Lux Æterna: The Art of Filmmaking

An experimental shortfilm in line with "Lux Æterna", showcasing the footage from Cecil B. DeMille's "King of the Kings". A voiceover pronunces word "Relax" in a hypnotic tone, which was Lux Æterna's working title. It was shown only once in Paris at L'Étrange Festival, at the opening of "Lux Æterna".

Where Is Amy Pressman

In 2007, a teen girl from a posh L.A. suburb must deal with the grizzly murder of her family while trapped in the company of their killers.

The Soil, which connects us

In this movie, Dmytro Dokunov and Richard Marx explore the question of the different realities which take place simultaneously: Richards in Berlin and Dmytro's at the frontline in Ukraine. How do you have to change your own perception of reality? How will the perception of your surroundings be changed too? The nature in which they live looks almost identical, but war is fundamentally changing the view.

Alternate Earth

A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, which has destroyed its own planet. But is it even possible to escape old patterns?

Conversation with Two Lovers

Shot in two places marrying with each other by a single and fractured bridge between Condrieu and les Roches-de-Condrieu, this film is the continuation of exploring ephemeral movement through the use of editing, camera movements and color sampling.

Ode to masturbation

sonic salt

The Mind We Live In

Experimental documentary about what it means to be at peace.

Celina y Chichi

The Psychedelic Experience

Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.

Liminally, Yours

The last person on Earth revisits their memories as they wander a lonely world

An Uncountable Number of Threads

Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.

Late Anthropocene

Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.

Tree

Structural study of a tree. Light, water and air coax it out of the soil in a manner foregrounding time’s relativity to different forms of life on Earth. Made the day my brother got his fork-lift license.

FASCISM(s): A Film in Six Parts

Six sequences about Fascism and its segments throughout history.

Inspection 01

A closeup examination of a tree in the morning light.

Fair Use Vol 1. (All This Trouble)

A compilation of TV news about black culture.

Lala

Childhoods from different people and places collide through art.

Some Real Places

A short structural film that questions the reality we live in under capitalism through various images of Paris, Edinburgh, and Disneyland.

Phantasia

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.