Max has been invited to meet with his in-laws and must dress formally, but each hat he attempts to wear for the occasion gets destroyed.
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Max
A Native American kid scrambles to charge his dying video game console at a bustling intertribal powwow.
A tenor, in suit and tie, with a receding hairline, sings a ballad to his love, “Your Face Is Like a Song,” to simple piano accompaniment. Preserved by the Academy Film Archive in 2015.
Max starts out at a costume store to get a costume for a party. He sees a suit of armor and purchases it. He wears it to the party and gets kind of drunk and passes out. In the meantime, a museum has a suit of armor ready for a new display. It is to be dedicated and some such. It comes up missing, so Max, passed out and still in his armor is put on display.
Max, awakening on his wedding morning, discovers that it is close on the hour when he should be at the church. He dresses hastily, and in struggling with a refractory collar, allows his boots to be burnt by the fire. There is no time to change them, and he hastens off to the bride's house. On the way his soles part company with their uppers, and poor Max enters into negotiations with a passing labourer for the purchase of his footgear.
A widower becomes infatuated with his daughter's governess, to the displeasure of the child and her nurse.
Three woman playing a game of catch leads to one of them exposing herself as she gets stuck whilst peering out the window.
A roller skater performs a series of eccentric exercises.
Walter Catlett is the cousin to some squeaky voiced Dagwood Bumstead type who can't get a girl. Can he browbeat his cousin into swiping pretty girl from accomplished gunman, boxer, and horseman Franklin Pangborn (!?), or is that just DREAM STUFF?
This film was not intended to stand by itself, but was designed as the cinematic aspect of Welles' Mercury Theatre stage presentation of William Gillette's 1894 comedy about a New York playboy who flees from the violent husband of his mistress and borrows the identity of a plantation owner in Cuba who is expecting the arrival of a mail order bride. The film component of the performance was ultimately never screened due to the absence of projection facilities at the venue. Long-believed to be lost, a workprint was discovered in 2008 and the film had its premiere in 2013.
Harry and his wife move into a "modern", gimmick-laden house.
Apparently inspired by the antics of Harry Houdini, Slippery Jim opens in the office of a police commissioner to whom a rather cocky villain is presented. The commissioner orders the prisoner to be clapped in irons, but this proves to be easier said than done because our anti-hero - presumably the Slippery Jim of the title - proves to be an expert escapologist.
Based on characters from Shakespeare's play: When Juliet's father refuses to let Romeo see her, Romeo resorts to extreme measures.
Mother in law gets a new set of dentures. Despite being initially happy, the family soon discovers the teeth have a life of their own and jump from their owner's mouth and bite everyone who comes near--from ladies to gentlemen to policemen.
The story is simple: Max and a pretty young lady, whom he has never met before, arrive at the same time at a luxury hotel on the Riviera, each for a little vacation by themselves. They are placed in adjoining hotel suites. Both Max and the pretty lady place their shoes outside their hotel room doors to be cleaned by staff, and the shoes fall in love.
Set in a tenement, a lonely confirmed bachelor occupies a room across the hall from a dour spinster. Children run amok in the hallways playing pranks on the two. A little girl from the floor above, now alone in the world, brings the pair together and brightens their lives.
A frustrated, protective father tries to stop his secretaries from falling in love with his charming daughter, Betty. He hires two secretaries— only for them to be in on the practical jokes Betty plays on her father.
FRIEND REQUEST PENDING is a short comedy drama about the mature generation dating in our modern social networking world. It's a tale of love but more importantly life long friendship. The twelve-minute tale tells the story of Mary (Judi Dench) and Linda (Penny Ryder) who spend an afternoon discussing the pleasures, pitfalls and problems with using social networking to try and woo the local choirmaster Trevor (Philip Jackson).
An aspiring photographer and his bumbling assistant go to great lengths to take a picture of a beautiful actress whose wealthy husband does not want her photographed.
