The film examines a personal attempt to address existential concepts related to Palestinians such as exile, return and the image of the homeland.
Social & External
Following the October 7th massacre and allegations that UNRWA staff were involved in the kidnappings, the agency made headlines around the world. Israel enacted legislation to suspend cooperation with UNRWA, despite the ongoing humanitarian crisis in Gaza. The film presents a historical examination of UNRWA’s role—a temporary agency, initially mandated to resolve the refugee crisis following the 1948 war, which has never ceased its operations and, after 75 years, continues to perpetuate generations of refugees
In 1917 when the British forces are bogged down in front of the Turkish and German lines in Palestine they rely on the Australian light horse regiment to break the deadlock.
A portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives. Farah Hatoum, a widow living with her children and grandchildren, and Sahar Khalifeh, a novelist from the West Bank.
Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
In an exclusive new documentary, Max Blumenthal rips the cover off the media deceptions and atrocity hoaxes Israel pushed after October 7 to create political space for its gruesome assault on the Gaza Strip. Blumenthal exposes the US mainstream media's role as a megaphone for the Israeli government, introducing new lies even after their initial ones were debunked. Atrocity Inc raises serious questions about the official narrative of October 7, while revealing how Israel's army has consciously engaged in the same hideous atrocities which it falsely accused Palestinian militants of committing.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
During the Syrian civil war, the district of Yarmouk, home to thousands of Palestinians, became the scene of dramatic and ferocious fighting. The film follows the destiny of civilians during the brutal sieges, imposed by the Syrian regime, that took place in the wake of the battles. With his camera, Abdallah Al-Khatib composes a love song to a place that proudly resists the atrocities of war.
Two Sydney doctors volunteer to work in Gaza. This is the story of their time in a hell on earth. They experience frightful scenes of carnage including the deaths of many children. But they also bear witness to the resilience and generosity of many people.
The documentary records the memories of a group of Palestinian elders, mainly veterans from the 1948 expulsions. Their stories of refugee struggles are interspersed with poems of Mahmoud Darwish.
Letter to My Tribe started with a question: Why don’t more Jews and Israelis speak out about Palestine? Over many years my mother, who represents a more messianic perspective, and I have had numerous arguments, some recorded, some not. These form the backbone of this video essay in which Israelis and Jews, journalists, activists and a rabbi are interviewed, and in which documentation of actions on the ground, in the West Bank, are woven with more personal family histories and journeys to Iraq and to Poland.
Writer-actor Aaron Davidman embodies seventeen different characters in and around the sacred city of Jerusalem as he takes us on an eye-opening journey into the heart of the Israeli-Palestinian story. Exploring universal questions of identity and human connection, the film is about one man's effort to embrace a multiplicity of conflicting viewpoints, chronicling a brave exploration of the complex humanity at the heart of one of the world's most troubling conflicts.
In July 2002, the illustrator Daniel Maja is invited to Ramallah and Gaza to develop a project for art schools in Palestine, despite the fact that most West Bank cities are under curfew at the time. Dominique Dubosc, the filmmaker, decides to accompany him. The film develops according to their two gazes, which play one against the other, or with the other, in two mediums, throughout the journey.
This feature length investigation by Al Jazeera’s Investigative Unit exposes Israeli war crimes in the Gaza Strip through the medium of photos and videos posted online by Israeli soldiers themselves during the year long conflict. The I-Unit has built up a database of thousands of videos, photos and social media posts. Where possible it has identified the posters and those who appear. The material reveals a range of illegal activities, from wanton destruction and looting to the demolition of entire neighbourhoods and murder. The film also tells the story of the war through the eyes of Palestinian journalists, human rights workers and ordinary residents of the Gaza Strip. And it exposes the complicity of Western governments – in particular the use of RAF Akrotiri in Cyprus as a base for British surveillance flights over Gaza.
After Hamas kidnapped 251 people from Israel on October 7, and as Israel’s war in Gaza unfolded, a conflict thousands of miles away erupted on New York’s walls. TORN captures the emotional fallout of the now-iconic “KIDNAPPED” poster campaign - a grassroots act of solidarity that quickly became a flashpoint, igniting fierce confrontations between pro-Israel and pro-Palestinian New Yorkers. Through the voices of artists, activists, and hostage families, the film unpacks the motivations behind those putting up and tearing down the posters, exposing a complex proxy war fought in stickers, slogans, and torn paper. By revealing how a distant war fractured daily life in one of the world’s most diverse cities, the film forces a reckoning with identity, free speech, and empathy in an age of polarization.
