After discovering that her home on the Tiwi Islands is at risk from a huge gas project, Antonia Burke mobilises her community creating the first ever Tiwi Women’s Ranger group.
Social & External
Unknown Role
Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.
On June 21 2007, the Howard Federal Government launched an intervention into Aboriginal communities in the Northern Territory. It was one of the most dramatic policy shifts in the history of Aboriginal affairs. Relentless media attention focuses on ideological arguments for and against the Intervention, while the voices of those affected by the policy are rarely heard. For this film more than 40 Alice Springs town camp residents were interviewed in depth over the course of eight months to find out the answer to the question - is it working?
Disobedience tells the David vs. Goliath tale of front line leaders battling for a livable world. Filmed in the Philippines, Turkey, Germany, Canada, Cambodia and the United States, it weaves together these riveting stories with insights from the most renowned voices on social justice and climate. Disobedience is personal, passionate and powerful - the stakes could not be higher, nor the mission more critical.
The village of Tamaquito lies deep in the forests of Colombia. Here, nature provides the people with everything they need. But the Wayúu community's way of life is being destroyed by the vast and rapidly growing El Cerrejón coal mine. Determined to save his community from forced resettlement, the leader Jairo Fuentes negotiates with the mine's operators, which soon becomes a fight to survive.
The story of a nation coming together around Indigenous athlete Cathy Freeman who delivered when it mattered on the greatest stage on earth. 20 years on, Freeman sheds light on one of Australia's proudest moments. In 49.11 seconds, Cathy Freeman's win at the 2000 Sydney Olympics brought Australia together as a nation.
Australian writer Wongar lives a secluded life taking care of his 6 dingoes for which he believes embody the spirits of his tragically lost Aboriginal family.
At Western Australia’s first Indigenous-run police station, two officers learn language and culture to help them police one of the most remote beats in the world.
What happens to two dying coal towns in British Columbia when an American corporation provides a contract for millions of tons of coking coal? The film follows the consequences for the towns of Natal and Michel, suggesting that industrial growth has its price, especially with regard to the environment.
MARLUKU WIRLINYI is a tale of kangaroo hunting that weaves its way through Dreamtime, to the present and back again. A group of old Warlpiri men transport us back to a time of rarely heard history and we follow their journey into the present. Songs, stories and dance relate the importances of the past to the present.
Director Noah Hutton returns to the same landowners, state officials, and oil workers he captured at the beginning of the Bakken oil boom six years ago in his 2009 debut documentary feature Crude Independence. A new focus on the relationship of the indigenous peoples of North Dakota to their surging fossil wealth casts the ongoing boom in the context of paleo-cycles, climate change, and the dark ecology of the future.
CRUDE IMPACT is a powerful and timely story that explores the interconnection between human domination of the planet and the discovery and use of oil. This documentary film exposes our deep rooted dependency on the availability of fossil fuel energy and examines the future implications of peak oil the point in time when the amount of petroleum worldwide begins a steady, inexorable decline.
In 1978, Tom Lewis appeared in the Australian feature film, The Chant of Jimmie Blacksmith. The life of the character he played was hauntingly close to his own, a young, restless man of mixed heritage, struggling for a foothold on the edge of two cultures. Tom's mother is a traditional Indigenous woman of southern Arnhem Land, his father a Welsh stockman who he never really knew. Yellow Fella is a journey across the land and into Tom's past, as he attempts to find the resting place of his father and to finally confront the truth of his most inner feelings of love and identity.
Across a 45-year career ‘The Oils’ helped shape modern Australia with anthems like “US Forces”, “Beds Are Burning” and “Redneck Wonderland”. Featuring unseen footage and interviews with every band member, alongside signature moments including the outback tour with Warumpi Band, their Exxon protest gig in New York and those famous “Sorry” suits at the Sydney Olympics, Midnight Oil: The Hardest Line traces the journey of Australia’s quintessential rock band.
In this documentary companion to CHARLIE'S COUNTRY, Australian actor David Gulpilil tells the story of when his people's way of life was derailed by ours.
The story of 95-year-old Aboriginal elder Laurie Baymarrwangga and her work to maintain the language and cultural traditions of the Yan-nhangu people of Murrungga.
Tomorrow’s Power is a feature length documentary that showcases three communities around the world and their responses to economic and environmental emergencies they are facing. In the war-torn, oil-rich Arauca province in Colombia, communities have been building a peace process from the bottom up. In Germany activists are pushing the country to fully divest from fossil-fuel extraction and complete its transition to renewable energy. In Gaza health practitioners are harnessing solar power to battle daily life-threatening energy blackouts in hospitals.
America is addicted to oil. President George Bush said so… and now that phrase is echoed everywhere. But are we really “addicted”? Our daily lives are dripping in oil. It’s in virtually everything we use and fuels everything we do. To be sure, it is something to worry about. Are we going to run out? Aren’t we fighting wars for oil? But, if we do slow the flow, how will that change the way we live? When it comes to what we’re told about oil, there’s rhetoric and then there’s reality. Who can we believe? The media? Politicians? Environmental activists? You’d be surprised. For nearly ten years, journalist turned media analyst MARK MATHIS has studied our use of oil. And what he found shocked him so thoroughly that he made a movie about the misinformation, distortions and even outright lies about oil. We do have an “oil problem” in America (and the world), but it’s not what you’ve been told. So, it’s time to Fill Up on Truth… for a change.
WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.
Narrated by Uncle Jack Charles and seen through the eyes of Indigenous prisoners at Victoria’s Fulham Correctional Centre, this documentary explores how art and culture can empower Australia's First Nations people to transcend their unjust cycles of imprisonment.