"WHAT DOES POWER MEAN TO YOU?"
Chileans are asked about their definition of the word (and the concept of) "power", as they answer images flash on the screen of powerful and powerless figures in Chilean history.
Social & External
Here is an actor, one who has been asked to dwell in the perilous gap between text and image. In the voids where traces of the past have been erased by an unknown error, she begins to assemble her own script.
Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.
A unique visual interpretation of Tyler, the Creator's latest album, Chromakopia.
PsiQuis: Un Giro Decolonial is a documentary that presents and discusses the psychological impact that colonialism has had on the Puerto Rican people. The director analyzes the traumas generated in Puerto Rican society by that colonial experience.
In this 21st century, under the cloak of capitalism, governments, and other systems by which society is governed, this short film shows the true social reality of many people “on the street”.
By reversing the image of the burning and destruction of Chinese-Indonesian homes and cultures in the May 1998 tragedy, the filmmaker documents a funeral and cremation she conducted in response to the ethnic hatred that was still being discussed 20 years after the 1998 atrocities. Can memories be erased? What can we choose to forget? What continues to haunt us?
Sonar Rock City: Seattle is a journey through the city that caught our attention back in 1992 thanks to the grunge movement which today no longer exists. Still today the creative spirit runs through its veins with a new music scene that captures what Seattle is in its core.
Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscover that unique sensibility against the uncertainty of the new century, returns to the places synonymous with those incomparable and unforgettable films-- From the cat cemetery of Sans Soleil, to the mausoleum of The Last Bolshevik; The caves of Level Five to the rooftops of The Case of the Grinning Cat. A biographical portrait of one of the 20th century's greatest and most misunderstood filmmakers.
A short structural film that questions the reality we live in under capitalism through various images of Paris, Edinburgh, and Disneyland.
Childhoods from different people and places collide through art.
This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.
In a strange twist of irony, Americans celebrate their independence on the sovereign lands of the Quileute People. An ambient soundscape coupled with the opening shot of an adjoining RV park work in unison to reveal an alien invasion on the shores of Quileute Tribal Lands.
Experimental documentary that poetically exposes the reality of public transport in the city of Curitiba.
Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts to come to terms with the United States' colonial past, Navajo tribal history, and the hacker movement. The story hones in on a small tinker space in Durango, Colorado, that made significant contributions to worldwide COVID relief efforts. But things go awry when Uncle Sam interferes with the film's production.
An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.
Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.