Social & External
Self
Self : Lio's brother
Self : Editor-in-chief of Les Inrockuptibles
Self : MLF's feminist activist
Self : Journalist & Author
Self : Femen's ukrainian activist feminist member & Author
A dramatization of the life of the acclaimed American musician, Prince, who died from an accidental overdose at the age of just 57 in 2016.
For over 40 years Val Kilmer, one of Hollywood’s most mercurial and/or misunderstood actors has been documenting his own life and craft through film and video. He has amassed thousands of hours of footage, from 16mm home movies made with his brothers, to time spent in iconic roles for blockbuster movies like Top Gun, The Doors, Tombstone, and Batman Forever. This raw, wildly original and unflinching documentary reveals a life lived to extremes and a heart-filled, sometimes hilarious look at what it means to be an artist and a complex man.
The pop-inspired musical brings the six wives of Henry VIII right into the 21st century with infectious, empowering performances, accompanied by the on-stage band, the Ladies in Waiting. The Original West End cast reunites at London’s Vaudeville Theatre in front of a sold-out audience to strut their stuff and re-write their Tudor traumas in an unmissable cinematic recording of the show packed full of style, sass, and sensational songs.
Singer Tina Turner rises to stardom while mustering the courage to break free from her abusive husband Ike.
Learn more about Nicolas Sarkozy's presidential campaign, his personal life and more through this documentary.
“It ain’t easy…being green” is the favorite expression of Stormé DeLarverie, a woman whose life flouted prescriptions of gender and race. During the 1950s and '60s she toured the black theater circuit as a mistress of ceremonies and the sole male impersonator of the legendary Jewel Box Revue, America’s first integrated female impersonation show and forerunner of La Cage aux Folles.
Marco Paolini interviews Luigi Meneghello about growing up under fascism, his involvement with the Italian resistance movement, his later self-exile, acclaimed literary work and its relationship with dialect.
In this biographical drama, Selena Quintanilla is born into a musical Mexican-American family in Texas. Her father, Abraham, realizes that his young daughter is talented and begins performing with her at small venues. She finds success and falls for her guitarist, Chris Perez, who draws the ire of her father. Seeking mainstream stardom, Selena begins recording an English-language album which, tragically, she would never complete.
Bad was the first concert tour by Michael Jackson, launched in support of his seventh studio album of the same name (1987). Sponsored by Pepsi and lasting 16 months, the tour included 123 shows to 4.4 million fans in 15 countries, becoming the second highest-grossing tour of 1987.
Detroit's Kings of the Underworld, The Black Dahlia Murder, present their "Yule 'Em All: A Holiday Variety Extravaganza" program hosted by Neil Hamburger (Comedian, Actor). This feel-good metal holiday special contains live performances of 16 beloved tracks from the band's extensive catalog, original comedy skits featuring band members, and a special appearance by George "Corpsegrinder" Fisher (Cannibal Corpse)! Raise your glass of eggnog and prepare to toast to the season's finest offering of Yuletide joy and laughter.
In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
Fresh off the heels of her brand-new album, "Happier Than Ever," this cinematic concert experience features an intimate performance of every song in the album's sequential order – for the first and only time – from the stage of the legendary Hollywood Bowl.
An intimate portrait, in his own words, of the Indian writer Salman Rushdie, author of The Satanic Verses (1988), thirty years after the fatwa uttered by the Iranian Ayatollah Khomeini: his youth in multicultural Bombay, his life in England, his many years of forced hiding, his thoughts on President Trump's United States of America.
Raised a boy in East Berlin, Hedwig undergoes a personal transformation in order to emigrate to the U.S., where she reinvents herself as an 'internationally ignored' but divinely talented rock diva, inhabiting a 'beautiful gender of one'.
The lives of two struggling musicians, who happen to be brothers, inevitably change when they team up with a beautiful, up-and-coming singer.
A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.
This 2005 documentary film chronicles the life of Daniel Johnston, a manic-depressive genius singer/songwriter/artist, from childhood up to the present, with an emphasis on his mental illness and how it manifested itself in demonic self-obsession.