Love, music, Sami identity and environmental activism go hand in hand in this inspiring tale of young singer Ella and her fight against the mining company that threatens her Sami heritage.
Social & External
Unknown Role
Documentary about Lars Theodor Jonsson who was a cross country skier in the 1920s and 30s and now lives alone in the forest.
The fate of a culture lies on the shoulders of few determined individuals.
The Sámi people (also spelled Sami or Saami) are an indigenous Finno-Ugric people inhabiting Sápmi, which today encompasses large northern parts of Norway and Sweden, northern parts of Finland, and the Kola Peninsula within the Murmansk Oblast of Russia. A single daily newspaper is published in Northern Sámi, Ávvir. There are short daily news bulletins in Northern Sámi on national TV in Norway, Sweden and Finland. There is a Sámi theatre, Beaivvas, in Kautokeino on the Norwegian side, as well as in Kiruna on the Swedish side. The largest Sami Publishing house is Davvi Girji. In this program "Topic: Sámi" filmmaker Nils Gaup presents his latest production, "The Kautokeino Rebellion" (2008), author Ann-Helen Laestadius talks about to seek ones roots, and Isabel Pavval share how it is being a young Sámi and youth culture.
About being young and Sámi, focusing on the topics, pride, love and conflict. Isabel moves from her mother in Stockholm to her father in Jokkmokk. Amoc rap in Aanaarsämikielâ, Inari Sámi, a language used among 400 people. Alette doesn't feel like a Sámi. Thomas is a drummer, snowboards and dream of being an actor. The skier Tonje always fall in love with a Sámi. Why? Jon is adopted from Colombia and joiks a lot. Thomas and Petra plan for their future. Ritva loves horseback riding. Amanda likes theatre and politics. Vocalist Sandra wonders how much Sámi she is. Johan is brought up in a religious home where music is prohibited. Aslak love scooters. Marit was bullied in school because she is a Sámi.
On Saturday, April 26, spring came to Sweden. That same day, Chernobyl nuclear power plant exploded. Bringing mild winds to Scandinavia. Sweden suffered heavily of radioactive poison.
Loving someone of the same gender is frowned upon in Sami communities. Sparrooabbán (Me and my little sister) shows what it’s like to be a minority within a minority. Suvi describes how her little sister Kaisa wishes to be accepted as she is. Like her sister, Kaisa is a Sami, but also in a relationship with a woman, and she also works as a deacon. There are obviously more constricting communities in the film than only one.
Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.
A Sámi woman fights for her right to claim a tax deduction against the purchase of a dog. Why the Swedish authorities fail to recognize the dog's use as a reindeer herding tool versus a pet opens up a larger discussion about Indigenous rights and economic discrimination in this humorous takedown of the Swedish government's ignorance of Sámi culture.
Two parallel stories are gradually unfolding the everyday life of two very different persons - that of 86-year-old Sara and 7-year-old Mihka - both residing in Guovdageaidnu - Kautokeino, in the middle of the Norwegian arctic tundra, through the drastic change of the arctic seasons and the passage from the long winter’s darkness to the never-ending light of the summer season.
The documentary Rap and Reindeer follows the life of 18-year-old Sámi rapper Mihkku Laiti, who lives in the northernmost corner of Sámiland. The film is a coming-of-age story, following Mihku on his journey towards a career as a musician and rise to stardom in the midst of varying expectations. He’s charmed the crowd on Talent Suomi and proudly wears the Sámi clothing he has styled himself. He raps and yoiks in harmony, designs his own brand on his computer but also masters the skill of laborious reindeer herding. Above all, he sees his own unique roots and the Sámi language as his greatest strength. The future makes him wonder: to follow his father’s footsteps or to reach for his dreams.
Personal accounts from the Alta actions in the years 1979 to 1981. Large police forces were deployed against the demonstrators. The dispute over the Alta river began as an environmental issue, but became a major turning point for the Sámi people's struggle for equal rights in Norway.
Examines the extraordinary lifelong friendship between Skolt Sámi storyteller Kaisa Gauriloff and the Swiss-Russian author Robert Crottet through the eyes of Gauriloff’s great-granddaughter Katja.
Follows Astrid & Sune as they show techniques and methods of sami handcraft.
