After a 10 days clandestine journey, a young Iranian couple finds asylum in Belgium. Then comes the hope of starting a new life, facing social constraints and uncertainties.
Social & External
Emperors of Nothing is an unprecedented immersion within Forest, a prison in Brussels notorious for its inhumane incarceration conditions, bearing witness to how the human spirit resists or submits to this harsh world. Deeply personal and candid moments shared with inmates and wardens alike, those who have forfeited or devoted their lives to prison, expose universal truths of what it means to be "behind bars".
A backstage and on-stage look at Nicki Minaj's career during the Pink Friday Tour, festivals, and more.
Broad Sense is based on an three day long intervention in the European Parliament in Brussels. The video reveals the diversity of security responses to the artist’s visits.
Bobbing around on Mediterranean waters aboard the Ocean Viking, aid workers from the French relief service SOS Méditerranée gaze at the horizon. Is that a rubber dinghy in the distance, or is it garbage? The organization sails up and down the Libyan coast looking to pick up refugees in boats. On board is a 30-strong team ready to offer help and support refugees with their asylum applications.
A cell phone was the only thing that kept Yonas, an Eritrean refugee, connected to Jérôme, the French journalist who wanted to tell his story. They met in Libya in 2019, in the abyss of a detention center. Yonas managed to escape and attempted several times to cross the Mediterranean. Like many others who jump from one hell to another, Yonas's only option was to flee forward, and what lay before him was a small boat. Yonas's News chronicles the epic journey in which his life was at stake, summarized in the WhatsApp and voice messages, photos, and videos he was able to exchange with Jérôme. Jérôme Tubiana, journalist, researcher, and member of Doctors Without Borders, has visited Libya five times between 2018 and 2020.
Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
Amid December’s festive glow, refugees remain hidden in forests along the Poland-Belarus border. This powerful documentary gives voice to their silent cries.
Eighteen-year-old Shahnura is about to graduate from high school. Her mother spends hours at the dining table while Shahnura is at school, wondering if her mother, sister, and brother are still alive. Living in Germany without a passport or nationality, she listens to the harrowing stories of her mother and two friends who have experienced imprisonment and re-education camps in China. These accounts reveal the suffering, human rights abuses, forced adoptions, and the grim reality of the camps where the predominantly Muslim Turkic Uyghurs are tortured and mistreated.
After crossing 11 countries irregularly to seek asylum in Canada, Peggy, Simon and their three children are waiting for the hearing that will determine whether they get refugee status or not. Having fled political repression in the Democratic Republic of the Congo, the family tries to rebuild a peaceful life in Montreal, in spite of the constant threat of deportation. Between ghosts from the past, hopes for the future, a complex legal maze and seemingly endless trial, the film delves into the struggle of the Nkunga Mbala family to remain in Canada. Offering unprecedented access to their hearing before the Immigration and Refugee Board, the film unveils the opaque process of claiming asylum in Canada.
STARTING FROM ZERO documents the journey of three refugees — a female boxer, a TV personality and a journalist — caught in the crosshairs following the U.S. military’s sudden withdrawal from Afghanistan. Fleeing for their lives, they are transported to an unlikely luxury compound in Qatar before making their eventual journey to the United States and Germany, where they must restart their lives and confront the deferment of their dreams.
In the Gaza refugee camp of Jerash, Palestinians face the critical issue of lacking identification documents. This situation undermines their rights and hinders access to essential services and opportunities.
Manon daydreams about the new customer in her aunt's hair salon. She must be a sea-queen, listening to the heartbeat of her violet whale.
A story about children and adults who migrated from eastern Ukraine because of the war and found themselves far from home in a hostel for displaced people. This is a film about the everyday life and pain of refugees, about the search for small details that give strength to live and about adults who are tired of war. It is a self-reflection of refugees who believe that they will soon return home, without a clear understanding of when this will be possible and what awaits them there.
Those who do not know the Sahara think there is only sand in the desert. But in the desert there are children who play and draw and make movies, and who would like to not have to think about the war. In the desert there's a European colony, an occupied country called Western Sahara, where there are thousands of Sahrawi refugees living a hard life in exile. "Little Sahara" tells their story, the story of a supportive, resilient people who try to thrive and grow in the Hamada, where everything has a hard time growing.
A film about a generation of four friends who grew up together in Sarajevo. They are the friends of filmmaker Lidija Zelovic-Goekjian, now living scattered across the world. What has happened to them over the past 13 years: how did they survive the war, how do they live now, how do they look back on their former lives, on Sarajevo, and on their old friends?
I AM GOLDEN KAREN is a coming-of-age story of Thaawa, a Karen refugee in search of his identity as a migrant in Thailand. In between puberty and adulthood, he nurtures a strong desire to return to his motherland, Karen State, Burma.
Rosine Mbakam is invited to step in Sabine’s small hairdresser’s because it is dangerous in the street. She accepts and pushes in with her camera. Sabine’s stories and the customers’ joys, worries, problems and fears bring depth and life into the premises. At times, it feels like the entire African quarter of Brussels had squeezed in. Laughter abounds, anecdotes and life stories elicit emotions, and a male visitor brings a touch of flirt into the salon.
On Our Doorstep delves deep into an aspect of the refugee crisis that rarely reached the press. With NGOs being blocked by red tape and the absence of any positive action by French or British authorities, the film is a behind-the-scenes look at the unprecedented grassroots movement that rose to aid the refugees in Calais, and the community that sprang up there, before it was forcefully demolished. This is the story of what happens when young and inexperienced citizens are forced to devise systems and structures to support 10,000 refugees; and are left unguided to face the moral and emotional conflicts, blurred lines and frequent grey areas of giving aid to vulnerable people. People who do not want to be there. It questions whether the aims of the volunteers were met, and whether these aims ultimately served the refugees' needs.
A café in the north of Brussels. Days are punctuated by the songs that the customers sing at all hours, to amuse themselves, to remember or to pass the time. Those songs transform the place little by little, making the film a strange musical.
