Social & External
Unknown Role
Film sponsored by Western Electric (AT&T's equipment manufacturing division), the builder of the United States Air Force's White Alice Communications System in Alaska. Introduces the people and geography of the new state as well as the Western Electric radio-relay system, which links far-flung military sites, alert stations, and missile-warning facilities. Ralph Caplan praised the film's "intrinsically dramatic and highly photogenic" portrayal of communications equipment.
CERN and the University of California-Santa Barbara are collaborating in the search for the elusive substance that physicists and astronomers believe holds the universe together -- dark matter. Where is this search now in the realm of particle physics and what comes next?
Exploring the fallout of MIT Media Lab researcher Joy Buolamwini's startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all.
Familiar radio voice Ben Grauer leads the viewer on a behind the scenes tour of the National Broadcasting Company studios -- both radio and television -- in Rockefeller Center and Hollywood. The original 25-minute film previewed by network execs and affiliates in the fall of 1948 was cut down to 20 minutes before its first broadcast, reportedly to excise high-profile stars and programs such as Amos 'n' Andy, Jack Benny, and Edgar Bergen that had since left NBC for other networks.
Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.
The sun is the miracle that makes everything possible - but also the greatest danger. For the first time, a feature-length documentary is dedicated to the search for the significance of our home star for mankind, science and nature. Thanks to the researchers from the American space agency NASA, who work at the Canary Islands observatories in the hottest and coldest places on the planet.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
On June 11th, 1997, Philippe Kahn created the first camera phone solution to share pictures instantly on public networks. The impetus for this invention was the birth of Kahn's daughter, when he jerry-rigged a mobile phone with a digital camera and sent photos in real time. In 2016 Time Magazine included Kahn's first camera phone photo in their list of the 100 most influential photos of all time.
A poetic exploration of three subterranean telescopes in remote regions of Canada, Japan, and Antarctica that reveal a new way of perceiving the universe from within. Underground, we are dreaming into the earth.
In a world that spins faster and faster, bibliomaniacs take refuge from the rush and the noise inside the library. Amid whispers, they confess the meaning of life. A celebration of thought and obsession, where libraries reveal their inhabitants
This documentary-drama hybrid explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.
This 1971 color anti-drug use and abuse film was produced by Concept Films and directed by Brian Kellman for Encyclopedia Britannica. “Weed: The Story of Marijuana” combines time-lapse, montage, illustrations, animation (by Paul Fierlinger and emigre Pavel Vošický) and dramatized, documentary-style interviews to survey the evolving role of cannabis in U.S. society, with emphasis on the legal risks faced by young people. A unique score of experimental synthesizer music is provided by Tony Luisi on an EMS VCS 3 “Putney”
This short documentary follows the fortunes of iconic car manufacturer Lotus. Once famous for its championship-winning race cars and iconic sports cars, Lotus has struggled to remain in profit. A new investor and managing director set out to build the first new Lotus road cars in over a decade: their final petrol-powered car Emira and their first pure electric British hypercar, the 2000bhp Evija.
In a few years, technology will merge with our bodies in ways that today seem unimaginable, and will redefine the limits of what is a human being. There are already people who, driven by the desire to experiment, have crossed the biological limits by introducing electronic devices that provide them with capabilities that go beyond what is "normal." They are the first hybrids, and they face the reaction of society, which goes from malignancy to enthusiasm. Today they are only a small minority, and many people consider them as disrupted experimenters, but in the near future we may recognize them as pioneers.
Artificial intelligence is taking on different roles in the filmmaking space. The questions we must ask ourselves are: what are the pros and cons of this advancement? How can we work with it, and what power do we have as human beings in the face of this technology?
Robotic historians recount and examine the events leading up to the annihilation of humanity.
Creating a Monster is about reality television and sub-textually confronts a bigger ethical question about the psychological impact on the contestants; is the fault placed on reality television producers or the audience who consume it?
Anthopos tells the story of a centenarian character from his birth to his death.
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
In the first decades of the 20th century, when life was being transformed by scientific innovations, researchers made a thrilling new claim: they could tell whether someone was lying by using a machine. Popularly known as the “lie detector,” the device transformed police work, seized headlines and was extolled in movies, TV and comics as an infallible crime-fighting tool. Husbands and wives tested each other’s fidelity. Corporations routinely tested employees’ honesty and government workers were tested for loyalty and “morals.” But the promise of the polygraph turned dark, and the lie detector too often became an apparatus of fear and intimidation. Written and directed by Rob Rapley and executive produced by Cameo George, The Lie Detector is a tale of good intentions, twisted morals and unintended consequences.