The film takes the form of a documentary report in which the director Claire Denis follows Les Têtes Brulées, a group of five musicians from Yaoundé in Cameroon, as they tour France.
Social & External
Rumer Godden the 88 year old author is taken back to India, where she lived from 1908-1945 to revisit her unconventional life there and to share with her daughter the experiences which inform all her writing.
PUMP is a documentary that tells the story of America’s addiction to oil, from its corporate conspiracy beginnings to its current monopoly today, and explains clearly and simply how we can end it — and finally win choice at the pump. Today, oil is our only option for transportation-fuel at the pump. Our exclusive use of it has drained our wallets, increased air pollution and sent our sons and daughters to war in faraway lands. PUMP shows how, through the use of a variety of replacement fuels, we will be able to fill up our cars — cheaper, cleaner and American made — and in the process create more jobs for a stronger, healthier economy. Narrated by Jason Bateman and featuring notable experts such as John Hofmeister former President of Shell Oil, and Elon Musk, the CEO of Tesla Motors, PUMP will forever change the way you think about your car — and the fuel that powers it.
Director Elisapie Issac's documentary is a sort-of letter to her deceased grandfather addressing the question of Inuit culture in the modern world.
A documentary about the Swedish band Vulkano.
Gender activist Diane Torr’s worldwide appearances and workshops are now legendary. For the past thirty years, the main focus of this performance artist’s work has been an exploration of the theoretical, artistic as well as the practical aspects of gender identity. Katarina Peters’ documentary observes a Diane Torr workshop in Berlin in which a group of open-minded women come together to discover the secrets of masculinity. What makes a man a man and a woman a woman? Precisely when and where is gender identity formatted? How much is nature and how much nurture? Each of Torr’s workshops represents an open-ended laboratory experiment in social behaviour in which the question is posed: is it possible to deliberately play out different roles and create a space in which to transgress both masculine and feminine characteristics?
In the wake of tragedy, a renowed New York dance company is on the brink of collapse. After leaving the dance world for good, Travis, Chrissa, and Max are pulled in to resurrect the dance that shattered their careers. They have one last chance to save the company, re-connect with the passion and magic, and prove that miracles really can happen.
Alexandra Pelosi travels through the United States interviewing and filming several evangelical pastors and congregations.
The Beatles First US Visit uniquely chronicles the inside story of the two remarkable weeks when Beatlemania first ignited America. The pioneering Maysles Brothers who filmed at the shoulders of John, Paul, George and Ringo, innovated an intimate documentary style of film-making which set the benchmark for rock and roll cinematography that remains to this day.
Just as a young woman is about to marry her sweetheart, she is discovered—by the entire village, to say nothing of her fiancé—asleep in the bedroom of a stranger. It takes the young man two acts to figure out that sleepwalking is to blame, and everything ends happily. Natalie Dessay as Amina and Juan Diego Flórez as Elvino deliver bel canto magic and vocal fireworks in Mary Zimmerman’s 2009 production. The Tony award-winning director transfers Bellini’s bucolic tale to a rehearsal room in contemporary New York, where an opera company rehearses La Sonnambula—and where the singers are truly in love with each other.
A family falls prey to the manipulative charms of a neighbor, who abducts their adolescent daughter. Twice.
How does a traumatic event shape a family? How do you sift through the memories to find hidden clues and unlock a collective grief? Kingdom of Us takes a look at a mother and her seven children, whose father's suicide left them in financial ruin. Through home movies and raw moments, the Shanks family travels the rocky road towards hope.
Director Jean-Luc Godard reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art.
Unprecedented access to Muhammad Ali's personal archive of "audio journals" as well as interviews and testimonials from his inner circle of family and friends are used to tell the legend's life story.
In June 2013, Laura Poitras and reporter Glenn Greenwald flew to Hong Kong for the first of many meetings with Edward Snowden. She brought her camera with her.
When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart.
"Michael Moore doesn't like documentaries. That's why he doesn't make them." A documentary that looks to distinguish what's fact, fiction, legend, and otherwise as a camera crew trails Michael Moore as he tours with his film, Fahrenheit 9/11.
Monsanto is the world leader in genetically modified organisms (GMOs), as well as one of the most controversial corporations in industrial history. This century-old empire has created some of the most toxic products ever sold, including polychlorinated biphenyls (PCBs) and the herbicide Agent Orange. Based on a painstaking investigation, The World According to Monsanto puts together the pieces of the company’s history, calling on hitherto unpublished documents and numerous first-hand accounts.
A daring deconstruction of consumerist behavior featuring a robot and Miss Clio Darty, with a voiceover by Godard and Anne-Marie Miéville, this philosophical "report," like so many of Godard's commissions, was rejected by its funders.
Portrait of the first laughing club in India, its founding by a doctor who believes that laughter is the best medicine, his outreach to schools, interviews with club members, scenes of outdoor sessions, and shots of billboards and street scenes in contemporary Mumbai. Club members gather, stretch, and start to laugh. Founder Dr. Madan Kararia talks of the club's history and the growth of laughing clubs across the country. Among those interviewed, there's a stockbroker, three bawdy women, a musician, a widow laughing to cope with grief, and two old men - friends since school days who meet daily to laugh. No form, no fuss: happiness equals health.
There are children. There are those who abuse them. And there are those who know, but never tell.