Documentary about the Protestant Church
Social & External
Examines the public scandal and private tragedy which led to legendary director Roman Polanski's sudden flight from the United States.
The tiny village in the far north of Sweden called Ensamheten (Solitude) has sixteen inhabitants. They all share an unusual passion - armwrestling.
Saroyanland is a docu-drama focusing on the journey of famous writer William Saroyan to the birthplace of his Armenian family Bitlis, in Turkey in 1964. While retaking the same road, the film aims to understand Saroyan's unique attitude to belonging, witnessing the self-discovery of a man who followed the traces of his Armenian ancestors.
Don’t Breathe is a dark comedy set in Georgia that follows the tribulations of a middle-aged man, Levan, who is suddenly led to question his existence because of a routine medical examination. It sends him into a downward spiral of paranoia and doubt as he fumbles his way through the theatre of the absurd that we call life. Using humour and a playful tone, the film examines the fragility of human nature, when our bearings get lost and our imagination takes over, highlighting our common fears, doubts, hopes and resilience.
On the eve of the 60th anniversary of the 1957 Little Rock school desegregation crisis, educational inequality remains among the most urgent civil rights issues of our time. With its school district hanging in the balance following a state takeover in January 2015, Little Rock today presents a microcosm of the inequities and challenges manifesting in classrooms all across America. Through case studies in Little Rock, New York City, and Los Angeles, Teach Us All seeks to bring the critical lessons of history to bear on the current state of U.S. education and investigate: 60 years later, how far have we come-or not come-and how do we catalyze action from here?
Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.
A documentary about urban violence in Brazil, especially in Rio de Janeiro. Policemen, drug dealers, and shantytown dwellers get trapped in a daily war that knows no winners.
The Fighting Cholitas is a documentary short about a group of bold and fierce female Bolivian wrestlers. These indigenous Indian women jump into the ring every Sunday in their traditional vibrant mulitlayered skirts and perform the acrobatic maneuvers of Lucha Libre (a blend of Mexican and American professional wrestling). The Fighting Cholitas documents this weekly fight and goes behind the scenes to find out who these women are and what draws them to this unusual sport.
Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.
A daughter's fantasy of her mother, elusively portrayed at her own magical house and garden. The mother's image and voice are deconstructed and assembled again into an intergenerational sonnet, reflecting the everlasting experience of being a woman, in a w orld of constant feminine evolution.
A homeless musician finds meaning in his life when he starts a friendship with dozens of parrots.
Canadian director Catherine Annau's debut work is a documentary about the legacy of Pierre Trudeau, the long-running Prime Minister of Canada, who governed during the 1970s. The film focuses particularly on Trudeau's goal of creating a thoroughly bilingual nation. Annau interviews eight people in their mid-30s on both sides of the linguistic divide. One tells of her life growing up in a community of hard-core Quebec separatists, while another, a yuppie from Toronto, recalls believing as a child that people in Montreal got drunk and had sex all day long. Annau has all of the interviewees discuss how Trudeau's policies affected their lives and their perceptions of the other side, in this issue that strikes to the heart of Canada's national identity.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated permutations of the film’s title appear like subtitles—the letters are scrambled over and over again, undermining the meaning of Pierre Trudeau's infamous motto.
Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.
Alanis Obomsawin, a North American Indian who earns her living by singing and making films, is the mother of an adopted child. She talks about her life, her people, and her responsibilities as a single parent. Her observations shake some of our cultural assumptions.
A portrait of the masterful author whose novels were adapted into the classics 'The Birds,' 'Jamaica Inn,' and 'Rebecca."
In a personal quest, filmmaker Shirikiana Aina made this documentary capturing her efforts to learn more about her father, who died when she was a child. A Michigan man descended from slaves, he was labeled a radical by the FBI. Aina traveled to Ghana, documenting an oral history of slavery in Elmina, a port where Africans were warehoused before shipping to the New World. She also filmed African-Americans who have established a colony in Ghana, choosing to raise their families there.
Hailed by John Grierson as 'one of the best descriptions of life in the country anybody has yet made', the film follows a young couple torn between the choice of emigration to Australia or remaining to work their croft in Shetland.
Legendary Canadian documentarian Alanis Obomsawin digs into the tangled history of Treaty 9 — the infamous 1905 agreement wherein First Nations communities relinquished sovereignty over their traditional territories — to reveal the deceptions and distortions which the document has been subjected to by successive governments seeking to deprive Canada’s First Peoples of their lands.
