A look at the ruins of the ancient city of Angkor. The largest collection of sculptures the world has ever seen - an entire metropolis of palaces and temples recovered from the jungle.
Social & External
White’s camera offers several 360-degree pans of views of the fairground, then amazes by tilting up and down the Eiffel Tower, and concludes with a stunning tracking shot to the highest point above Paris. Exhibitors freely grouped films into nascent narratives such as those displayed here. - Bruce Posner
Where the Poppies Grow is a short docu-drama about one soldier during the Great War. Alfred Saxberg was a first generation Finnish Canadian who signed up at the beginning of the war and was fortunate to return home in 1919. When the Great War ended In November 1918, the people of the Lakehead could take pride in the contributions they had made. Over 6,200 people enlisted either as volunteers or conscripts. At home, the community supported the war by raising money to assist soldiers’ wives, children, and other dependents. There were also campaigns to help finance the purchase of military equipment and to send personal items to the soldiers overseas. By the end of the conflict, approximately 300 people from the Lakehead were killed overseas or died of illness due to their war service. Thousands more were wounded in body and mind. Where the Poppies Grow is a docu-drama that looks at the sacrifices made by people from the Lakehead to secure victory in the war.
An epic investigation into countless murders in Mexico. Presented in chapters, the film unfolds methodically through unsettling testimonials, sketching a portrait of an entire country transformed into a gigantic mass grave thanks to a climate of impunity established by both criminal gangs and state authorities.
A short news reel documentary about poster art.
The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.
In 1968, a convoy set off to transport a Calandria, the 70-ton core of a Canadian nuclear reactor, to Rajasthan in India. Even the largest semi-trailers could not keep up with this transport, which drove over specially reinforced roads and through city walls that had been demolished to make room.
A look at various predictions Nostradamus made, such as the American and French Revolutions.
An animated documentary about a memorable event: in spring 1997, a coloring contest is launched for the release of a new variety of ketchup.
Amateur taxidermist, Walter Potter, became an unlikely success by putting his creatures in human positions and scenarios, referred to as anthropomorphic taxidermy. Potter's Museum, filled with his creations and collection of oddities and curiosities dazzled millions for over a hundred years until the collection's unfortunate separation in 2003. While largely about the man and his creations, the film also takes a look at the obsessive nature of collecting, as well as the controversial history of stuffing dead animals.
People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.
Watch the drama unfold when the city of Las Vegas blows up the town's impromptu movie set.
Leonardi's film about the Living Theatre is less concerned with a straight documentary presentation of the exile theatre group from New York, but rather is concerned with the specific atmospheric factor which is indicated by their name, and which constitutes the highly suggestive effect of their playing. Cutting, for Leonardi, is the most decisive aesthetic device. The result is a wonderfully composed furioso of pictures. The hand-held camera catches rehearsals, conversations without sound, bits of theatre and daily life actions (which, for Living Theatre people, is very often intermixed).
Superstitions are examined in the context of mid-20th century America. Walking under ladders, spilt salt, stepping on cracks, haunted houses, voodoo dolls, and such are used to illustrate the widespread belief in the supernatural.
A skeptical glance cast upon the Christian, pagan and scientific opinions on the supernatural. One has to decide which is right and which is wrong, if any. A film dedicated to the bad taste and naivety everywhere.
Two ten year-old boys are detained by police under suspicion of abducting and murdering a toddler.
This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services.
The Professor, helped by his flying robot M.A.X., tries to show us the history of 3-D film, and his newest innovation, Real-O-Vision (ride films). But his hardware keeps breaking down, particularly when he's trying to introduce a music video of Elvira. Written by Jon Reeves
A memory of Marilyn Monroe (1926-1962), woman, actress, goddess, myth, in the words of the Spanish director and scriptwriter José Luis Garci, who returns to his childhood and recovers a lost paradise.
This short documentary documents the making of the film the Quay Brothers shot at, and on the subject of, the Mütter Museum of The College of Physicians of Philadelphia, the first film the internationally-known filmmakers have made in the U.S.A.
End of adolescence, end of school, the last summer before joining the working world for a group of friends from the neighbourhood of Alcoitão, "BDA".