“A clever characteristic dance called the 'Yellow Kid.' Very unique. Stage is in the Sutro Baths, San Francisco, Cal., and the audience is composed largely of bathers.” (Edison Catalog)
Several men in a basement barbershop become excited by women walking past the window. The ankles and knees of the passersby are visible to the men below, causing pandemonium among the barbershop customers. Possibly released in 1901.
Buster and a woman are mistakenly married and her initially unfriendly family begins to treat him nicely when they come to believe he has a large inheritance awaiting him.
Roscoe and Buster operate a combination garage and fire station. In the first half they destroy a car left for them to clean. In the second half they go off on a false alarm and return to find their own building on fire.
Newlyweds receive a build-it-yourself house as a wedding gift—and the house can, supposedly, be built in "one week". A rejected suitor secretly re-numbers packing crates, and the husband struggles to assemble the house according to this new 'arrangement' of its parts.
Charlie is released from prison and immediately swindled by a fake parson. A fellow ex-convict convinces Charlie to help burglarize a house.
A young golfer is mugged by an escaped convict and finds himself in a prison where he foils a jailbreak.
A mix of guns and mistaken identity leads to chaos in this satirical parody of William S. Hart's melodramatic westerns, finding Buster in the frozen north - "the last stop on the subway".
This short burlesque film presents an anthropomorphic pig in elegant dress flirting and dancing with a woman, before being humiliated and compelled to perform for her amusement. The film is a screen adaptation of "Le cochon mondain," a successful Paris music-hall act, likely performed by its creator Odéo using the same custom-designed costume.
Mr. Pest tries several theatre seats before winding up in front in a fight with the conductor. He is thrown out. In the lobby he pushes a fat lady into a fountain and returns to sit down by Edna. Mr. Rowdy, in the gallery, pours beer down on Mr. Pest and Edna. He attacks patrons, a harem dancer, the singers Dot and Dash, and a fire-eater.
A man attempts to evade observation by an all-seeing eye.
Roscoe and Buster give a bullying Strongman the what-for, but after the performance troupe quits it's up to Fatty and Buster to keep the show going.
Stan and Ollie play door-to-door Christmas tree salesmen in California. They end up getting into an escalating feud with grumpy would-be customer James Finlayson, with his home and their car being destroyed in the melee.
While changing clothes in a getaway car, escaped convicts Stan and Ollie mistakenly put on each other's pants. They spend the rest of the film trying to exchange pants in various unlikely settings.
Mother, father and daughter go to the park. The women doze off on a bench while the father plays a hide-and-seek game with a girl, blindfolded. Charlie leads him into a lake. Both dozing ladies on the bench fall for Charlie and invite him for dinner. The father returns home with a friend. Charlie rushes upstairs and dresses like a woman, shaving his mustache. Both men fall for Charlie.
A shipowner intends to scuttle his ship on its last voyage to get the insurance money. Charlie, a tramp in love with the owner's daughter, is grabbed by the captain and promises to help him shanghai some seamen. The daughter stows away to follow Charlie. Charlie assists in the galley and attempts to serve food during a gale.
Mabel goes home after being humiliated by a masher whom her husband won't fight. The husband goes off to a bar and gets drunk.
The leader of a marching band demonstrates an unusual way of writing music.
Tom ties up Spike and sneaks into the courtyard of the glamorous Toodles Galore with his bass, hoping to woo her with his song, much to the annoyance of a sleeping Jerry.
By accident, Cedric (Goofy), replaces his master, Sir Loinsteak, in the armor just before the joust with champion Sir Cumference.
The hero, a janitor played by Chaplin, is fired from work for accidentally knocking his bucket of water out the window and onto his boss the chief banker (Tandy). Meanwhile, one of the junior managers (Dillon) is being threatened with exposure by his bookie for gambling debts unpaid. Thus the manager decides to steal from the company.
Buster clowns around in a blacksmith's shop until he and the smithy get in a fight which sends the smithy to jail. Buster helps several customers with horses, then destroys a Rolls Royce while fixing the car parked next to it.