Madame Sans-Gêne

Pieds nus dans le parc

Monsieur Poulpe : Nombril

Un chapeau de paille d'italie

Welfare

Un diner d'adieu

Why do we often go to dinners we don't want to attend, to see friends who aren't really friends anymore? Out of habit? Out of kindness? Out of cowardice? Intoxicated by the idea of tidying up their schedules by sorting through their old friends, Pierre and Clotilde Lecoeur (played by ERIC ELMOSNINO and LYSIANE MEIS) decide to organize farewell dinners, the ultimate form of friendly divorce. However, by choosing - as their first victim - Antoine Royer (played by GUILLAUME DE TONQUÉDEC), their oldest friend, Pierre and Clotilde are unaware that they are getting caught up in a downward spiral.

Un culot monstre

Les Femmes savantes

Guillermo Guiz : Ozzy

Les Seins de Lola

The plot of the play revolves around Lola, a sexagenarian, divorced and not very well off, who gets it into her head to have a breast reconstruction.

Sherlock Holmes et l'Aventure du Diamant Bleu

Sherlock and Doctor Watson are back and investigate the curious disappearance of an exceptional diamond in a hotel room. A theater adaptation of one of the 56 short stories featuring the detective Sherlock Holmes.

L'école en actes

Smaïn: Rebelote

From a tour of Paris in a tourist bus, to a father who has decided to become a "stay-at-home dad", to a manager who believes in his rap group, Smaïn underlines with his words and humor the flaws of our society that are, in the end, so familiar to us.

Haroun - Seuls

Tartuffe ou L'imposteur (Comédie Française)

Tartuffe is a hypocritical impostor who manages to manipulate Orgon, a wealthy widowed bourgeois, by feigning devotion. Orgon ends up offering his daughter Mariane in marriage to Tartuffe, while he disowns his son Damis and intends to donate all his possessions to Tartuffe. Elmire, Orgon's young wife, whom Tartuffe is courting, will attempt to expose him, while the royal family intervenes to prevent the ruin of Orgon's family.

La maîtresse de mon fils

Opéra National de Paris: Castor et Pollux by Jean-Philippe Rameau

A return to its roots for Castor et Pollux, Jean-Philippe Rameau’s lyric tragedy first performed in 1737 at the Académie royale and inspired by the mythological episode of the Gemini. Rarely performed in its original version – the score was reworked by Rameau himself in 1754 –, this daring work plays on contrasts and expressiveness, as in the famous “Tristes apprêts”. The aria is sung by Télaïre mourning the death of her fiancé Castor, killed in battle, before his twin brother Pollux descends into the Underworld to ask his father, Jupiter, to bring him back to life. While this opera celebrates brotherly love, its prologue poses an essential question for director Peter Sellars: how do you stop a war and its attendant hatred and resentment?

Un chapeau de paille d'Italie

Benjamin Tranié - Le Dernier Relais

Audrey Lamy - Dernières avant Vegas

Audrey Lamy, nominated for the Molières, lights up the stage with all her talent and her fantasy, linking unique and hilarious characters: a mother on the verge of a nervous breakdown, a nymphomaniac girlfriend found on Facebook or even a more than shooting star of the "Poop Academy"...