Fårö Document

Bergman interviews the locals of Fårö in this fascinating documentary. An expression of personal and political solidarity with the fellow inhabitants of his adopted home, the island of Fårö in the Baltic Sea, this documentary investigates the sometimes deleterious effects of the modern world on traditional farming and fishing communities. The young, especially, voice doubts about remaining in such a remote, quiet place.

Gunnel Lindblom: ut ur tystnaden

The working class girl from Landala, Gothenburg, through the fine art of theatre and all the way to Hollywood.

Bergman: A Year in a Life

The year 1957 was one of the most prolific for the Swedish filmmaker Ingmar Bergman: he shot two films, released two of his most celebrated films and produced four plays and a TV movie while juggling with a complicated private life.

Trespassing Bergman

In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergman's Video, 2012.)

Ingmar Bergman Through the Choreographer's Eye

Four of Sweden's most innovative choreographers travel to Ingmar Bergman's home on Fårö to explore and get inspired. The result is a unique contemporary dance film.The renowned Swedish choreographers Alexander Ekman, Pär Isberg, Pontus Lidberg and Joakim Stephenson, with principal dancers Jenny Nilson, Nathalie Nordquist, Oscar Salomonsson and Nadja Sellrup from the Royal Swedish Ballet, interpret Ingmar Bergman through four unique dance performances reflecting on human relations and intense feelings. The dances are linked together with images of the epic natural beauty of Fårö and Bergman's poetic home Hammars, including the voice of the master himself - Ingmar Bergman - revealing his thoughts about movements and music.

Ingmar Bergman: Intermezzo

Ingmar Bergman speaks with Gunnar Bergdahl.

Mirrors of Bergman

Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.

Bergman's Ghosts

Super-8 footage captured while filming Bergman Island. In voice-over, filmmaker Mia Hansen-Løve offers intimate reflections on her creative process on the island of Fårö and her relationship with Bergman and Swedish cinema.

Bergman Island

An English-German filmmaking couple retreat to Fårö for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place that inspired Ingmar Bergman. As the summer and their screenplays advance, the lines between reality and fiction start to blur against the backdrop of the Island's wild landscape.

Untitled (Without Sound)

A highfalutin art movie crumbles into a meta-fictional disaster that betrays its director’s incompetence in real time, and it’s all on film.

The Dove

De Düva is a 1968 Oscar-nominated American short film that parodies the films of Swedish director Ingmar Bergman, including Wild Strawberries and The Seventh Seal. The film borrows heavily from the plot lines of some of Bergman's most famous films. The dialogue, seemingly in Swedish, is actually a Swedish-accented fictional language based on English, German, Latin, and Swedish, with most nouns ending in "ska." The film was nominated for an Oscar for Best Live Action Short Film.

The Dance of the Damned Women

The film shows four women moving in a crowded, closed room to the music of Monteverdi. They represent women living by passing on a role that is passed down to them for generations. Two of the dancers are damned souls that come to life, the third is death and the fourth a child born free, but forced into the other female roles.

Zanni

A period drama set between Scotland and Italy.

Limbus

As Alex struggles with disturbing hallucinations, his wife Vera tries to help, until they both experience their own profound revelations.

No Days-off For Death

No Days Off for Death” is a film that depicts an altered rendition of our own world to explore themes of grief and over corporatisation, the narrative takes place from two perspectives that ultimately come together; one of a nameless Grim Reaper (only referred to as “Death”) who only wants to take a long overdue holiday from their endless mundane work in the corporate underworld and a grieving man (Max) contemplating committing suicide after a breakup leaves him at the end of his rope. When Death is sent on a job to see that Max goes through with his plan, they decided to try and convince Max to keep on living, an altruistic act Max reluctantly engages with even if death just wants their holiday.

WWE: Andre The Giant

Andre the Giant was a man larger than life, so large his nickname was "The Eight Wonder of the World." Lord Alfred Hayes hosts the matches that built the legend of this Hall of Famer. Matches Include: vs. Moondog Rex 8/1/81 18-Man Battle Royal with Sgt. Slaughter, Big john Studd, Jimmy Snuka, Pat Patterson, "Hollywood" Hogan, Paul Orndorff, The Iron Sheik, & Tito Santana. vs. Black Gordman & Great Goliath 1/12/76 vs. Jack Evans, Johnny Rodz, & Joe Butcher Nova vs. Gorilla Monsoon with the Grand Wizard Andre the Giant and Jimmy Snuka vs. the Wild Samoans 2/18/83 vs. the Masked Superstar 2/20/84 Andre the Giant & S.D. Jones vs. Big John Studd & Ken Patera with Bobby Heenan 12/15/84. This is the legendary haircut match. vs. Ken Patera 1/21/85 Revenge of the Giant vs. Big John Studd 3/31/85 WrestleMania - commentary by Michael Cole & Tazz.

Que mi nombre no se borre de la historia

Rubem Braga: Olho As Nuvens Vagabundas

Intent to Destroy: Death, Denial & Depiction

INTENT TO DESTROY embeds with a historic feature production as a springboard to explore the violent history of the Armenian Genocide and legacy of Turkish suppression and denial over the past century.

Desperate Souls, Dark City and the Legend of Midnight Cowboy

This is not a documentary about the making of Midnight Cowboy. It is about a humane and groundbreaking masterpiece and the flawed but gifted people who made it. It is about a troubled era of cultural ferment, social and political change, about broken dreams and strivers, then and now. It is about an era that made a movie and a movie that made an era.