The everyday life of the Karesuando Sámi at the Sarek Mountains, near their camp, the sita. Traditionally, the Sámi have pursued a variety of livelihoods, including coastal fishing, fur trapping, and sheep herding. Their best-known means of livelihood is semi-nomadic reindeer herding. The genetic makeup of Sámi people has been extensively studied for as long as such research has been in existence. Ethnographic photography of the Sámi began with the invention of the camera in the 19th century. This continued on into the 1920s and 1930s, when Sámi , against their will, were photographed naked and anatomically measured by scientists,.
The AssimiNation is a political pamphlet portraying the indigenous Sámi people fighting for their existence. The film follows the on going cultural genocide of the Sámi which the current Governmental politics allow. This film is a cry for help for the last indigenous people living in the EU.
Sámi artefacts from the Finnish National Museum are returning home to Sápmi, while the holy drums of the Sámi people are still imprisoned in the basements of museums across Europe. The returning objects symbolise the dignity, identity, history, connection to ancestors and a whole world view that was taken from the Sámi people. Director Suvi West takes the viewer behind the scenes of the museum world to reflect on the spirit of the objects, the inequality of cultures and the colonialist burden of museums.
Wimme Saari is one of the best known Sami yoikers from Finland. He combines traditional Sami singing with his own improvisations, usually to a techno-ambient accompaniment by members of Finnish electronic group RinneRadio. Wimme has also appeared on the albums of other bands or musicians, for instance Hedningarna, Nits or Hector Zazou.
A documentary about Áillohaš (Nils-Aslak Valkeapää), a musician, painter, and poet of the Sámi people in Finland.
Reindeer herding, the life of the Sami.
Anna Dziapshipa was born of the union between an Abkhazian man and a Georgian woman. In Self-Portrait Along the Borderline, she skilfully weaves together unique archives and fragments to offer a personal and political biography of Georgia-Abkhazia relations. This vibrant exploration foregrounds a divided identity caught between the margins.
Mexican feature film
A crime movie directed by Rudolf Jugert.
This film by Stan Brakhage investigates the process of memory and thought by melting a series of images and a field of color. The positive-negative flickering graphs a sort of shutter-window all over the matter of the vision. Jittery flocks of space are interweaving as pieces of language in a scant illumination, whereas the process of thought is sheared in fuzzy transience.
The film is about the melon growers of the Orenburg region, who plant watermelons and melons every year at their own risk. It is not easy to grow an environmentally friendly red berry. It's even harder to sell it…
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.
Parker, a successful advice columnist, and her best friend Aaron have been inseparable since childhood. She knows everything about him, including the fact that he doesn't love his fiancé. Desperate for help, Parker pens an anonymous letter to her own column asking for advice. Unexpectedly, she learns about her own feelings instead.
A mexican short film
Trapstar Street Video Mix Hosted By Plies. Includes the hottest videos of the Rap artist Plies and exclusive interview's.
The Diary: An Untold Story is a mystery drama.
In this John Nesbitt's Passing Parade series short, narrator John Nesbitt tells the story of Scandinavian immigrant Annie Swenson, who worked as cook and housekeeper in his family's home while he was growing up.
Set one year after drama series "Overprotected Kahoko." Kahoko is busy running her daycare center "Kahoko House" and also doing housework. Things at work and home are not going smoothly. "Kahoko House" is in financial difficulties and she isn't very good with housework. Her relationship with her husband Hajime is troubled and his career as a painter has been unsuccessful to date. Can Kahoko turn things around?
Virtuoso Afro-Cuban-born brothers—violinist Ilmar and pianist Aldo—live on opposite sides of a geopolitical chasm a half-century wide. Tracking their parallel lives in New York and Havana, their poignant reunion, and their momentous first performances together, Los Hermanos/The Brothers suggests what is possible when walls come down, and borders are crossed. A nuanced, intensely moving view of nations long estranged, through the lens of music and family. Featuring an electrifying, genre-bending score composed by Cuban Aldo López-Gavilán, performed with his American brother, Ilmar, with a guest appearance by violin maestro Joshua Bell and the Harlem Quartet.
3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?
A lonely and embittered cab driver starts his own investigation in order to break the secret of a passenger he fell in love with.