Social & External
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Mick and Kev, teen Irish lads, are at the shore, throwing rocks at empty cans, drinking cider. Mick's the pushy one, engaging Kev in a game of mumbly peg, his hand on top of Kev's, fingers splayed. As Mick moves the knife between their fingers, a train is heard approaching. What's Mick's purpose?
An African mother will do just about anything to protect her child. Bilaly is a simple peasant who is blind. He wants to “know” a woman before he dies, but try as his mother might, she cannot find someone to oblige. She finally gets an idea – an idea that completely stuns the village.
This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen from the streets. Considerable time is taken showing the kinds of architecture of private homes. There are images of various important buildings, and a depiction of the Hollywood Bowl. Finally, there is a sequence revolving around the premiere of the film “Dirigible” (1931) at the famed Chinese Theatre.
At the break of dawn, teenagers Axel and Love are on the way home after a night out partying. As the sun rises, they start to see each other in a whole new light... Elin Övergaard's remarkably tender portrait of the struggle to say what you mean to the person you care for the most packs a considerable emotive punch in only just a few minutes.
Two young sisters take on the dangerous task of feeding their mother's sacred ashes to the Fire Serpent before it brings death to their desolate land.
Four friends trapped on a boat, drift through a series of terrifying encounters.
Mosholu Parkway is a short film comedy about a day in the life of a raucus family during World War II, a teenaged girl's disastrous blind date and her 80-year-old aunt who runs a crap game out of her apartment in The Bronx, New York in 1942 . Director Allison Robbins Writer Allison Robbins Stars Caroline AaronMatthew BrodskyMike Cefalo
Max and Antoine, two best friends, are having a drink together. Something will interfere with their night: Antoine tries to kiss Max, but Max pushes Antoine back. Max wants to make Antoine understand that he doesn't like men but Antoine thinks the contrary...
Alex is a paramedic who saves lives on London's gay chemsex scene, but can he save himself from it?
In these three short films, we examine key issues in the American cultural conversation—incarceration, race, life, death, digital culture, gender—through a distorted lens. They may be fictional, but these dizzying one-take videos do have the ring of truth.
A film student is having her birthday party with a few of her classmates she hasn’t seen in a while. Yeong-ju and Chae-eun become close friends after the party, and the two form a romantic relationship after realizing the chemistry they have. Yeong-ju writes a screenplay based on the story of her and Chae-eun.
A teenage boy attempts to put into practice his father's conception of masculinity when left to fend for himself amongst a group of older kids.
Rhys Day presents NO DIVIDE - a sticky mashup biopic/ videofeast.
This historical drama tells the story of Qin Shihuang, who unified China's vast territory and declared himself emperor in 221 B.C. During his reign, he introduced sweeping reforms, built a vast network of roads and connected the Great Wall of China. From the grandiose inner sanctum of Emperor Qin's royal palace, to fierce battles with feudal kings, this film re-creates the glory and the terror of the Qin Dynasty, including footage of Qin's life-sized terra cotta army, constructed 2,200 years ago for his tomb.
While attending his sister Kathryn's wedding, Jeffrey and his partner Miles must deal with Jeffrey's mother who does not approve of their homosexual relationship.
A young woman lost in a nocturnal, dreamlike city, with her twin psychic brothers who try to help her find her way home as she is pursued by a shadowy cult known as The Mysterious Ones.
Short film about seals, the hunt for them and how they are processed afterwards.
The Dreamers (1985) is a posthumous short film assembled by Oja Kodar from unfinished footage directed by Orson Welles in 1982. Edited after Welles’s death, the film derives from fragmentary material intended for an uncompleted adaptation of stories by Isak Dinesen. The 1985 version represents an editorial assembly rather than a completed work authored by Welles, presenting selected footage in a reconstructed form for archival circulation. (Note: This is a posthumous editorial reconstruction. The original 1982 project exists separately as an unfinished Welles work and was never completed or released by him.)