Social & External
The fascinating and little-known story of the secretarial profession, which tells the story of the evolution of women's work, between emancipation, invisibility and the glass ceiling.
A documentary produced by the French armed forces which chronicles the way of France’s “1ere armée” in the second world war from the days it first crossed the Rhine in March of 1945, through the liberation of a POW-camp in Swabia, until the forces reached the Danube and the Alps at the end of the war and the day French troops marched in the victory parade in Berlin.
The world seen through the eyes of children. The action takes place in Karosta, the former military port of Liepaja city – however, it is not that important, as the film could take place anywhere. We observe children playing on the beach, revealing the core of Pakalnina’s work: perceiving and transmitting emotions.
Private Diary documents photographer Pedro Usabiaga working with a variety of amateur models. The audience sees how the relationships between the photographer and the subjects changes during their time together, as well as how the individual photographs begin to take shape. Pedro Usabiaga is a well-established Basque photographer whose chief concerns are figurative photography and whose passion in photographing the Spanish male. In this hour long conversation with the artist we are given entry into that process of selecting models (none of the models he uses for this book to be titled 'Private Diary' are professional, but instead are randomly chosen as Usabiaga observes athletes in action) and then allowed to follow Usabiaga and his crew as they photograph these men in natural settings and natural light.
I started from the assumption that the discourse about the hospital could be the objective pretext for communication between two people, the link that allows them to continue writing to each other, the intermediary between two desires.
One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores of the Issyk-Kul Lake becomes a documentary parable on the tensions between an artist and society.
Reserved by Citroën for immigrant workers, the Aulnay-sous-Bois factory experienced its first strike in 1982. Thirty years later, it's the turn of a new generation to join the fight. Worthy heirs of their parents, the workers revive a forgotten memory and offer a unique perspective on the history of contemporary France. Matteo Severi's film mirrors these two social struggles, led by workers from immigrant backgrounds.
Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.
Britain's Special Operations Executive (SOE) provides trained agents, arms and other assistance to the European resistance groups fighting against Hitler. British agents, Captain Harry Rée DSO, OBE, Croix De Guerre, Médaille de la Résistance, aka "Felix", and Jacqueline Nearne, MBE, aka "Cat", recreate some of their adventures in France.
An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.
This documentary follows seven wine-making families in the Burgundy region of France, delving into the cultural and creative process of making wine. You'll never look at wine the same way again.
The film follows morning events at Bacvice beach. At dawn, before sunrise, the beach becomes a place of an unusual clash. From nearby clubs and cafes, numerous groups of young people cross the beach on their way home. At the same time, older people start coming. They walk, come, pass by and go.
Cyrille, a young gay farmer from Auvergne, has only one friend, a homosexual like him. One day, he goes on vacation to a beach in Charente Maritime. He cannot swim and sees the sea for the first time. It was there that he met the director Rodolphe Marconi who decided to devote this sensitive and gentle portrait to him, plunging us into an agricultural world in crisis and into a life often lonely and made up of hard work rarely pays off.
A Sense of Justice, immerses us In a law firm in this same city. There, we can find Christine Mengus and Nohra Boukara, specialized in the rights of foreigners, supported by Audrey Scarinoff and their co-workers.. Stories from their sad, appalling or tragicomic cases alternate with their daily legal work. And as we hear snatches of consultations involving illegal entry or departure, deportation orders, the right to reside or medical assistance, we become witnesses to predictable tragedies, to the administrative or social precariousness induced by such predicaments, and to whole lives depending on court rulings.
October 2018, France. Macron’s government decrees a tax increase on the price of fuel. A wave of protests starts to grow. Citizens mobilize throughout the country: this is the beginning of the Yellow Vests movement. In Chartres, a group of men and women gather daily. Among them, Agnès, Benoît, Nathalie and Allan commit themselves to the collective struggle. Like a whole nation, they discover that they have a voice to be heard...
