A broken memory.
Social & External
Unknown Role
After his death, a young man stuck in purgatory attempts to cope with the afterlife.
In the dining room of the abandoned house a white, faded entity feeds on her pieces. Memories keep her here and time transforms her into something new.
Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.
A guy named Ray tries to go to sleep and a sasquatch gets into funky business.
Succeeding in entering the past, a young man meets his favorite actress whom he adulates with passion. His identifying urges emerge, and the desire of replacement prevails : he makes his idol live forever.
A wandering young woman explores the crevices of her apartment, of her corporeal creases, as well as the shadows made up of those things. Through her journey, she comes into contact with fellow vagrancies: a nondescript man of around similar age; a young girl with similar, even familiar, eyes; streets that can only exist during those brief moments of glazing stares. The rain comes and goes, but the A/C never turns off.
A man takes a mysterious pill that gives him the ability to teleport into different times and different places, but with serious consequences.
Through thread and textile, an Asian seamstress tries to escape from the factory.
A vision from Limbo, where the canoeist of the eternal lake floats in his boat, between sleep and wakefulness. When he sleeps, he dreams of the everyday of a parallel time. when he wakes up, the same song haunts him again and again. his boat, “ara” (time, in guarani) travels through time like a shooting star.
An Assassin is cursed by the souls of the people he killed in the past. Now, he is a Grim Reaper, a demon who receives constant punishment for his sins. Consequently, on a journey to hell, an Entity confronts the Assassin in a philosophical-moral debate about the meaning of forgiveness, the imprisonment of guilt, and the existence of redemption.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)
This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.
A musical fantasia on religion and the nature of exploitation.
A short experimental film shot on Super 8, inspired by the music of Richard Wagner.
A woman is chased by the wind of an arriving train. What follows is a visual ride, the camera becomes a protagonist of the film itself. The levels of inner film reality and the film material itself influence each other more and more to the point of physical destruction.
A girl approaches a divine entity that comes to the world in the form of a yellow umbrella, and ends up discovering her true self.