A lost traveler encounters a talking clown puppet that won’t stop looking at a mysterious orange light.
Social & External
Viajero / Payaso (voice)
3-D is a hand-painted experimental short film by Riley Hogan. Acrylic paint, ink and scratching were used to animate on clear Super 8mm film leader.
Grappling with the complexities of mental health and trauma in a digital age that feels isolating and overwhelming, a young person embarks on a surreal journey of self-discovery, navigating the raw truths of adolescence in an attempt to find a place in the world.
Plastic artist Leo invites young Dante to his art studio and proposes a peculiar game to leave all tension behind.
What could possibly be more important than feeding your daughter?
A young couple with conflicting desires for intimacy attempt to celebrate their one-year anniversary.
This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.
It is said that if a man is fading away, he sees his life running quickly in front of his eyes. What does a hundred-year old film strip see before it gives way to digital vehicles? Does it see broken frames, scratched film stock or something else? This is a film about time and its ephemeral nature.
Arda Wuyts experiments with editing and color.
The last person on Earth revisits their memories as they wander a lonely world
A nuclear family sits in front of the television. The phone rings.
A reflection on man's relationship and needs with the earth, with the self and with hope.
In the sprawling, desolate expanse of a grand house, resides a solitary girl. Haunted by memories and the weight of isolation, she spends her days wandering through its empty rooms—a labyrinth of forgotten corners and fading grandeur.
A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
What appears at first glance to be a patterned floor of traditional Islamic tiles is in fact an intricate installation of hand dyed sand. In a light-filled room in an abandoned house, the artist steps into frame to sweep it away, breaking the illusion and destroying the image of traditional heritage.
A human-like Creature, emerging from the ancient depths of the Norwegian forest, ventures towards suburbia. The local inhabitants react in different ways to its unannounced presence.
As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.
Six sequences about Fascism and its segments throughout history.
A wandering young woman explores the crevices of her apartment, of her corporeal creases, as well as the shadows made up of those things. Through her journey, she comes into contact with fellow vagrancies: a nondescript man of around similar age; a young girl with similar, even familiar, eyes; streets that can only exist during those brief moments of glazing stares. The rain comes and goes, but the A/C never turns off.