Social & External
Unknown Role
Life is easy for 43-year-old Luis, a happy single guy, fulfilled in his job of star nose with a perfume creation company, cosseted by his mother and five sisters. It could have lasted for a whole life, but fed up with mollycoddling and helping him, his mother and sisters decide it's time he got married, and the sooner the better!
Cute one-trick doggie show. The backdrop is beautifully detailed, yet the illusion of depth is humorously broken by the balloon bouncing off the set.
Magic Délirium is even more astonishing, more delirious, and more spectacular than previous shows. It was conceived with Calista Sinclair, his partner on stage and in life, and Sébastien Clergue, a French “illusion designer” who collaborates with the greatest American illusionists. The staging is once again by Étienne de Balasy. Éric Antoine offers us a spectacular new Music Hall show, adding a healthy dose of “grand illusion” and technology to the usual mix of humor, magic, philosophy, music, dance, and video. After exploring reality and unreality in Réalité ou Illusion (2008-2011) and secrets and mysteries in Mysteric (2011-2014), Éric has chosen belief as his theme this time: what or whom to believe... television, fairy tales, religions, miracles, parallel universes, the internet, extraterrestrials... ?
From his memories of the first parties of his adolescence in the 70s to the adult era of weekends with friends, as well as the rescue of a Top Model, or his heroic acts in Chile , the comedian delivers a show of more than 90 minutes.
Cathy Gauthier presents her fourth one-woman show called Classique. The comedian jokes on several themes and tells various anecdotes from her daily life, notably addressing her childbirth and her life as a couple.
An extraordinary artist in more ways than one, actor-comedian-illusionist-agitator of ideas and audiences, this learned and multi-talented joker with the air of a mad scientist draws the audience into a kind of “scientificomic” vertigo during a spectacular show-conference full of surprises on the theme of “reality or illusion.”
Caroline Estremo, a nurse by profession, decided to bring her first book to the stage: "#infirmière". Instead of plunging into tragedy, she opts for humor: "I wanted to talk about it with humor, because it's more listenable for the general public. We've been on strike for years, marching in the streets, but I have the impression that people no longer hear us or see us. So I chose a different strategy: to make people laugh and make them laugh." It is thus that her one-woman show was born.
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