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A small Youtuber occasionally makes half ironic videos for few to see. A half narrative, half experimental view of the numb feeling of consuming endless amounts of content online instead of doing anything else, forever.
Inspired by the collaborative practice of composer John Cage and choreographer Merce Cunningham, composer Joan La Barbara and filmmaker Aleksandar Kostic created an event in which the film and music were conceived independently, allowing the two works to meet for the first time in performance.
This is a journey with the ghost of Simkhovitch as she roams through Greenwich House, a voyage that blends together aspects of both past and present, set against a soundscape created by Joan La Barbara an Avangard composer and performer.
Amid the chaos of existence, where warmth entwines with cold, passion ignites a fire that both liberates and consumes. Lust whispers sweet nothings, yet beneath the surface lies a scream—ecstasy laced with the taste of demise. Every touch is both a caress and a curse. We fuck to feel alive, yet each kiss inches us closer to the void. Love and loss converge, and the pulse of life beats strongest in the shadows of death.
Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."
After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.
Stop-motion experimental short where two men communicate with one another, talk on the telephone, smoke cigarettes, and contort themselves. Produced 1987 and released in 1988 on the VHS compilation Fat of the Land, released via Factory Records video imprint IKON. "Here is the first tape of a new British cinema which should be seen by everyone who loves film. The official British cinema is truly dead, alive only in admens bought dreams. This is the way to go."- Derek Jarman
A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.
Filmed on location in Vignaccio, Grosseto, Italy.
An experimental re-edit of Jack Frost, starring Michael Keaton.
Holding Space explores the lived experiences of Burmese immigrants in Singapore under the gaze of neighbours in public flats. With a focus on spatial arrangements and housing exteriors, the experimental film challenges the ways architects visualise and instrumentalise their ways of seeing, seeking to hold space for subjective experiences and the subtle yet persistent influences on our domestic interiors.
state. is an exploration of liminal spaces, physical and emotional, from the perspective of a teenager. Unravelling through a desktop screen, the film navigates between different states: physical and digital, reality and whimsicality, and childhood and adulthood.
TAMAN HUTAN Chapter Four: The Wound Response focuses on the rubber craze of the 20th century through both archival documentation of wages and an interview with Cek Anuan on his grandfather Rasimin who worked with English naturalist Henry Nicholas Ridley. Focusing on the Singapore Botanic Gardens as the site of interaction between colonists and labourers, the film reveals the wounds of those erased from colonial records but who remain inscribed within nature itself.
Proximities focuses on the trope of the Malay Boy found in the works of Singaporean artist Cheong Soo Pieng (b. 1917-1983). It attempts to locate the Malay male in art history while unpacking underlying systems of power that have shaped and naturalised the understanding of difference.
Body and Landscape is the exploration of the world of a dancer, who finds in her body the best way to experience the world. Above all, the short film alludes to the cycle of life, where there is a beginning, a middle and an indication of the end. The construction of the film's visual and sound landscape is developed from two narratives, which communicate simultaneously. One that starts with the dancer, who uses dance as the main means of expression and that follows a chronologically organized direction in the narrative and another that starts from visual plans based on nature, without obeying a temporal logic, and that refer to the story by Hans Christian Anderson.
The Garden is an experimental work that describes the inner worlds of two sisters manifested through their connection with the garden outside their home. While mourning the passing of their close relative, the sisters encounter a man in the garden, evoking a sense of mortality in one and awakening the sensuality in another. The film was directed by Ong Ann Meng (better known as Meng Ong), who went on to win numerous awards for his short films at the Singapore International Film Festival between 1991 and 1993. His first feature, Miss Wonton (2001), won the FIPRESCI Prize at the Locarno International Film Festival.
The Hypergaussian Wars is an AI-generated feature-length audiovisual work exploring algorithmic warfare, obsolete media and the transformation of images through repetition, saturation and collapse. Built from thousands of generated images, synthetic landscapes and references to 14th–16th century painting, the film stages a continuous conflict between historical visual culture and contemporary computational systems. Fragments of obsolete video games, ruined architectures, military simulations and post-human figures circulate through increasingly unstable environments. Rather than telling a linear story, the film operates as an image system in which visual excess progressively erodes meaning. The Hypergaussian Wars reflects on memory, obsolescence, artificial intelligence and the persistence of images after their original function has disappeared.
After the end of a relationship, a young Belgian woman remains alone in an isolated house and turns silence, repetition, and solitude into forms of existence and resistance to forgetting.
A feature length documentary about the all-women team at the helm of Pixar's original feature, Turning Red. With unprecedented behind-the-scenes access to Director Domee Shi and her core leadership crew, this story shines a light on the powerful professional and personal journeys that brought this incredibly comical, utterly relatable, and deeply heartfelt story to the screen.
Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.
A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.
An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.
This special explores the return of Obi-Wan Kenobi and Anakin Skywalker to the screen, as well as Ewan McGregor and Hayden Christensen to their classic roles. Director Deborah Chow leads the cast and crew as they create new heroes and villains that live alongside new incarnations of beloved Star Wars characters, and an epic story that dramatically bridges the saga films.
An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.
A man prepares and goes to work in a bizarre world, where the meaning of human workforce is taken to another level.
Featuring interviews with filmmakers and industry legends, discover the origins and evolution of The Joker, and learn why The Clown Prince of Crime is universally hailed as the greatest comic-book supervillain of all time.
Victor Frankenstein is a promising young doctor who, devastated by the death of his mother during childbirth, becomes obsessed with bringing the dead back to life. His experiments lead to the creation of a monster, which Frankenstein has put together with the remains of corpses. It's not long before Frankenstein regrets his actions.
Two families embark on a pleasant Sunday picnic but manage to run into a variety of issues with their temperamental automobile. Each incident requires repeated exits and reboardings by Laurel, Hardy, their wives and grouchy, gout-ridden Uncle Edgar.
20 men are chosen to participate in the roles of guards and prisoners in a psychological study that ultimately spirals out of control.
Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.
Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.
Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.
In 1974, Chilean-French director Alejandro Jodorowsky embarked on the quixotic project of adapting Frank Herbert's influential novel Dune (1969) for the big screen. After investing two years, and millions of dollars, the gigantic project ended in failure; but the artists Jodorowsky brought together to carry it out continued to work together, and ended up laying the foundations for modern science fiction cinema.
Minnie Mouse knits a sweater for Pluto. When she puts it on him, Pluto does whatever he can to try to get it off, eventually shrinking it to the perfect size for Figaro.
A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.
Oliver is making plans to marry his sweetheart Dulcy with Stan as his best man, but the plans are thwarted when Dulcy's father sees a picture of Ollie and forbids the marriage. The couple plan to elope, and run away to a Justice of the Peace. After typical Laurel and Hardy blundering, they manage to sneak the girl away from her father's house.
A look behind the lens of Christopher Nolan's space epic.