TV movie about European energy policy
Social & External
Forget all you have heard about how “Renewable Energy” is our salvation. It is all a myth that is very lucrative for some. Feel-good stuff like electric cars, etc. Such vehicles are actually powered by coal, natural gas… or dead salmon in the Northwest.
Record high oil prices, global warming, and an insatiable demand for energy: these issues define our generation. The film exposes shocking connections between the auto industry, the oil industry, and the government, while exploring alternative energies such as solar, wind, electricity, and non-food-based biofuels.
Africa's development is being held back by poor infrastructure and undersized power plants. Countries like Uganda can only produce only 1/4 of the energy needed, leading to daily power cuts with disastrous economic impacts. It's a golden opportunity for nuclear giants who lobby aggressively for more power plants in Africa. But how safe are these new reactors? And what do they mean for the locals?
Documentary film about the history of Oil prices and the future of alternative fuels. The film takes a wide, yet detailed examination of our dependence on foreign supplies of Oil. What are the causes that led to America turning from a leading exporter of oil to the world's largest importer?
Two years ago, Josh Fox introduced us to hydraulic fracturing with his Oscar®-nominated exposé Gasland. Now this once-touted energy source has become a widely discussed, contentious topic. In his follow-up, Fox reveals the extreme circumstances facing those affected by fracking, from earthquakes to the use of federal anti-terror psychological operations tactics. Gasland Part II is the definitive proof that issues raised by fracking cannot be ignored for long.
Harmful chemicals are disproportionately affecting Black communities in Southern Louisiana along the Mississippi River. I am One of the People is an experimental short film exposing the environmental racism of “Cancer Alley.”
Nuclear energy: a clean energy for the future or a risk for humanity? As the European Union has classed nuclear as a green energy, France is building new power plants whilst Germany is decommissioning them. An in depth look at the future of atomic energy in the coming decades.
While doing a series of reports on alternative energy sources, opportunistic reporter Kimberly Wells witnesses an accident at a nuclear power plant. Wells is determined to publicize the incident, but soon finds herself entangled in a sinister conspiracy to keep the full impact of the incident a secret.
A beautiful session between dancer Tanaka Min and director Wim Wenders that illustrates something before we started speaking with words.
In 2015, a Magdalene in Ecstasy was discovered in the modest collection of an Italian family. Was it the original by Caravaggio, who disappeared after his death in 1610, or one of the many copies made subsequently? After an expert appraisal, Mina Gregori, one of the greatest specialists on the artist, was convinced of the authenticity of the work. On her advice, the owners searched their archives and unearthed three documents: two inventories of paintings, dating from 1842 and 1864, as well as an old paper mentioning a "Madeleine inverted by Caravaggio". Starting from these pieces of evidence, an expert in ancient archives and an Italian art historian then launched into a vast investigation to try to retrace the route of the painting.
Hockney talks about his 40 year love affair with photography.
Intimately following 1st and 6th graders at a public elementary school in Tokyo, we observe kids learning the traits necessary to become part of Japanese society.
To fill the absence of his six-year-old daughter living in Berlin, a Montreal filmmaker keeps a film diary which takes him back to his relationship with his adoptive father and his biological father, whom he never knew. His diary also becomes a reflection on cinema by revisiting the work of filmmakers who influenced him such as Ingmar Bergman and Wim Wenders. Diary of a Father is a poetic response to making the separation between a father and his child bearable.
A weary-looking middle-aged couple shuffle around their cluttered loft in Yangon, Myanmar. There is stuff everywhere, and a mountain of pills in blister packs lie haphazardly on top of a glass case. The loft turns out to be a clinic and the couple are qualified doctors. They are also artistic: she paints and draws, he is making a feature film, and their patients receive creative therapy in addition to regular treatment. This might not be a sterile, efficient hospital full of white coats, and the treatment rooms might look shabby, but there is real time and attention for people here.
Abdurrahman Keskiner is one of the big guns of Turkish cinema. In Türkiye's national productions' history, his working method distinguishes him as a producer from the rest. Even though it may seem contradictory at first glance, he never gives up on investing in subtlety. Other producers have not pursued the same hope over and over and invested all of their earnings in shooting films ambitiously after making a loss. Yet, Abdurrahman Keskiner was an exception to this. He took great strides in promoting Türkiye's cinema to the world.
Who and why shot Hungarian and German infants and young children in the head and exterminated entire families near the town of Prerov (Prerau) in Moravia on the night of June 18, 1945? Why did the bodies of the women and children killed here had to be cremated two years after this massacre - after these bodies were disinterred by army units - in the crematorium of the also Moravian city of Olomouc? Why didn't the Czech historian, who investigated the fate of the slaughtered Hungarian and German families and who also fought for the last honors to be paid to them, receive no praise or medal from Budapest? And what was the fate of the 90 Hungarian leventes handed over to the soldiers of the Slovak army by the soldiers of the Soviet army occupying Austria at Ligetfalu below Bratislava? This documentary explores the story of two hitherto unexplored mass murder in Pronov and Bratislava in the village of Bratislava.
A classic comedy from the most famous Serbian comedy playwright, Branislav Nušić.
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