Hartt’s film Et in Arcadia Ego, commissioned by The Glass House, responds to Philip Johnson’s mid-century modern residence and the surrounding landscape.
Social & External
Olimpia
In February 2013, the New World Symphony presented Making the Right Choices: A John Cage Centennial Celebration, a spectacular three-day festival dedicated to the music and ideas of John Cage. As part of the festival, NWS hosted a new video installation entitled NWS: 4’33″, created by New York-based composer, director, performer and recording artist Mikel Rouse; which consisted of video performances contributed by Cage fans via a special YouTube site set up by Rouse. The public was invited to record and submit their own video, and visit the installation during the festival to see their work in the SunTrust Pavilion at the New World Center. These videos will be included in an online Archive of the event, a lasting tribute to this defining and seminal artist.
An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
"Dancing is sculpting in time." Shot around Indy Simin's "Echt in Vorm."
In the first stages of prototype, Storm is an interactive VR installation that places audiences in the path of a phenomenal, awe-inspiring storm. Take a moment to be swept into an exhilarating multi-sensory vortex.
Short experimental film based on the theme of waiting, and how with time good things will come.
JORDAN is a lonely Manhattan painter. When GINGER, a suicidal 19 year old squatter calls Jordan by accident, she threatens to kill herself if he doesn't meet her for lunch. This dark dramedy is 'Breakfast at Tiffany's' on lithium. 16mm film
Artist and filmmaker Julian Rosefeldt creates elaborately staged films that investigate the power of language and the conventions of cinema as an allegory for societal and individual behaviors. With the multi-channel film installation Euphoria he continues this examination by exploring capitalism, colonialism, and the influential effects of unlimited economic growth in society.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Arrancar los ojos is a project that proposes a constellation of works around the gaze and its political dimension. A reflection on the concepts of institutional violence, repression and collective trauma, focusing on the pattern of eye attacks by state security forces.
Short film in competition at the 48Hours Film Project. Sci-Fi/Mystery genre. Directed by Simone Marsella, starring Ludovica Castrichella, Dario Grasso and Federico Imola.
In London's contemporary art world, everyone has a hustle. Art Spindle runs a high-end gallery: he hopes to flip a Mondrian for millions. One of his assistants, Beth, is sleeping with Art's most acquisitive client, Bob Macclestone. Beth wants Bob to set her up in her own gallery, so she helps him go behind Art's back for the Mondrian. Bob's wife, Jean, sets her eye on a young conceptual artist, Jo, who lusts after Art's newest assistant, Paige. Meanwhile, self-absorbed videographer Elaine is chewing her way through friends and lovers looking to make it: if she'll throw Dewey, her agent, under the bus, Beth may give her a show. And the Mondrian? No honor among thieves.
Short experimental film by Nan Wang
A film as part of the Spellbound installation at the Hayward Gallery in 1996 by Peter Greenaway.
A movie about James Tissot (1836-1902), a French painter and portraitist
"Narcissus" by the sculptor and installation artist Christina A. West. As was used in her 2020 exhibition titled "Looking at a Naked Man."
An audiovisual work that consists of 6593 frames of dust collected and scanned over a 2 month process by Nan Wang into an animated work combined with digital footage.
Giovanni Segantini rose from humble origins to become the most important of Italian pointillists, and one of the most important symbolist painters in the 19th century. This film focuses on his way of feeling nature as a source of artistic and spiritual inspiration.
During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."