basement. And the fact that Harold happens to be a ghost.

I Was a Teenage Werebear

A repressed gay teen transforms into a beast after being bitten by a hunky classmate.

Nishabdham

Seattle PD is investigating the murder of a man and Sakshi, a deaf and mute artist, and her husband Antony, a renowned cello player, are related to it.

The Unwelcoming House 2

Joe comes back to the house haunted by the spirit of Larry Adams.

Shin Yotsuya Kaidan

The Legend of Viper's Hill

A woman is raped by a transient and later commits suicide, cursing the then with her last breath. Years later, the victim's granddaughter returns to town to debunk the story and sell the house, but the ghosts have different ideas.

Forget Me Not

A father takes his two children eating in a public park. While the older sister feels unwanted because of her baby sister, she wanders off in a distant corner where sinister red eyed animals talk to her.

Videozone: The Making of "Puppet Master 4"

Revisit the killer puppets and paranormal researchers, whose brain fluid they craved, with in-depth BTS footage and commentary from the cast and crew.

Plastic Him

A self portrait filmed with a modified PXL 2000 Camcorder. The camcorder itself records on to audio cassette tape. The tapes themselves are recycled which means I have recorded over them several causing them to slowly degrade.

The Blackwell Ghost

A filmmaker tries to prove that ghosts are real but soon regrets his intentions after he finds himself being terrorized in a haunted house by a ghost with a dark past. An authentic documentary that shows actual ghost footage that was captured on camera.

The Skeleton Key

A hospice nurse working at a spooky New Orleans plantation home finds herself entangled in a mystery involving the house's dark past.

The Grudge 3

Jake Kimble, the sole survivor of the Chicago massacre, is killed while in solitary confinement. His doctor begins investigating the claims he made about a long-haired woman in white, as a mysterious Japanese woman arrives at his old apartment building to help them get rid of the curse.

Pet Sematary: The Tale of Timmy Baterman

Jud Crandall recounts the chilling story of Tim Baterman, who was returned dead from Vietnam, and then returned from the dead...

Ghost Game

As part of an internet challenge to live undetected in a stranger’s home, a daring couple target an infamous haunted house and endure a series of chilling incidents as they witness a family descending into madness.

Refused

Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.