Social & External
When Gabriel and Emilie meet by chance, he offers her a ride, and they spend the evening talking, laughing and getting along famously. At the end of the night, Emilie declines Gabriel's offer of "a kiss without consequences". Emilie admonishes him that the kiss could have unexpected consequences, and tells him a story, unfolding in flashbacks, about the impossibility of indulging your desires without affecting someone else's life.
Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.
In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story about 5 mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality starts to blur as the tale advances.
When a Hollywood star mysteriously disappears in the middle of filming, the studio sends their fixer to get him back.
A notorious gangster is incited to transform into a film hero and opts for a filmmaker and their project descends into a scenario they had never anticipated.
"A socially anxious college student reluctantly heads to a party attempting to make new friends. Nande Walters directs “Who Are You Really?”, an experimental portrait of insecurity characterized by a raw, youthful energy. Anya walks into the room and immediately feels like everyone is judging her. Eventually she strikes up a conversation with a young man, but neither really knows what to say and it doesn’t go anywhere. After struggling through the awkward night, she’s surprised to learn that an extroverted friend didn’t fare much better. Walters is only 19 years old, one of the youngest we’ve ever featured on NoBudge, and her film is the work of an artist still learning her craft but she clearly knows the feeling she’s after and captures it with pops of style and a touching closing monologue." -Kentucker Audley
Antoine - a grieving loner - spends his days in a cafe on Place Clichy watching people. Every day, he sees a woman he calls Albertine get out of the subway and go to the movies. Today, he takes it upon himself to talk to her. Thus began Antoine's down-going.
In an attempt to win back the public's interest, has-been Hong Kong film star Lau Wai-chi makes a comeback film with a major director. To prepare for his role as a peasant farmer in the 1960s, he travels to the mainland China countryside to experience rural life there, but his arrogance triggers a series of farces.
A man and a woman who run into each other on a film set were actually lovers in the past. As they play the roles of a couple in the movie, they think about the relationship they once had.
Quirky and rebellious April Burns lives with her boyfriend in a low-rent New York City apartment miles away from her emotionally distant family. But when she discovers that her mother has a fatal form of breast cancer, she invites the clan to her place for Thanksgiving. While her father struggles to drive her family into the city, April -- an inexperienced cook -- runs into kitchen trouble and must ask a neighbor for help.
It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.
Mike Todd is a Broadway producer struggling to produce the film. Around the World in 80 Days. In Mexico, Mario Moreno, a young entertainer is struggling to get some respect, and he manages to become a star. A twist of faith makes them partners. Together they won the Oscar for Best Picture.
Over the course of a summer, two boys discover the magic of cinema and make their own movie about an old Native American legend called Sleeping Bear.
The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.
A 9-year-old boy in a remote village in India begins a lifelong love affair with cinema when he bribes his way into a rundown movie palace and spends a summer watching movies from the projection booth.
While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.
With the death of her long-time director, Chan-sil, a film producer, is now unemployed. While working as a cleaning lady at an actress' house, she meets a young man. Attracted to him, Chan-sil realises old anxieties are about to emerge: her already gone-youth, messed-up love life, and broken career.
The film does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two-month time period during 1977 when a businessman was kidnapped and later murdered by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the original leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.
Alfa, a famous porn actor, must deal with his fears, insecurities and memories when he begins work on a new film without Yerry, his former partner in life and porn. On his first day of shooting without him, Alfa tries to act as in the past but can things be like before? Javier Ferreiro's short film reflects on the difficult decision of letting someone go to move forward. ALFA is framed in the context of gay porn cinema in Cuba where pornography is banned but, little by little, it's growing up an underground industry impulsed by foreign tourism.
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