A predominantly non-verbal drama series exploring the interconnections of a group of young BIPOC creatives in London.
Social & External
Matteo
Jean
Ettien
Zuri
Akira
Afiyah
Manny
Kumari
Cooper
Blair
Jazmyn
Iman
Winnie
Campbell
Isaiah
Ocean
Ovi
The Brazilian FunkStar, nominated for a Grammy for Best New Artist, took the stage at the live show in Los Angeles and performed, during a 45-minute set, songs from her latest album "Versions of Me" (2022), and more.
Seven minutes in length, the film features two black male hikers — one ascending a mountain, another descending — who encounter each other as their paths cross. Their balletic movements are at once lithe and halting, athletic and awkward, challenging stereotypical notions of the forever rhythmic elegance of the black body in space.
An innocent tourist travels to LA and unexpectedly conjures her sister's last night alive. Bold score, stylized dance and an eccentric cast, shot at The Standard Hotel, weave a dark and luminous film that revamps traditional narrative.
An anthology of four abbreviated operas: "William Tell" by Rossini, "The Marriage of Figaro" by Mozart, "Don Pasquale" by Donizetti, and "Carmen" by Bizet. Filmed in Italy with major opera stars, and accompanied by English narration.
Alex Owens, a young woman juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.
Eleven vignettes from the vision of different writers and directors who depict Venezuelan culture very subtly through different genres.
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
Boisterous nightclub entertainer Buzzy Bellew was the witness to a murder committed by gangster Ten Grand Jackson. One night, two of Jackson's thugs kill Buzzy and dump his body in the lake at Prospect Park in Brooklyn. Buzzy comes back as a ghost and summons his bookworm twin, Edwin Dingle, to Prospect Park so that he can help the police nail Jackson.
Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.
Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.
Celebrating the 100th anniversary of the Ballets Russes, Sadler’s Wells commissioned four of today’s leading and acclaimed choreographers to create one work each honouring the legacy of impresario Sergei Diaghilev. IN THE SPIRIT OF DIAGHILEV features Sidi Larbi Cherkaoui’s Faun, Russell Maliphant’s AfterLight (Part One), Wayne McGregor’s Dyad 1909 and the controversial Eternal Damnation to Sancho and Sanchez by Javier de Frutos. Specially filmed interview content offer viewers the unique opportunity to take a look behind the scenes at the works in rehearsal, as the collaborators share their thoughts on the enduring influence of Diaghilev and the remarkable collaborative spirit of the Ballets Russes. The performances involve collaborations with artists and filmmakers Jane and Louise Wilson, acclaimed composer Nitin Sawhney and costumes by leading fashion designer Hussein Chalayan.
Omnibus consisting of three segments. The first story is about a fight between the boy's parents, after which he ends up in a correctional hall, and then in jail. The second story is about a mental patient who leaves the hospital to find his wife, a fashion model. The third story is about two factory employees who go for a few drinks after work, only to end up later at one of his mother's house where they all get drunk.
How do we bring our physical bodies with us into our inevitably digitally-bound futures? Collaboratively conceived by director Brian J. Johnson and Vancouver’s acclaimed Company 605, Future Futures is a collection of five short dance films that explore the digital destiny of humankind through a unique merging of camera and visual effects with a specific choreographic vision. Embracing the absurdity of centering dance inside a sci-fi narrative, the experimental series collapses time to portray human culture at an unprecedented moment: the emergence of a new, autonomous, and intelligent being—the digital reflection and culmination of ourselves. Through its otherworldly imagery, choreography, and driving electronic sound score, Future Futures evolves into a strange, highly visual exploration of what we are if we are no longer tied to our physical bodies, and how we will define humanity when faced with a fading IRL existence.
Three stories from the school environment, mostly from the perspective of teachers. In the first story we see an unnecessarily strict teacher, in the middle one a sports career is glossed over, which causes a young teacher to leave his job. In the final story, on the other hand, an experienced high school teacher goes to teach in a rural school to gain inner peace.
A 12 year old boy with a passion for dance and his brother are rescued from the streets by an old showman who takes them to live with his estranged former dancing partner/brother.
Isabelle is an inspired dancer, but when her sister and a classmate make her doubt herself, she's motivated by a ballerina to find her own way to shine.
Motion Control examines the synergy of camera and performer. Shot on 35mm, it explores from the camera's pov, the physical and emotional entrapment of the ageing and glamorous dancer in her private and personal spaces. The film is notable for hypersound foley overlaid with text and electro-opera composed by Billy Cowie and sung by soprano Naomi Itami.
An anthology of three short films by Kim Jeong-in, Jung So-young, and Hwang Seul-gi. It uses food and people to capture the warmth of everyday life that everyone can relate to.
A compendium of three short science-fiction films, each with a decidedly feminist slant.