Show of Titles

An evening of celebrated stars performing the titles songs from Broadway’s best.

Waiting for Farajallah

We are taken behind the scenes of a play in-the-making: The play is Samuel Beckett’s WAITING FOR GODOT—starring a group of young 48-Palestinians. One by one, we are introduced to a variety of characters: the play’s director, actors, and other ordinary people. As we delve further into each of their lives, the film reveals the startling parallels between the themes of the play and their own. Everyone is waiting for something: a permit to build a house, better work conditions, a starring role in a film. Much like Waiting for Godot, our heroes are awaiting Faraj Allah… something that may or may not come.

Happy Skies: The Making of The Night Witches

The story of the making of "The Night Witches: the amazing true story of how Russian woman pilots helped win World War II" at UNW Theatre.

Revealed: Otto By Otto

Inspired to make an original, intimate family portrait, Gracie Otto directs a feature length documentary on her father, Barry Otto, whose career in Australian theatre, film and television has spanned more than 50 years. Baz as he is affectionately known is one of a kind - a truly creative, endearing and extremely eccentric personality who embraces the serious and the silly. This story is about Gracie's relationship with her father, in the twilight of his career and his life, as she tries to capture his memories, before his memory disappears. This is not a traditional biopic, but a deeply personal, artistic and cinematic reflection. Sometimes poignant in its exploration of deteriorating health, the film looks at the world through Baz's eyes, an ode to living a passionate life, that both honours him and preserves his memory.

Bergmans början: Ilska. Kärlek. Magknip.

Documentary relating Ingmar Bergman's life, from his high school graduation up until he became an established filmmaker in the latter half of the 40's.

Acting Blind

This touching documentary follows a cast of blind and visually impaired actors as they prepare Dancing to Beethoven, a play about blindness. The film takes us deep into the lives of the actors. We hear stories of their shock and disbelief at first losing sight and of their struggles coping with a life without it. We hear them talk about grieving and pining for the visual world. They tell the moving story of how this play is itself a victory, a type of salvation, for each of them. By opening night, at the renowned Place des Arts in Montreal, they are a close-knit cast, well-honed and ready to step out of the wings and into the light.

Lorraine Pintal - So The Light Never Dies

Directed by Ariane Louis-Seize, this tribute film was created as a gift for Lorraine Pintal, director of Montreal’s Théâtre du Nouveau Monde. Featuring some of the most memorable characters and performers of Pintal’s career, the film’s succession of surreal scenes from different dramatic worlds introduces viewers to the exceptional woman of theatre, stage director, and friend whom they consider to be the “ghost light” of Quebec theatre.

Gogol Online: Stalin's Funeral

On the same day that Stalin was buried, Sergei Prokofiev's funeral took place completely unnoticed. And if the farewell to the composer quietly went against the backdrop of the farewell to the dictator that swept the whole country, then in the play everything is the opposite - Prokofiev's music is in the center, and it is interrupted by the stories of those people who would probably ignore Stalin's funeral and went to say goodbye to the great composer.

Outliving Shakespeare

In a decaying Soviet-era retirement home, a vibrant group of elders cling to life by staging Shakespeare. Yet loneliness lingers beyond the theater’s doors, until drama begins to blur with reality.

The Hour

The hour before actors go on stage at the National Theatre in London is a performance in and of itself.

Shakespeare Corrected: What's Past is Prologue

A documentary film by Millikin University graduate Katie Kocan '25, giving a behind-the-scenes look at the production of Shakespeare's "Twelfth Night" by the student organization Shakespeare Corrected at the Decatur Correctional Center in April 2025.

Laterna Magica

A film by Séverine Barde, adapted from Dorian Rossel's play, based on Ingmar Bergman's fictional autobiography. A powerful self-portrait, at the crossroads of theater and cinema, from the collection De la scène à l'écran.

Rue du Conservatoire

In 1996 I took the conservatory exam. I missed it. A year ago I was asked to do a masterclass on acting in cinema. I went there. I met a lively, joyful and passionate youth. Among my students there was Clémence. The following year, she asked me to film their last show. I felt her urgency and the fear she had of leaving this mythical place. So I accepted.  By filming this youth, I revisited mine.

Despejadas

Je me soulève

Twenty young actors are brought together for a creation lab to create a collective work at one of the great national theatres. Over a full year, they scour contemporary Québécois poetry to tap into the spirit of the times.

Agatha Christie contre Hercule Poirot : Qui a tué Roger Ackroyd ?

Ahab Was Here: Reflections on Moby Dick

A Bulgarian theater company struggles to adapt Herman Melville's epic "Moby Dick" for the stage, revealing the obsessive dedication and creative challenges faced by cast and crew in their quest to bring an unfilmable masterpiece to life.

Onnellinen mies

A portrait of the great theatre actor Evgeniy Lebedev.

Sale race

Frankenstein: A Modern Myth

From Boris Karloff to Mel Brooks - Frankenstein has fired the imagination of generations of artists who have created their own interpretation of this Gothic masterpiece. Frankenstein: A Modern Myth looks at some of these depictions, including Danny Boyle's sell-out hit at the National Theatre. The film has exclusive access to rehearsals and interviews with Benedict Cumberbatch and Jonny Lee Miller - who alternate the roles of Victor Frankenstein and the Creature - and with Danny Boyle. It also features cult film director John Waters: "I'm sympathetic to monsters, and this was the first one I came across as a child".