October 7, 2023 was one of the deadliest days of fighting ever in Israel, with around 1,200 people killed after Hamas launched its attack and 250 taken hostage – many of whom have either died in captivity or not yet released. The project features testimony from four victims and first responders, who witnessed the massacre and its aftermath: a farmer who helped rescue young people, a young survivor of the Nova music festival who took refuge in a shelter only to witness friends being murdered, an ultra-orthodox musician who volunteered to identify victims, and a mother whose son was kidnapped and taken to Gaza. A sentence uttered by the musician, who had seen 100 dead bodies in a single day, was the inspiration behind the title.
Montage film by Aymeric Caron, broadcast at the French National Assembly on May 29, 2024. “Is it a dream or a reality? » demands a little girl stunned by her injuries. It is a nightmare, without a doubt, and nothing can justify it, neither the crimes of October 7 nor the detention of Israeli hostages by Hamas. Condemning all the crimes of October 7, before and after, condemning anti-Semitism and all forms of racism is common sense. However, it seems that this needs to be clarified. Everyone present normally wishes that the surviving hostages can one day be reunited with their families and that the massacre in Gaza stops immediately. But to follow through with the process is to see things face to face, to see what has been happening in Gaza since October 7, what the Israeli army is doing, what the television channels are not showing.
An Italian cruise ship carrying passengers from all over the world is hijacked off the coast of Egypt by a Palestinian commando unit. It is the beginning of a three-day ordeal in 1985 that culminates in the murder of an American hostage and an armed clash between two NATO allies to capture his killers.
What drives a young, well-educated Westerner to volunteer as a “peace activist” in the Middle East? Caiomhe Butterly is one of a growing number of volunteers who risk their own safety to intervene in the long-running and bloody conflict between Israel and Palestine. Several internationals, including her, have now been injured. Some have died. In this film, she describes witnessing the aftermath of the attack on Jenin in April 2002. The film follows her work, the main emphasis being “the accompaniment of communities at risk”. Despite being threatened, shot in the leg and deported later that year, she is determined to go back.
Set both in Latin America and the United States, the film explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. Pilger says that the film "...tells a universal story... analysing and revealing, through vivid testimony, the story of great power behind its venerable myths. It allows us to understand the true nature of the so-called "war on terror". According to Pilger, the film’s message is that the greed and power of empire is not invincible and that people power is always the "seed beneath the snow".
With unprecedented access, this documentary follows the extraordinary journey of “Raqqa is Being Slaughtered Silently”—a group of anonymous citizen journalists who banded together after their homeland was overtaken by ISIS—as they risk their lives to stand up against one of the greatest evils in the world today.
“The Soviet Story” is a story of an Allied power, which helped the Nazis to fight Jews and which slaughtered its own people on an industrial scale. Assisted by the West, this power triumphed on May 9th, 1945. Its crimes were made taboo, and the complete story of Europe’s most murderous regime has never been told. Until now...
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
Amid the failing counteroffensive, a journalist follows a Ukrainian platoon on their mission to traverse one mile of heavily fortified forest and liberate a strategic village from Russian occupation. But the farther they advance through their destroyed homeland, the more they realize that this war may never end.
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
When Sgt. First Class Brian Eisch is critically wounded in Afghanistan, it sets him and his sons on a journey of love, loss, redemption and legacy.
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans. Preserved by the Academy Film Archive in 2005.
Pete Postlethwaite stars as a man living alone in the devastated future world of 2055, looking at old footage from 2008 and asking: why didn’t we stop climate change when we had the chance?
Over seven decades, actor and activist George Takei journeyed from a World War II internment camp to the helm of the Starship Enterprise, and then to the daily news feeds of five million Facebook fans. Join George and his husband, Brad, on a wacky and profound trek for life, liberty, and love.
Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.
A detailing of the rise to prominence and global sporting superstardom of six supremely talented young Manchester United football players (David Beckham, Nicky Butt, Ryan Giggs, Paul Scholes, Phil and Gary Neville). The film covers the period 1992-1999, culminating in Manchester United's European Cup triumph.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
Produced and presented as evidence at the Nuremberg war crimes trial of Hermann Göring and twenty other Nazi leaders, this film consists primarily of dead and surviving prisoners and of facilities used to kill and torture during the World War II.
Police pull over a woman who claims she just gave birth. But the baby — and the blood — aren't hers. Twisted lies unravel in this true-crime documentary.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
The final entry in a trilogy of films produced for the U.S. government by John Huston. Some returning combat veterans suffer scars that are more psychological than physical. This film follows patients and staff during their treatment. It deals with what would now be called PTSD, but at the time was categorised as psychoneurosis or shell-shock. Government officials deemed this 1946 film counterproductive to postwar efforts; it was not shown publicly until 1981.
Diaries, audiotapes, videotapes and testimonials from friends and colleagues offer insight into the life and career of Gilda Radner -- the beloved comic and actress who became an icon on Saturday Night Live.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.