Social & External
lui-même
Contrebasse
Danse
Chantsigneur
My name is Arnaud. I'm going to play in the Trio show with Baptiste and Jérémy. I've been asked to write the pitch for the show. As I write these lines, I don't know anything about it. But basically, this is how it's going to happen: we're going to write a show and it shouldn't go as planned because of one person. Apparently me. Thanks to my great experience, I'll save the evening. Baptiste will follow me with his eyes closed because he loves me. Jérémy will yell at me because he's an idiot. But what's certain is that you're going to laugh a lot. And so will we.
A return to its roots for Castor et Pollux, Jean-Philippe Rameau’s lyric tragedy first performed in 1737 at the Académie royale and inspired by the mythological episode of the Gemini. Rarely performed in its original version – the score was reworked by Rameau himself in 1754 –, this daring work plays on contrasts and expressiveness, as in the famous “Tristes apprêts”. The aria is sung by Télaïre mourning the death of her fiancé Castor, killed in battle, before his twin brother Pollux descends into the Underworld to ask his father, Jupiter, to bring him back to life. While this opera celebrates brotherly love, its prologue poses an essential question for director Peter Sellars: how do you stop a war and its attendant hatred and resentment?
Recorded in May 2024 at the Théâtre de la Renaissance in Paris. For his first show, Monsieur Poulpe gives his all, combining sincerity and madness. It's a tightrope act to which he invites an audience won over by his gentle madness and his inpredictable world.
Tartuffe is a hypocritical impostor who manages to manipulate Orgon, a wealthy widowed bourgeois, by feigning devotion. Orgon ends up offering his daughter Mariane in marriage to Tartuffe, while he disowns his son Damis and intends to donate all his possessions to Tartuffe. Elmire, Orgon's young wife, whom Tartuffe is courting, will attempt to expose him, while the royal family intervenes to prevent the ruin of Orgon's family.
Why do we often go to dinners we don't want to attend, to see friends who aren't really friends anymore? Out of habit? Out of kindness? Out of cowardice? Intoxicated by the idea of tidying up their schedules by sorting through their old friends, Pierre and Clotilde Lecoeur (played by ERIC ELMOSNINO and LYSIANE MEIS) decide to organize farewell dinners, the ultimate form of friendly divorce. However, by choosing - as their first victim - Antoine Royer (played by GUILLAUME DE TONQUÉDEC), their oldest friend, Pierre and Clotilde are unaware that they are getting caught up in a downward spiral.
The film tells about the cold relations between neighbors. However, an old woman who enters this building seems to melt this cold ice. The neighbors begin to get to know each other.
Liz and Hugh Preston have been living a life of perfect harmony for fifteen years — what one commonly calls “happiness.” But this peaceful bliss has gradually led to a certain boredom, prompting one of the spouses to cheat on the other — what one frankly calls “adultery.” But who, in fact, is responsible for this minor disaster? Hugh claims it’s Liz. His wife, on the other hand, has good reason to believe it’s her husband who strayed. Fortunately, Hugh will find a way to defend his love and save their marriage. He’ll use a tactic that seems absurd at first, but ultimately proves effective…
The plot of the play revolves around Lola, a sexagenarian, divorced and not very well off, who gets it into her head to have a breast reconstruction.