Ted Kennedy Eulogy for RFK

Ted Kennedy Eulogy for RFK

Ted Kennedy Eulogy for RFK

Share

Ted Kennedy Eulogy for RFK

0h 5m

0.0(0 votes)

Documentary

Overview

On June 8, 1968, at NYC's Saint Patrick's Cathedral, Ted Kennedy gave the eulogy at the funeral of his brother, Bobby Kennedy.

Links & Resources

Social & External

Cast & Crew

2 members

Acting

Ted Kennedy

Self

Ted Kennedy

Acting

Robert F. Kennedy

Self (Mentioned)

Robert F. Kennedy

Similar Movies

Strijdmakker

Strijdmakker

VPRO icon Wim Brands died on April 4, 2016. He was known to the general public as a presenter of the VPRO Boeken program and also closer, with six collections of poetry to his name. This documentary about his life and work, built entirely from archive material, pays tribute to this television personality. A portrait in which attention is also paid to his complicated relationship with death. With a.o. Karl Ove Knausgård, David Sedaris, Ellen Deckwitz and Pieter Boskma. Brands' work merges with his rich inner life and that he chose death at the age of 56 casts a shadow over everything.

Di Cavalcanti Di Glauber

Di Cavalcanti Di Glauber

This controversial film from director Glauber Rocha records the funeral of his friend, major Brazilian painter Emiliano Di Cavalcanti.

Bobby Kennedy Tribute to JFK at the Democratic National Convention 1964

Bobby Kennedy Tribute to JFK at the Democratic National Convention 1964

In August 1964, less than a year after President John F. Kennedy’s assassination, delegates to the Democratic National Convention gathered to nominate the Democratic Party's presidential candidate. On the convention's final day, Bobby Kennedy gives a tribute speech in honor of his late brother, President Kennedy, and receives an overwhelming standing ovation for more than 12 minutes.

Negative Space

Negative Space

Even though Sam's father is hardly ever home because he is often away on business trips, he is able to connect with his son by teaching him how to pack a suitcase.

Faith Under Fire

Faith Under Fire

Fireman Tom Hatcher is at the end of his rope. He saves lives but couldn't save his wife from cancer. Now his daughter faces the same battle. From an unlikely friend, Tom is challenged to face grief and embrace faith in his darkest hours.

Like the Water

Charlie, a young journalist, returns to her hometown of Camden, Maine to write the eulogy for her best friend, Katherine.

In Memory Of Tommy Tiger

In Memory Of Tommy Tiger

Washed-up cereal spokesman Tommy Tiger wastes his hours with a cocktail of whippets, whiskey, and cheap beer. A memory of his father hurdles him into a crushing downward spiral.

Print-Friendly

Print-Friendly

At her grandfathers funeral, Jordan has a shocking realization during her father's eulogy speech and decides to confront him, leading to an emotional mess and outrage...

Dead Air

Dead Air

At the funeral of his best friend, a struggling stand-up is confronted with giving a eulogy. Even worse, he has to confront the possibility of not being funny.

Gotcha!

Gotcha!

When Jacob returns home for his internet famous brother's celebration, he finds his mother on the floor screaming his brother is dead. But during his eulogy at the funeral he starts to believe this could be another one of his many viral pranks.

Eulogy

Just before his brother Sigsby's funeral, Ben persuades his wife Kathryn to listen to the eulogy he has composed. After hearing his adulations, Kathryn insists on giving her own private eulogy which describes Sigsby's true character as deceitful and manipulative. Having acknowledged the truth about Sigsby privately, they can now join together in conforming to society's expectations of them at the funeral

FML

FML

A grieving woman's eulogy to the deceased.

Velvet Underground's First Public Appearance

Velvet Underground's First Public Appearance

Velvet Underground's first public appearance.

In Between

In Between

Footage from 1964-1968 that did not find its way into the Walden reels is joined in this classic period piece. Mostly centered in New York, it also includes travel footage and appearances by David Wise, Salvador Dali, Allen Ginsberg, Jack Smith, Shirley Clarke, Jane Holzer and more. Mel Lyman plays his banjo on the roof.

Notes for Jerome

Notes for Jerome

During the summer of 1966 Jonas Mekas spent two months in Cassis, as a guest of Jerome Hill. Mekas visited him briefly again in 1967, with P. Adams Sitney. The footage of this film comes from those two visits. Later, after Jerome died, Mekas visited his Cassis home in 1974. Footage of that visit constitutes the epilogue of the film. Other people appear in the film, all friends of Jerome.

Paradise Not Yet Lost

The film is arranged in six chronologically-ordered parts, each filmed in a different location during Oona's third year.

Off We Go!

Documentary short on the Octoberfest in Munich.

Scenes from Allen's Last Three Days on Earth as a Spirit

Scenes from Allen's Last Three Days on Earth as a Spirit

This is a video record of the Buddhist Wake ceremony at Allen Ginsberg's apartment. You see Allen, now asleep forever, in his bed; some of his close friends; and the wrapping up and removal of Allen's body from the apartment. You hear Jonas' description of his last conversation with Allen, three days earlier. You see the final farewell at the Buddhist temple, 118 West 22nd Street, New York City, and some of his close friends: Patti Smith, Gregory Corso, LeRoy Jones-Baraka, Hiro Yamagata, Anne Waldman, and many others.

To Barbara Rubin with Love

To Barbara Rubin with Love

This is a mini-portrait of one of the legendary figures of the 60s who should be credited for the discovery of the Velvet Underground, for saving Bob Dylan's mind after the motorcycle crash, for her pioneering sound/image installations, for keeping the New York Sixties' art community together, for one of the key works of erotic cinema Christmas on Earth, and etc. and etc.

Report from Millbrook

Report from Millbrook

Jonas Mekas documents Timothy Leary’s Millbrook estate in the wake of a police raid, juxtaposing serene images of the property with audio of officials justifying their actions. Blending diary footage with subversive reportage, the film exposes the gap between perception and authority, offering an oblique portrait of the counterculture and its suppression.