Social & External
Kike
Mónica
the film „mandà in lunga“ follows a journey from Val Poschiavo, a valley in the Italian-speaking part of the Swiss canton of Grisons, up to the highest point of the Morteratsch Glacier, the largest glacier in the Bernina Range. Shot entirely on 16mm film and edited in-camera, the film captures the changing landscapes and atmospheric shifts along the way. The journey is musically accompanied by the organ drones and violin sounds of Laura and Luzius Schuler.
A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, which has destroyed its own planet. But is it even possible to escape old patterns?
On October 25 1984, an afternoon for three girls takes a thrilling and rather mystical turn after following a peculiar boy into the surrounding forest of their college town.
The director offers a rare glimpse of the actor and fashion muse Chloë Sevigny in the late 90s when she as an emerging ingénue. Shot on 16mm black and white, Sevigny plays air guitar and dress-up in a film that beautifully captures the spirit of the time.
In an abandoned hospital on the outskirts of Brussels, strangers come and go while ghosts linger. Among the shards of glass, a young streamer performs a live sex show for an online subscriber. Under the same dilapidated roof, an old woman lights a fire and drinks her sorrows away in the room where her husband stayed until he died. A chance encounter between these two lonely beings will unleash a flood of memories and virtual data. But real-life connections are scarce, and mutual consolation seems a distant dream. Porcupines are said to gather on cold winter days to share body heat with their fellows, but ultimately injure each other with their quills. How is it that our slightest attempts at intimacy so often see us retreating once more into solitude?
Structural study of a tree. Light, water and air coax it out of the soil in a manner foregrounding time’s relativity to different forms of life on Earth. Made the day my brother got his fork-lift license.
A young woman uses a strange telephone service to leave messages for her departed brother.
When a cinephilic line cook, Hogan, meets Sierra, the girl of his dreams, he must navigate his past trauma and deal with the truth behind his father’s absence.
As a winter storm approaches the shallow water crystallizes, ice builds up along the edges of a stream, and the first snowflakes of the storm layer over the newly formed ice. The following morning a soft light approaches through the snow covered forest.
A close look at flowers and pollinators on a sunny summer morning.
Clouds forming and moving through the summer sky.
In the early 1900s commercial loggers cut down an old growth spruce tree growing on a small island surrounded by tide pools on the coast of Maine. Out of the trunk of this ancient tree grew two new trees, side by side.
Morning dew in summer fields and meadows.
Mountain wildflowers in a dense fog.
A short film featuring a coastal forest and the rocky coastline of downeast Maine.
A golden sunrise brings light to the foggy hills and meadows of late summer.
A study of the seashore in mid-coast Maine.
Wildlife in an early spring wetland.
A short film shot on 16mm about memory, grieving, and siblinghood.
"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins
