"Nothing Is Free"
The Cost Of Convenience examines how internet platforms are impacting our mental health, restructuring our communities, threatening our democracy, and violating our human rights.
Social & External
Self
This documentary-drama hybrid explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.
Host Grant Jeffrey discusses how technology and government activities are changing the way our information is handled. How is this shaping our lives?
THE MAZE dissects the terror-attacks since Paris Bataclan in November 2015 and looks for common patterns. Why was intelligence failing? And why keep our governments pushing for more of the same? A road movie into surveillance reforms, power, money and cover-ups. A search for a way out of this maze - with a glimpse of hope on the horizon.
In a culture immersed in technology, Instagram is reviving adventure, face to face community and real relationships. Through sharing the stories of friends old and new, "Instagram Is" sets out to discover the answer to the question "How can something so digital get people out from behind their devices and into the analog world?"
Focusing on the vulnerability of digital data, Digital Amnesia ponders the sustainability of modern artifacts that have no material state. Notable archivists share their perspectives on the Digital Age and whether it poses great promise or threat to the longevity of digital information and our collective memory.
Over the past few years, technology has improved our lives in so many ways. Now, some people, called trans-humanists, are taking the next logical step - they are fusing their bodies with digital implants to increase their abilities and expand their senses - they are becoming, in effect, real life cyborgs. How is life going to change for us all if some people have supernatural powers?
Commissioned by the Festival of Britain to show the similarities and contrasts between 1851 and 1951, by means of the Great Exhibition and the Festival.
Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
In the first decades of the 20th century, when life was being transformed by scientific innovations, researchers made a thrilling new claim: they could tell whether someone was lying by using a machine. Popularly known as the “lie detector,” the device transformed police work, seized headlines and was extolled in movies, TV and comics as an infallible crime-fighting tool. Husbands and wives tested each other’s fidelity. Corporations routinely tested employees’ honesty and government workers were tested for loyalty and “morals.” But the promise of the polygraph turned dark, and the lie detector too often became an apparatus of fear and intimidation. Written and directed by Rob Rapley and executive produced by Cameo George, The Lie Detector is a tale of good intentions, twisted morals and unintended consequences.
On June 11th, 1997, Philippe Kahn created the first camera phone solution to share pictures instantly on public networks. The impetus for this invention was the birth of Kahn's daughter, when he jerry-rigged a mobile phone with a digital camera and sent photos in real time. In 2016 Time Magazine included Kahn's first camera phone photo in their list of the 100 most influential photos of all time.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
In a few years, technology will merge with our bodies in ways that today seem unimaginable, and will redefine the limits of what is a human being. There are already people who, driven by the desire to experiment, have crossed the biological limits by introducing electronic devices that provide them with capabilities that go beyond what is "normal." They are the first hybrids, and they face the reaction of society, which goes from malignancy to enthusiasm. Today they are only a small minority, and many people consider them as disrupted experimenters, but in the near future we may recognize them as pioneers.
REVOLUTION OS tells the inside story of the hackers who rebelled against the proprietary software model and Microsoft to create GNU/Linux and the Open Source movement.
Four children want to invite their friends to a picnic, but they don't know how to use the telephone. Suddenly, the room goes dark and the phone becomes large enough for them to climb into. They walk through a tunnel and meet a man named Telly, who takes them into the world of Telezonia, where they are shown various kinds of telephones. They meet several costumed characters, such as Question Mark, who teaches them how to answer the phone; Q and Z, who show them how to use the phone book; and Exclamation Point, who teaches them how to place a call. By the time they leave Telezonia, they are full-fledged telephone users.
Back in 1976, microprocessors had a maximum of 8.5K transistors for 64bits of memory. The Queen of England sent her first email, and Steve Wozniak designed the Apple I. And a post-Star Trek but pre-TJ Hooker William Shatner made this film for AT&T about the future of microprocessors.
FRONTLINE and Forbidden Films investigate Pegasus, a powerful spyware sold to governments around the world by the Israeli company NSO Group.
The Duplex A86 is a 10 kilometer underground highway buried more than 90 meters deep. This concrete tube, measuring the equivalent of more than 30 lying Eiffel towers, is the longest tunnel in France. The result of a succession of technical prowess born from the imagination of visionary engineers, the Duplex A86 allows you to cross all of western Paris in a few minutes.
A documentary looking at the rise of the digital nomad around the world. Future of work or neo-colonialism? Through interviews with advocates, academics and authorities, this film examines the issues surrounding the supposed "dream life."
David Bond lives in one of the most intrusive surveillance states in the world. He decides to find out how much private companies and the government know about him by putting himself under surveillance and attempting to disappear, a decision that changes his life forever. Leaving his pregnant wife and young child behind, he is tracked across the database state on a chilling journey that forces him to contemplate the meaning of privacy and the loss of it.
Produced using a VHS VCR and a digital camcorder, Vide-Uhhh! is an experimental piece, showcasing the VCR recording itself as Jesse England takes it apart, messes with key components and even attempts to break it.