Gifted musician Marshall and his wife Terry, a communication professor, were excited to welcome their newborn into their world. But because of her deafness--they had to enter hers instead.
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Jill and Michael Stark are both deaf, as are their two children. Stuck between two cultures and wanting the best future for their children, they make the controversial choice for both of their children to undergo surgery for cochlear implants. They are part of only a handful of deaf parents in the US to choose implants for their children. After this seven year journey, was the result of the cochlear implant what they had hoped for?
A portrait of a Deaf activist and his formerly incarcerated daughter who build new bonds through their experiences in the criminal justice system.
In his heartfelt documentary, co-director and subject Elad Cohen explores the meaning and experience of family. Growing up deaf and gay in a family of hearing people, Cohen never felt at home and always felt alone. That feeling of estrangement was exacerbated during his adolescence by the sudden death of his mother and the subsequent rift with his father as the family scattered in different directions. Cohen creates a sense of family with a small group of friends, including his best friend, Yaeli, a deaf woman. While he wants a child and a life partner, he fears that he won’t find the right man in the small deaf community in his “sweet little country.” Sharing a desire with Yaeli to be parents, the new “couple” decide to have a child in a shared parenting arrangement.
Nathan Quinell is a fully trained chef… he also happens to be legally deaf and blind. That’s never stopped him from chasing his dreams to become a full-time cook, but now Nathan must prove himself to his peers, his students and potential employers.
Documentary without audio produced by deaf people. Music is depicted visually with the complete absence of musical instruments or voices. Directed by Makihara Eri and choreographer Dakei. With a diverse lineup including ordinary deaf people with zero acting experience and a choreographer who performs in Japan and abroad, this film pulls out all the tops to give visual expression to music through the physical body. An aging man uses multiple sign language poems to convey the four seasons, and a girl expresses the wind amidst the rustling trees.
The profound impact of technology on the lives and identities of young deaf adults is explored in The Listening Project. Fourteen deaf people tell stories beginning with a childhood wide-eyed about sound, into the growing pains of adolescence and, eventually, their professional lives. Sometimes humorous, always tender, The Listening Project is a timely coming of age story, one we haven't heard before.
Despite being deaf Sang-kuk never forgets to smile while he makes furniture. Kyung-hee can't hear either but with her natural beauty and outgoing personality, she enjoys her job at a sign language interpretation center. Between them they have hearing daughter Bora who is a director and a son named Kwang-hee. When, after moving eight times since marriage, Sang-kuk wants to move one more time, Kyung-hee opposes him. In filming the silent world of her parents, the director discovers new stories coming from herself, who grew up moving back and forth between two worlds-one of silence and the other of sound.
Children of Deaf Adults, known as CODA, are caught in the middle, between the deaf and the hearing, between isolation and community, and between childhood and adulthood. Through the stories of three CODAs, discover how the unique upbringing of hearing children born to deaf parents can be considered both a burden and an opportunity and how it shapes who they are and who they become. Also hear from the parents themselves about how their condition unwittingly puts an impossible weight of responsibility on their children, who are forced into adulthood from the moment they learn to talk. Mother, Father, Deaf offers a previously unseen portrayal of contemporary reality for deaf families. Their stories, while deeply personal, mirror the experiences of CODAs around the world.
When I became deaf at the age of 23, I decided to get a cochlear implant. As I began to regain my memories of lost sounds, I asked myself: How does someone who doesn't hear listen?
Through examining Fini Straubinger, an old woman who has been deaf and blind since her teens, and her work on behalf of other deaf-blind people, this film shows how the deaf-blind struggle to understand and accept a world from which they are almost wholly isolated.
Deaf artist Seo Hye Lee gives new subtitles to a selection of archive films about pottery, ones which playfully examine the disparity between how people with different levels of hearing experience art.
Martinez's second feature documentary assembles a theatre group of deaf actors in order to portray their lives and at the same time avoid any pedagogic representation of the non-hearing people. Coming from different environments and provinces, la troupe has to overcome various difficulties to put on stage their last play, hoping to attract an audience beyond the Argentine deaf community.
Viktor, who was born deaf, worships the figure of the samurai warrior. When bombs start falling on his countryside home in Kharkiv, his quasi-romantic obsession with war is put to the test.
A documentary with an aim to raise awareness for workplace discrimination and see the world from the perspective of the deaf community.
The film is separated into four chapters, each tracking a different group of protagonists who all have one thing in common – they were born deaf. Little Sandra likes to play football and admires Ronaldinho. Marián worships trains and wants to be an engine driver. Teenagers Alena and René are expecting a baby and long for it to be born healthy. The trio of Roman, Kristián and Karmen help their parents by collecting junk to be sold and dream of one day having a house with a flush toilet.
Sign The Show: Deaf Culture, Access and Entertainment is a feature-length documentary providing insight into Deaf culture and the quest for access to entertainment. It brings together entertainers, the Deaf and Hard of Hearing (HOH) community, and American Sign Language interpreters to discuss accessibility at live performances in a humorous, heartfelt, and insightful way.
Told almost entirely without spoken words, this film unfolds in the language of its subjects: Guatemalan Sign Language. In a country where more than 850,000 Deaf people receive little institutional support, silence becomes both a barrier and a form of connection. Through classrooms, homes, and everyday life, the film observes a community building its own means of understanding and belonging. Among those leading the way are Melkin, Dairy, and Jonathan, the teachers, students, and leaders within Guatemalan Deaf Ministries, where the language of hands has become the language of hope.
Growing up as a Deaf individual in Indonesia, Mufi was taught to speak instead of sign. As an adult, now she carves her music career to inspire others to express themselves through sign language.
Filmmaker Irene Taylor Brodsky aims her camera at her own life to capture the remarkable transformation of her deaf parents, who decided to undergo a life-changing procedure to restore their hearing after spending 65 years in silence. Chronicling her parents' experiences over their first year of having sound in their lives, Brodsky tells a deeply personal tale that moved viewers to bestow it with the Documentary Audience Award at Sundance 2007.
Through intimate stories and day-to-day routines we get a naturalistic glimpse into the lives of individuals with disabilities in the bustling urban landscape of São Paulo. The film captures personal moments and how modern societies confront (or fail to confront) ableism and inclusion.