Part 5 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.
Social & External
Self
Self (uncredited)
Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.
As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.
A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.
Toronto is regarded as the third largest jazz centre in North America. This film features a cross-section of jazz bands of that city: the Lenny Breau Trio, the Don Thompson Quintet and the Alf Jones Quartet. Their styles show creative self-expression, hard work, and improvisation.
Short about the daily life of the Apaches, including their ceremonies.
Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
In rural Kosovo, identical houses are built for family members working abroad, in the hope that they will one day return to settle in their old homeland.
A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.
Photodocumentary about the ESMA tragedy.
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
Rare, medium rare, medium, medium well and well done. Through intimate and personal stories, five women share their experiences in relation to the body, from childhood to old age.
Canadian author, humorist and storyteller W.O. Mitchell talks about his career as a writer and performer. Known for his witty radio and television appearances, Mitchell shows a more serious side as he reveals his personal views on writing and on the meaning of life and death.
A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
This short celebrates the 20th anniversary of MGM. Segments are shown from several early hits, then from a number of 1944 releases.
Part 6 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century
Part 7 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
In a pub in Madrid's downtown, a group of workmates meets to celebrate a birthday party. There, the singular characters share their opinions about education, maternity and other matters about life. In the middle of that, Lucía tries to behave normal, but in her head, there is only one thing: She may be pregnant and if it's confirmed, she would be forced to face one of the most difficult decisions: became a mother or not. A story about maternity, friendship, and identity.
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
Jurassic Fight Club, a paleontology-based miniseries that ran for 12 episodes, depicts how prehistoric beasts hunted their prey, dissecting these battles and uncovering a predatory world far more calculated and complex than originally thought. It was hosted by George Blasing, a self-taught paleontologist.
Watch what happens when two beautiful bad girls with no option are put in a desperate situation.
Hitch a ride into the dark heart of Australia with Soda_Jerk's TERROR NULLIUS, a blistering, badly behaved sample-based film that confronts the horror of our contemporary moment. Equal parts political satire, eco-horror and road movie, TERROR NULLIUS is a rogue remapping of national mythology, where a misogynistic remark is met with the sharp beak of a bird, feminist bike gangs rampage and bicentenary celebrations are ravaged by flesh-eating sheep. By intricately remixing fragments of Australia's pop culture and film legacy, TERROR NULLIUS interrogates the unstable entanglement of fiction that underpins this country's vexed sense of self.
Carmen, an independent and modern woman, goes to dinner at her sister Ana's house, a married woman subject to all gender structures. Mateo, Ana's husband, intervenes at dinner and continually clashes with Carmen's way of life.
Follows an assassin after completing a job.
Reliable, versatile and readily available, the Avro Lancaster's arrival in 1942 made way for a new calibre of the four-engined bomber that would become Bomber Command's primary weapon during WWII. Using original wartime footage and recent colour film of one of the few operational Lancaster's remaining in the world, this programme tells the entire story of the Lancaster from its early days to now.
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
A highly skilled bodyguard avenging his brother's untimely death uncovers a ring of corruption extending to the highest levels of society and government.
"The Frog Prince" was one of several adaptations of Brothers Grimm fairytales that Lotte Reiniger made in London between 1953 and 1955: others include "The Gallant Little Tailor", "Hänsel and Gretel", "Sleeping Beauty", "Snow White and Rose Red" and "The Three Wishes".
The unrated US version of The Sinful Dwarf. Not to be confused with the Hardcore version. A tamer version similar to how Caligula was released. Olaf and his mother run a boarding house which fronts for a white slavery ring. When a young couple moves in the wife becomes suspicious of the landlords which lead her to be abducted into the slavery ring. Released in 1973 by Eduardo Fuller.
Another genre exercise, this one sees Louis C.K. parodying jazz mockumentaries.
The film is about a small group of friends that are enjoying a party, only to have it crashed by uninvited guests. After barely surviving the werewolf attack, they learn that it has killed most of the people in their town. Now, surrounded by a town turned into werewolves, they face a difficult dilemma. Can they kill the innocent victims of the wolves, now werewolves themselves, to survive?
