Social & External
Distortions and deconstructions of Y2K pop stars' seductive images and iconic hits.
"The acid soil of New England, its wide stretches of hardwoods, its numerous sugar maples, its rolling or mountainous character, the sunshine of its autumn weather, all these contribute to the glory of this annual display. The birches of Maine the aspens of the White Mountains, the sugar Maples of Vermont, the long rainbow of the Connecticut River Valley cutting from top to bottom through New England, the Berkshires - mention these to anyone who has traveled widely through a New England fall and you will evoke instant memories of superlative beauty." -Edwin Way Teale, Autumn across America, 1956
The sun rises over the tide pools of coastal Maine.
Somewhere between the mountains and valleys a small autumn flower bloomed.
Short film of a general landscape about the saturation of the city. 35mm.
Two people attempt to connect over a great distance.
A man watching TV stumbles upon his new favorite channel: himself.
Albert has spent his whole life wanting to travel but he has been stuck at home, living in a small town making enamel signs. He has saved up everything he has and reluctantly sells his home and livelihood to embark on this trip, a lifelong dream that will honor a deceased friend. But the journey he will embark on is not what he has anticipated.
A coming-of-age story about the first time you act against your true nature. Inspired by the old wives tale - eating the bread crusts makes your hair go curly - Paris explores and her relationship with her crusts, her best friend, and her hair.
A previously lost political satire animation about Arturo Alessandri, the recently elect president of Chile at that time.
A broadcaster goes on the air for one last time.
Fleeting moments of connection.
Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine. The pair used found objects to construct a complex, interdependent contraption in an empty warehouse. When set in motion, a domino-like chain reaction ripples through the complex of imaginative devices. Fire, water, the laws of gravity, and chemistry determine the life-cycle of the objects. The process reveals a story concerning cause and effect, mechanism and art, and improbability and precision, in an extended science project that will mesmerize the mind.
Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.
This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
This film raises a cry of alarm against the plan to destroy the Municipal Theater of Tunis, a neoclassical building built at the beginning of the 20th century. In this film, Kalthoum Bornaz recreates selected scenes from the history of this historical theater. Therefore, having the opportunity to save one of the gems of Tunisia's heritage, which represents an architectural memory of the colonial era that marked the physical and ideological landscape of Tunisia.
Alternating Philippines and Saudi Arabia as her home, the filmmaker uses personal home videos and present footage to tell the story of her family.
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