EDGES - the borders that define us

To some, Doña Cecilia is an invisible, elderly woman. For others, her presence validates their existence. This movie on children's civil rights shows how borders are transformed into bridges by the power of unconditional love and music.

Sometime, Somewhere

Sometime, Somewhere sheds light on the challenges faced by Latino communities in Charlottesville, Virginia against the backdrop of immigration driven by factors like climate change, poverty, and drug-related violence.

Which Way Home

Follows unaccompanied child migrants, on their journey through Mexico, as they try to reach the United States.

Selena: Greatest Hits

Phantoms of the Sierra Madre

A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.

Selena ¡Vive!

Tribute to Selena Quintinilla-Perez, featuring musical performances and archive footage.

The Iron Triangle: Willets Point and the Remaking of New York

Targeted for several failed redevelopment plans dating back to the days of Robert Moses, Willets Point, a gritty area in New York City known as the “Iron Triangle,” is the home of hundreds of immigrant-run, auto repair shops that thrive despite a lack of municipal infrastructure support. During the last year of the Bloomberg Administration, NYC’s government advanced plans for a “dynamic” high-end entertainment district that would completely wipe out this historic industrial core. The year is 2013, and the workers of Willets Point are racing against the clock to forestall their impending eviction. Their story launches an investigation into New York City’s history as the front line of deindustrialization, urban renewal, and gentrification.

Spare My Bones, Coyote!

For the last twelve years, Marisela and Ely, along with the volunteer group The Águilas del Desierto have roamed the US-Mexico desert. Their goal: to seek, find and return to their families the bodies of migrants who died while crossing on foot. This all-consuming calling takes a crushing toll on them, but how could they stop? Spare My Bones, Coyote! follows their work, dedication, and difficult lives they have chosen to live.

Borderland

A powerful set of stories of “righteous persons” taking action along the U.S.-Mexico border, motivated by moral conviction and compassion. "Borderland" shows how courageous actions can lead to political mobilization and the defense of human rights in the face of hate and discrimination.

Salidas y Entradas | Exits and Entrances

For the three-channel video Salidas y Entradas Exits and Entrances, artists Jessica Hankey and Erin Johnson worked with applied theatre facilitator Gina Sandi Diaz to offer performance workshops at public daytime senior centers managed by the city of El Paso’s Parks and Recreation Department. With the senior center as a stage, the elders who participated in the workshops enacted social, political and geographical imaginaries for the camera. Through improvisation and performance exercises drawn from the work of Viola Spolin and Augusto Boal, themes emerge: the dynamics of the U.S.- Mexico border, the desire to be seen, the role of musical storytelling as a soundtrack to daily life, power dynamics, and gender as performance. As the boundaries between rehearsal, improvisation, and performance blur, the ways in which individual lives and sociopolitical realities merge together are foregrounded.

Nueva York: A Musical History of Latin New York

When the film West Side Story was released in 1961, New York's reviled Puerto Rican community gained some visibility and, over time, both in Spanish Harlem and the Bronx, neighborhoods plagued by poverty, drugs and crime, Hispanic identity was reborn and strengthened, thanks to a syncretic and intentionally popular music that eventually conquered the entire city.

Selena Live! The Last Concert

The concert was recorded on February 26, 1995, at the “Houston Astrodome” and was televised live on Univision. The singer shared the concert with Tejano singer “Emilio Navaira” and performed to 66,994 people, which broke the previous attendance record held by Selena in the previous year. Selena's performance at the Astrodome became her final televised concert before she was shot and killed on March 31, 1995. The set list mostly included material from her "Amor Prohibido" (1994) album and a medley mashup of disco music songs.

Amexica: Life in the Borderlands

A road trip, over ten years, across the so-called Amexican border, a mythical boundary, both physical and cultural, that separates the United States of America from the United Mexican States; a journey in search of the multiple stories of those who inhabit it or are passing through: an audacious expedition that aims to paint a colorful fresco where politics, violence, visual poetry and frustrated ambitions cruelly coexist.

Walls of Silence

Mexico─United States border bar, “Trump Wall” is full of displaced migrants’ grief. Gaston who came to America as a teenager, is expelled from the States at his 40s and meets his family at the Wall. Bassam and Rami, becomes a dad who lost their daughter by each other. This film describes the people who lost their family by the wall and includes the views of refugees, human rights. Actor Jung Woo Sung participated in narration of the film.

Mr. Trump, Pardon the Interruption

An analysis of the impact on the United States Latino community of immigration policies promoted by President Donald Trump.

Cowboy del Amor

Documentary about Ivan Thompson, self-proclaimed "Cowboy Cupid" who matches up immigrant Mexican women with available American men.

Refuge(e)

Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.

Carmela and the Walkers

Carmela lives with her husband and eight children near the Ecuadorian-Colombian border. This 56-year-old Afro-Ecuadorian woman opened her home to provide free and temporary shelter for thousands who leave Venezuela on foot, hoping to find better days in other South American countries.

Migrant Mother

Migranta tells the stories of Vicky, Betty and Lety, (three mothers who have come to Canada from Mexico as part of the federal government’s Seasonal Agricultural Worker Program) as they face calculated risks, difficult choices and harsh realities while navigating, work and life in Canada while being separated from families and communities they support.

Dual Citizens

Three Nicaraguan-American artists from the Washington D.C. Metro area discuss growing up in two cultures and how it influences their art.