Animated promotional video for Nina Simone's 1987's relaunch of her single "My Baby Just Cares for Me". The "Baby" in question is a claymation cat madly in love with her.
Social & External
Unknown Role
BULIMIA: THE MUSICAL follows a young girl's journey from first vomit to last breath, in fifteen minutes of laugh-out-loud, puke-your-guts-out song and dance, all wrapped up with a positive message.
Two incarcerated women in a secured forest of the North of Quebec are subjected to hard labour of reforestation. Confronted to their body’s instrumentalisation and its underhand control, they enjoy a little area of freedom they managed to create thanks to a prison guard particularly empathetic towards them.
Manivald is a fox in his early 30s. He is still living at home with his mother. One day a young hot wolf called Toomas comes to fix the washing machine. A love triangle develops between the three of them. Things get out of hand and Manivald realizes that it is time to move out.
The boredom of a young middle-class woman at home a Sunday afternoon. Not to be confused with Carlos Saura's short of the same name produced in 1957.
A young man addicted to sex, drinking and nightlife has a casual encounter and contracts a nasty, unknown bug. A surreal, horror comedy, a descent into sex, passion, violence, madness and redemption.
The dystopia of reality through employees who enter the workplace with coffins, an elevator as a cemetery in the plazas, mechanized white-collar people, people who get money out of their heads, businessmen snarling at each other and a boss who throws up money.
Based on the play by Anton Chekhov - this short film follows a widow after learning her late husband owes a debt
The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.
Agnes is not satisfied with her life. She wants a change, but her relationship with her single parent father and dominant girlfriend inhibit her to do something about it. When the father introduces his new wife, Annalyn, everything changes. The same-aged Filipino stepmother helps Agnes see a new path. Soon emerges something that no one could have foreseen.
Suffering from heartbreak and asthma, 23-year-old Toshiyuki pushes the limits of his body to chase the ghost of his recently deceased boyfriend against the black-blue backdrop of Tokyo’s cityscape. -JAPAN CUTS: Festival of New Japanese Film
Than, who is trying to have a relationship with Palm while texting his neighbor, who helps him with his problems and deals with his mother...
Thirteen years old and on the edge of adulthood, a boy on a diving board faces the unknown.
Set in 1940s Nigeria, capturing the struggles of a young African girl. Funmi precariously straddles the different worlds of modernity and tradition. When Funmi's mother, a powerful market woman, insists on sending her to England for an education, Funmi goes reluctantly, knowing that the patriarchal traditions at home continue to oppress the market women. With the help of a strange African American angel, Funmi returns with the confidence of an educated young woman. But she soon finds that, even though she has changed, the oppression has remained the same. The film culminates in the moment when Funmi finally and fully faces the old challenges.
This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.
The low budget film starring the young Bruce Campbell that influenced the Evil Dead films.
A dysfunctional night with his girlfriend challenges Jay to evaluate whether the rewards of intimacy and commitment are worth the complicated baggage that comes with.
A film about a pregnancy
A woman sits around at home.
