Social & External
Narrator (voice)
Nishika 3D cameras were the inexpensive cousins to the Nimslo 3D cameras made in the mid to late 1980's (the Nimslo cameras used glass lenses, while the Nishika ones used plastic lenses). The cameras used regular 35mm film that captured 4 simultaneous images onto 2 frames of film. These images were printed onto photo stock with a lenticular surface bonded to it which allowed 3D to be seen without glasses, like the old kids story books with the 3D covers. The basic 3D camera kit came with this VHS instructional video that was hosted by Vincent Price. It was one of the last things he did.
The film recounts an experience, that of a director and his two actors at grips with a play: from the first meeting to the initial readings, the rehearsals done at home, the ones done on stage and finally the first performance. But an experience that took place in the peculiar situation in which the whole of Italian culture found itself in the days between the first and second wave of the pandemic, when it really seemed possible to restart and the feeling of euphoria was accompanied by the illusion that the worst was behind us. Once again we were suddenly checked in our desire for beauty, for life.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
This film joins a hunting-party of inhabitants of the Frobisher Bay Correctional Centre. The stalking, killing and skinning of seal and caribou are featured prominently, with explanations as to the importance of these animals to the Inuit way of life.
A brief visualisation of NASA’s historic spacecrafts Mariner, Pioneer, Voyager, and Dawn, exploring the solar system, culminating in the New Horizons mission.
Short documentary film on the fashionable nightclubs and the trendy pop culture scenes that were famous in London on the late 70's. Released as a support feature to the first Alien (1979) movie.
In this home movie collection of gay men, memory serves as an act of hope, power, and above all, resilience.
Raw footage received from photographer Harry Dunham revealed never before seen images of Mao Tse-Tung and the Eighth Route Army, inspiring Frontier to collectively shape a new film from desperate images, and to refine its dialectic editing.
A lonesome car. The wind is whistling. A door of an undefined building opens—is it a holiday bungalow, a shed or a ruin? A woman is standing at the window. The heat of an idle day of holiday, perhaps. The South, a place of longing.
Part of Chris Marker’s Bestiaire (Petit Bestiaire) collection, An Owl Is an Owl Is an Owl is a short video meditation on the gaze and movement of owls—sometimes still, sometimes in flight—observed with the quiet, rhythmic attention typical of Marker’s later video work.
In 1964 Film Culture magazine chose Andy Warhol for its annual Independent Film award. The plan was to show some of Andy's films and have Andy come on stage and hand him the award. Andy said, no, he didn't want a public presentation.
At age 93, there's no stopping the legendary artist Betye Saar.
A short documentary exploring the ways LGBT couples show affection, and how small interactions like holding hands in public can carry, not only huge personal significance, but also the power to create social change.
Intimate views of the movie stars of the Silent Era, at work and play; featuring Sessue Hayakawa, Lillian Gish and others.
LA CASA DELLE VEDOVE portrays a group of widows who, he thinks, lived in a constant ‘dialogue‘ with death. In the house where they all lived ‘every colour was saturated with that special reddish shade that you see everywhere in Rome, and furthermore the rooms were filled with a stale, musty smell.‘
A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).
Director Harry Kümel and writer Pierre Drouot revisit the locations from their classic movie Daughters of Darkness.
This film describes the building of the drilling platform ADMA Enterprise in a shipyard on the Kiel Canal, from where it was rowed to the Arabian Gulf.
There are children. There are those who abuse them. And there are those who know, but never tell.
