Social & External
Through key testimonies, this documentary looks at a gang rape that took place during the 2016 San Fermín festival and sparked protests worldwide.
A startling expose of rape crimes on US campuses, their institutional cover-ups, and the devastating toll they take on students and their families. The film follows the lives of several undergraduate assault survivors as they attempt to pursue—despite incredible push back, harassment and traumatic aftermath—both their education and justice.
In recent years, Hollywood productions have turned away from sensuality. Is the sex scene on the verge of extinction or reinvention? Alongside film professionals and researchers, this documentary deciphers a trend that speaks volumes about the evolution of the industry and our societies.
For the past year or so, brothers Jim and Steve Peters, both ordained ministers, have been traveling around the nation on a mission from God. Convinced that rock and roll is "one of the largest satanic forces in the country," they have been exhorting American kids to build bonfires of albums in public places.
September 2016: Stacey Dooley embeds herself on the frontline with the extraordinary all-female Yazidi battalion, who are fuelled to take revenge against the so-called Islamic State. As the battle to take Mosul from ISIS advances in Northern Iraq, in this extraordinary film for BBC Three, Stacey finds these young women's lives have been transformed by a desire to avenge their loved ones who were murdered by Isis.
Amina Filali is a 16-year old Moroccan girl who committed suicide after being forced to marry her alleged rapist. Her tragic death dominated Moroccan and international media in March 2012. Amina had accused a young man in her village of rape, but because authorities failed to properly investigate her accusations, she was married to her rapist following a citation from article 475 of the Moroccan penal code. This article dismisses a rapist of his charges as long as he marries his victim. A year after her marriage, Amina swallowed rat poison, walked into the village market, and died. Through this horrifying affair, the film explores the legal, political, religious and social issues that plague Moroccan women - chipping away at the facade of equality that disguises a deep-seated patriarchal system.
Journalist Shiori Ito embarks on a courageous investigation of her own sexual assault in an improbable attempt to prosecute her high-profile offender. Her quest becomes a landmark case in Japan, exposing the country's outdated judicial and societal systems.
Kingston, Jamaica. After the controversial extradition of notorious drug lord Dudus Coke to the United States in 2010, chaos took over his former territory, the western neighborhoods of the city, where extremely violent gangs of teenagers kill each other for whatever reason. A group of reformed gangsters from Denham Town decide to mediate.
Women’s voices rise to deliver testimonies of victims of sexual violence. By reconstructing a story with these fragments of experience, a societal portrait is painted throughout the documentary. Like a mosaic, the pieces stick together to build a unique story that could belong to any human.
An exploration of the interconnected experiences of queerness and illness, this film navigates personal and collective journeys through medical spaces, sexual violence, and survival, displays the profound impact on body and identity.
Rumba Rules, New Genealogies offers an enjoyable, rough-edged glimpse into the music scene of Kinshasa, with impromptu shots drawing the viewer into jam sessions on plastic chairs, and the quest for perfection at the studio.
Wrestling with Manhood is the first educational program to pay attention to the enormous popularity of professional wrestling among male youth, addressing its relationship to real-life violence and probing the social values that sustain it as a powerful cultural force. Richly illustrating their analysis with numerous examples, Sut Jhally and Jackson Katz - the award-winning creators of the videos Dreamworlds and Tough Guise, respectively - offer a new way to think about the enduring problems of men's violence against women and bullying in our schools.
The trembling starts in his neck when Markus gets closer to the images that have chased him for 49 years. Now he steers his motor home south, as far away from his past as possible.
A film about a woman who doesn’t exist. Moroccan Hind was raped and consequently denied an official identity – she has no other choice but to work as a prostitute and traditional wedding dancer, but despite the odds of her situation, refuses to give up her dream of dignity, motherhood and love. This is a story of modern day outlaws, children of prostitutes, abandoned child brides and those who have had to escape to the fringes of patriarchal Moroccan society. Through the eyes of one young woman we see a life of constant struggle, but also a life free of the society’s norms and boundaries. The woman in the centre of the film, Hind, is both vulnerable and courageous as she tries to regain her life, her children and her mere right to live as an equal human being in the 21st century.
Inspired by the transformation of the sex-trafficking survivors whose lives she follows, the filmmaker finds the courage to break the silence about sexual abuse in her own life.
Kibera is the largest slum area in Nairobi, and the largest urban slum in Africa. This documentary depicts three important problems; violence, drugs (miraa) and albinos killing.The 2009 Kenya Population and Housing Census reports Kibera's population as 170,070, contrary to previous estimates of one or two million people .Most of Kibera slum residents live in extreme poverty, earning less than $1.00 per day. Unemployment rates are high. Persons living with HIV in the slum are many, as are AIDS cases. Cases of assault and rape are common. There are few schools, and most people cannot afford education for their children. Clean water is scarce. Diseases caused by poor hygiene are prevalent.
Children play amidst cycles of thunder and violence.
Centered on the testimonies of students who were victims of harassment or sexist and sexual violence. The objective is to make people aware of the reality and mechanisms of this violence, as well as their seriousness, so that the university community as a whole is mobilizing against harassment and gender-based and sexual violence.
Danielle Sturk tackles the thorny issue of sexual violence against teens by boldly asking: Why? Young men, witnesses to the prevailing culture, and young women survivors of sexual assault share their personal reflections in the hopes of sparking the dialogue needed to end gender-based violence. Because things only change when people start talking and taking action.
Writer and filmmaker Assia Djebar explores Algerian history, the psychological impact of war, and post-colonial female identity in this 1979 classic of film literature. Named for (and taking its structure from) a traditional song with five distinct movements, the film combines documentary-style observation with loose narrative form to tell the story of Lila, an Algerian expatriate returning to her country 15 years after independence has been won. In comparing her life with the lives and experiences of rural Algeriennes, Lila is able to put her childhood demons to rest and discover a new history -- one written in the ongoing strength of generations of women. Like much of Djebar's writing, the film has a strong subtext dealing with resistance to patriarchy and women's desire to appropriate the means of power and expression -- one of which, of course, is the filmmaker's camera.
