A visual poem where a woman visits various Buddhist temples in Nara and winter turns to spring.
Social & External
A short anecdotal documentary about the nature of destruction, a debilitating deadlock of humanity.
A reflection on loss and nature’s quiet observance in a small nook of the Ozarks.
An experimental visual poem about a sick lonely old man stays in his big empty house, dreaming of a glorious life that he could have. In this dream, he plays a Rubik's Cube, which connects the memories of his prime in a paralleled universe, the chapters of love and pain.
Using Varsha Panikar's poetry series by the same name, it follows the journey of a poet as they rediscover love, passion, and identity after encountering their muse.
Tender caresses and enveloping embraces are portals into the life of Mack, a Black woman in Mississippi. Winding through the anticipation, love, and heartbreak she experiences from childhood to adulthood, the expressionist journey is an ode to connection — with loved ones and with place.
Sitting Idle (2021) is a meandering, meditative visual poem that follows the life of a nameless character over the course of a year - as he traverses across the country, meeting and living with friends along the way. Luke Olutunmogun presents an unconventional plot-free narrative that acts as a visual longitudinal study and diary - exploring feelings of loneliness, alienation, and jadedness amid the death throes of a decaying urban landscape.
A kaleidoscopic montage, interpreting the poem "Our Punjabi Market" by Kuldip Gill depicting the vibrance of the Punjabi Market at 49th and Main in East Vancouver, BC.
In this farewell letter to Ana (aka Anorexia), I reveal the suffering associated with this illness. I sincerely express my deep desire to regain my freedom and vitality by sharing not only my progress but also my relapses. Through the interweaving of drawings and poetry, I share this quest for reconstruction, which I hope will help raise awareness of this mental illness and bring a little hope to people affected by it and those around them.
A granddaughter gives a new meaning to her grandma's death through previously unspoken memories.
“I love poetry because it makes me feel like my mind expands.” In Regard Silence, that's the very first sentence expressed—in sign language of course. Watching the poems signed by deaf people in this film has a similarly mind-expanding effect. That’s because sign language—the Mexican version in this case—is a very different means of communication than written or spoken language.
Fed up with surviving on social crumbs, he takes a surreal flight to find a hidden truth. In a dull world, we need color, but what if this colorful idealization turns against you?
A ferry drifts along the Weser. Slow 16mm images of boats, railings, industrial shores, and cranes—scarred and clouded by the river itself, hand-processed with its water, marked by sediment and rust—dissolve into Annina Mossoni’s text: some people want the world on a string.
Philophobic delves into the complexities of modern relationships, offering a glimpse into the emotional journey of a young woman navigating love and fear. Through the lens of her bedroom and the use of viewmaster reels, viewers witness her struggle to reconcile her longing for connection with her deep-seated fear of vulnerability. As she grapples with her emotional detachment, Philophobic prompts reflection on the fragile nature of Gen Z relationships and the universal quest for validation.
Compiled from stock footage, Livestock is a visual poem exploring the digital, physical and metaphysical synergy of the modern workplace.
A filmographic essay featuring lines from "Bonedog" by Eva H.D. A pathos on memory, travelogue consciousness and the divets remaindered from environmental displacement.
A woman is tormented by a strange entity and someone else.
A haiku film poem. the early morning waiting for the monks. the voices. the fire. the wat drum.
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