Deep It

Deep It is a powerful drama that explores the real impact of carrying a knife on young people and their communities. The message is loud and clear, there is no such thing as a victimless crime. Everyone gets hurt in the process.

Little Hands

Léo is the two-year old, son of the acting manager of a factory on the brink of closing. When employees discover the news, Bruno, a more radical Worker who is willing to fight for his job, abducts Léo.

Graduation Film

A film student is having her birthday party with a few of her classmates she hasn’t seen in a while. Yeong-ju and Chae-eun become close friends after the party, and the two form a romantic relationship after realizing the chemistry they have. Yeong-ju writes a screenplay based on the story of her and Chae-eun.

Polycephaly in D

Informed by an underlying sense of anxiety and anguish, Michael Robinson’s Polycephaly in D nestles fragments of narrative within a collage of sound, image, and text that oscillates between the elegant and the discordant.

Young Men at their Window

Two graphic designers at work, by mistake, start playing with an empty scanner's possibilities. They venture into assumptions, eventually open up to each other, and let go of the strange images, until they let go of themselves.

The Gas Station

A disgruntled gas station attendant gets a visit from an abrasive party girl looking for justice.

He Does Not Want Peace

When a man witnesses a profound event, it threatens to destroy his family.

Special Kinda Bad Feeling

Rebekka and Aatos, stuck in the past, meet for the first time since their painful breakup at their treasured poetry slam. It’s easier to sing about longing than to talk about it.

Physical Therapy

A gay Latino doctor must decide between keeping his low-income clients or taking a job at a private practice for the kids of the mega-rich.

Is It A Plaisir

'Is it a plaisir' is an experimental short film that explores femininity and the body as a sharp territory, crossed by the tension between desire and imposition. Through symbolic, sound and visual saturation, the film acts from pleasure (plaisir), revealing a liberation that emerges in the midst of excess, where intensity and lightness, dark and light, intertwine, collide and converge.

Bloomers

When Stella realises she's the only girl in her class who doesn't have her period, she sets out to fast-track her way to womanhood through somewhat unconventional methods.

Blood Pulls a Gun

A teenage girl gets a keyhole look into a dangerous and mysterious world when a tattooed stranger checks into her roadside motel.

MUTE

MUTE is an animated short about a world populated by people born without a mouth. When a gory accident leads to the discovery they are able to create their own mouth by cutting themselves, this releases an enthusiastic chain reaction among the population…

Arabesque

The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers and foliage, a woman’s smile, arms stretching, an arm giving rhythm to a rocking chair. It uses natural elements (light, mirrors, water, and wind) and photographic techniques (multiple exposures and lenses) to distort the various elements, or to intensify their design.

Locksmiths

Two robbers unknowingly break into the home of a murderer who is in the process of hiding his latest victim.

Pedro Páramo

A man searches for his father, Pedro Páramo, in a town doomed by violence and the fury of a frustrated love.

Lindos Angelitos

Boys Briefs 3: Between the Boys

Getting intimate can be challenging, especially when two guys are involved. Explore the sometimes charming, sometimes sadistic world of hooking up in Boys Briefs 3: Between The Boys. From the very first glance in Cabalerno to post-breakup sex in Postmortem, the films of this most recent Boys Briefs compilation explore the wild, sometimes conniving things boys will do to get what they want. 8 Shorts: Cabalerno (2006); Shakespeare's Sonnets (2005); David (2005); Boys Grammar (2005); Latch Key (2005); Little Boy Blues (2005); Between the Boys (2004); Postmortem (2005).

Involuntary Conversion

This apocalyptic linguistic comedy meditates on the relationship between language, meaning and social decay and is scripted from "double-speak" language found in a variety of media sources. Drawing its title from the Pentagon's term for crash, Involuntary Conversion evokes the hollowness and free-floating anxiety that characterizes late 20th century culture. In a voice that could belong to a hypnotist or a government spokesman, a disembodied speaker recounts a string of events whose common thread is a sense of impending disaster. The mood is suspended somewhere between nightmare and deadpan and is propelled by a narrative as enigmatic as the language it exposes. The iconic shape of a fighter jet floating in a perfect sky has the creepy feel of a video game and the texture of television is used to make the images feel domestically ingrained.