Social & External
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
In order to determine the ability to drive after drinking alcohol, three men take various tests when sober and when drunk.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.
This sex education movie explore themes of body development, sexual hygiene, masturbation, menstruation, puberty, sex and giving birth.
Documentary short film by Mario Handler about the city of Prague as part of an internship to study film in Europe.
Abortion clinics in Texas are disappearing exponentially and healthcare providers are feeling the brunt. The Provider follows the story of abortion provider Dr. Shannon Carr who travels every week from New Mexico to Dallas in order to perform abortions despite restrictive laws and threats to her safety. Continue to share her story and follow our latest documentary series as we try to capture these stories and influence change before all abortion clinics in the US cease to exist
A journalistic story inspired by Volodymyr Vernadsky about the genesis of life in the universe — from the physical elements of the primordial broth to the civilization of intelligent man.
Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.
A portrait of a family living in a village in Masuria.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
A poetic documentary which explores the relationship between a person and their past, the autistic experience and the teenage sense of self.
TV documentary about Manfred Smolka, an officer of the GDR border troops who was executed in Leipzig on July 12, 1960. He had been ambushed after his escape to West Germany and a show trial was held after his arrest.
Immersion in Mustapha's mind during the lockdown period.
"All sounds travel in waves much the same as ripples in water." Educational film produced by Bray Studios New York, which was the dominant animation studio based in the United States in the years surrounding World War I.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
