Social & External
A documentary following the day life of fans in Brazil on July 13, 2014: the day when Germany and Argentina met up in the finals of FIFA World Cup.
The New Tango (El Nuevo Tango) was not shown in Argentina for a long time as it deals with the ascent of Argentinean president Hector Campora in May 1973, and features Cuban and Chilean presidents, Osvaldo Dorticos and Salvador Allende. A million people gathered on the Plaza de Mayo to acclaim the new President. One of Cámpora's first presidential actions was a granting of amnesty to political prisoners who where jailed during the dictatorship. On 28 May Argentina restored diplomatic relations with Cuba, which then received Argentine aid - such as food and industrial products - to break the United States embargo against Cuba.
Santiago Maldonado disappeared in the midst of repression against a Mapuche community that claimed to Luciano Benetton for his land. His body was found 78 days later. The need for truth and justice continues
His teachers, coaches, childhood friends and Barça teammates, together with journalists, writers and prominent figures from the history of football, come together in a restaurant to analyze and pick apart Messi's personality both on and off the field, and to look back at some of the most significant moments in his life. Viewed from Álex de la Iglesia's unique perspective, Messi recreates the player's childhood and teenage years, from his very first steps, with a football always at his feet, through to the decision to leave Rosario for Barcelona, the separation from his family, and the role played in his career by individuals such as Ronaldinho, Rijkaard, Rexach and Guardiola.
Andreas Kieling, a famous German documentary film maker, explores the coldest places in the world. He observes various animals in Patagonia, the Falkland Islands, Cape Horn, South Georgia and Antarctica.
Documentary about the Football World Cup held in Argentina in 1978, focusing on the competition and behind the scenes of the most important soccer competition in the world. Two versions of the 1978 official film exist, the first "Copa 78 - O Poder do Futebol" was made by Brazilian directors Maurício Sherman and Victor di Mello in 1979 but was later withdrawn by FIFA because of its controversial content. The film includes an interview with Rodolfo Galimberti, one of the leaders of the Montoneros guerrilla group and also made accusations that the Argentinian competition organisation committee had deliberately hindered Brazilian chances of success by tampering with the pitch at Mar del Plata.
Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.
At the Limit is a documentary about extreme climbing. In this sports documentary, Pepe Danquart shows brothers Thomas and Alexander Huber climbing in Patagonia and on the granite rock "El Capitan" in Yosemite Valley (USA). A key part of the film is their attempt at a speed ascent of the 1,000-meter-high route "The Nose," in which the two athletes aim to break the then speed record of 2:48:30 hours, set by Hans Florine and Yuji Hirayama in September 2002.
After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.
Paragot and Bérardini: two climbers who fill all climbing enthusiasts with admiration. In Fontainebleau, Saussois, the Alps, the Andes, the Himalayas, and all over the world, they have left their names attached to the most difficult routes and the most prestigious peaks. Here, they recount only the climbs they completed together: famous expeditions to Aconcagua and Huascarán, firsts in the Alps and the Dolomites. An unwavering friendship, comical and tragic adventures—this is what they share with us in the warm atmosphere of their memories. "La Cordée des Voyous" will be included in Jean Afanassieff's film "La Grande Cordée," which deals with post-war proletarian mountaineering.
How a once-in-a-generation Argentina team, led by Manu Ginobili, brought down the “Dream Team” and won gold at the 2004 Olympic Games.
Marc-André Leclerc, an exceptional climber, has made solo his religion and ice his homeland. When filmmaker Peter Mortimer begins his film, he places his camera at the base of a British Columbia cliff and waits patiently for the star climber to come down to answer his questions. Marc André, a little uncomfortable, prefers to return to the depths of the forest where he lives in a tent with his girlfriend Brette Harrington. In the heart of winter, Peter films vertiginous solos on fragile ice. He tries to make appointments with the climber who is never there and does not seem really concerned by this camera pointed at him "For me, it would not be a solo if there was someone else" . Marc-André is thus, the "pure light" of the mountaineers of his time, which marvel Barry Blanchard, Alex Honnold or Reinhold Messner, interviewed in the film. An event film for an extraordinary character.
A mechanic discovers the fossil of a huge carnivorous dinosaur, unleashing a war between scientists, mayors and neighboring towns to keep “the biggest dinosaur in the world.” Among bone thefts, replicas and a mayor obsessed with creating Dinolandia, anything goes when it comes to surviving.
A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.
Gentle or rough, blonde or shaved, cis or trans, long term inmates or those newly admitted: women re-enact their lives in a Buenos Aires prison, in trance and balance, voguing and singing. A hybrid musical and charming piece of collective empowerment.
In 1959, Cesare Maestri and Toni Egger are said to have been the first to climb the more than 3,000-metre-high granite needle of Cerro Torre. Egger had a fatal accident on the descent and Maestri was unable to prove that they had reached the summit. Reinhold Messner searches for the truth in this documentary.
