Social & External
Unknown Role
The documentary "Caixa D'água: Qui-lombo is this?" It reports, through testimonies from former residents and photographic collections, the importance in the cultural and historical scope of the Getúlio Vargas neighborhood located in Aracaju, capital of Sergipe. Emphasis is placed on black culture and the presence of black slaves and their descendants, with the rescue of issues related to their origin, orality, geographical location and awareness of their racial identity, showing that, although this community exists in an urban area, it still maintains many aspects of the quilombo life of the former black slaves in Brazil.
Lambe sujos X Caboclinhos is a documentary that addresses the characteristics, contradictions and conflicts of the folk manifestation Lambe sujos x Caboclinhos, an open-air street theater in which the battle is staged between negroes fled from the senzala and Indians who were hired by the lord of ingenuity to capture them and bring them back to the slavery.
Documentary realized in the Quilombola community Serrote do Gado Brabo, Pernambuco. Here are their stories and struggles.
At a construction site, a delivery man lunches with his bricklayer friends and watches a crossfire between the engineer and the foreman.
A black family tries to defend their land against invaders but gets caught between a mischievous witch and a tortured spirit eager for revenge.
First feature film in Alagoas state, Brazil. A girl waits for a streetcar. A gentleman offers her a ride. In front of her home, he invistes her for a walk at sunday.
Education is a caged bird. This short film pays homage to experimental cinema, which is characterized by the absence of narrative, lack of focus, paint or scratches on the screen, abrupt cuts and asynchronous sound. With the aim of redefining our way of seeing, exploring new spatial and temporal concepts.
When the innocence of youth culture collides with the skepticism and sensationalism of mass media. Celebrates the life of punk and the true motivators of the original scene, now seen on camera with their legendary stories of how it all began. The teenage youth of the 80’s, whose bigger goal was racial harmony and speaking up against the oppressive establishment. Fighting for a life that’s worth having, as there were no jobs, and utilized music as a way of life and the uniforms set them apart. However, this uniform also made them a target for the media.
Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.