A timeless landscape steeped in history that is little changed today, but was surely made to be filmed!
Social & External
Daily dedications to a minor artisan of the classical Hollywood western. Each segment was originally a kind of letter, a private correspondence, sent in fragments to a friend over a few weeks—an ode to R.G. but also to B.C. (an ode to cinema, to everyday life, and to the cinephilic fantasy of their becoming indistinguishable).
A journey into time, landscape and consciousness: The Southwestern United States in the black-and-white moving images and unsettling instrumental music. Entropy of the American dream.
Valérie Jouve is a weel-known photographer, and Grand Littoral is her first film. Out the outskirts of Marseille, in a landscape criss-crossed by motorways, railways and srubland paths, some figures that seem to be from her famous photos passby and bump into each other. They act as our guides in a tour without beginning or end. How do you look at a place without taking possession of it? How do you describe characters without confining them within a given plot? How do you make the transition from still shots to moving pictures? this brief, musical film leaves us asking these and other unresolved questions.
In 1899, a photographer at American Mutoscope & Biograph mounted his camera on the front of a trolley traveling over the Brooklyn Bridge. The three 90-foot rolls he created were edited together to complete the journey from Manhattan to Brooklyn, entitled Across the Brooklyn Bridge. As a commission by the Museum of Modern Art for the re-opening of their facility, American avant-garde filmmaker Bill Morrison took this remarkable footage and recombined it with itself to form a new split-screen extrapolation.
A short film documenting a day out with artists practicing their craft through plein air style paintings.
A journey through a place of an eternal past; where the grandson of a Jewish partisan sets out to experience the dramatic events and places that shaped his grandfather's war years
In this Traveltalk series short visit to Scotland, we visit several places with familiar names, including Inverness, capital of the ancient Pictish Kingdom; Loch Ness, home of the famous elusive monster; and Saint Andrews, the birthplace of golf.
Algeria from above is the first documentary made entirely from the sky on Algeria. Through the eye of the famous Yann Arthus-Bertrand this documentary vividly depicts this great country, and its vibrant cultural and natural treasures. From North to South and from West to East, it shows us the entirety of Algeria, lives in the large hectic coastal cities, Atlas mountains, oases of the Sahara or gentle hills of the Sahel. With a rich past that seems to have crossed all civilizations, and a territory where all natural environments amalgamate, Algeria appears here in all its diversity and its unity.
This short film presents a look at Italy's popular tourist spots.
POSTCARD FROM SAN MIGUEL is perhaps the most mystical of all the films from Lawrence Jordan's "Odyssey" triptych. On the surface, it is merely a postcard from the picturesque Mexican colonial town of San Miguel de Allende. Underneath is the mysterious quest for the filmmaker's dream-lover.
This Traveltalk look at New Orleans starts at the recently modernized port and harbor facilities, with ships unloading various cargo and loading cotton. We then ride along Canal Street and visit the Tulane University campus. After a look at the variety of the residential architecture, we end our visit at the city's new airport.
James A. FitzPatrick takes a tour of the Fiji Islands. The short depicts the different types of natives that inhabit the islands, and shows villages that have not been changed in architecture for centuries. There are ceremonial dances, and FitzPatrick politically-correctly describes the rule of the islands under the British government.
The film is a travelogue of sorts. Ostrovsky’s personal family footage meets the archives of Soviet propaganda footage. The result is a kind of Khruschev-era mix with a collage of Soviet music and a voice-over of my reminiscences of the Cold War era.
Take a trip to the amazing Chinese capital without leaving your own home. Not content with a tourist-only view of Beijing, this documentary hangs with the locals in roadside food stalls and antique flea markets. But the big landmarks -- such as the Great Wall and the Forbidden City -- are showcased amply as well. Like any good vacation, this whirlwind of culture, history, shopping and food will leave you satisfied and reluctant to return home.
In December 2007, 7and7is, an Indie rock band from Edmonton, Alberta, Canada became the first foreign rock band to tour Cuba.
In Seán Martin's "Koan IV", an opening provocation suggests that the things we see continually hide the things we'd like to see. What we see after this is mist in a Scottish landscape. Martin's patient, enigmatic film contemplates a popular image of romance and intrigue attributed to a rural identity, alluding to what is hidden, what is real and what does not exist.
Garden designer Lynden B. Miller explores the life and career of Beatrix Jones Farrand (1872-1959), America's first female landscape architect.
Angolan director and screenwriter Pocas Pascoal reminds us that it’s time for a change, proposing through this film a look at colonialism, capitalism, and their impact on global biodiversity. We observe that the destruction of the ecosystem goes back a long way and is already underway through land exploitation, big game hunting, and the exploitation of man by man.
Terry Wilson is a 70-year-old lifelong resident of Meadowvale Village, Ontario's first heritage district. As development looms and begins to destroy Terry's favourite place in the world, he recreates pieces of history in his backyard, crafting an oasis where it feels like nothing has changed. A beautiful tribute to his childhood, his mother, and his town, Terry passionately fights to preserve history in a world that's too anxious for change.
An 1897 travelogue of a bullock turning a cog to work a water pump in Egypt. Director/Cinematographer - Henry Short. Made as part of a follow-up series of travelogue films following a collection made for R.W. Paul in 1896.