Social & External
Astrid
Jean
Chloé
Le chauffeur de taxi
L'amie de Chloé
La mère de Jean
La père de Jean
A high-speed drive through the streets of Paris.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.
The film tells the story of a man and woman who don't know each other. After being matched by a matchmaker, after going through a series of red tape, they were sent to the bridal chamber and began a difficult life as a couple. Despite the primitive shooting methods and lack of training of the actors, the film has a very important place in the history of Chinese film. The film has now been lost.
Through a series of auditions, a young actor in New York City struggles with his identity.
Adela has just settled in Madrid with her father, Claudio, a retired concert musician and a hermit. Both teach piano to small children in a quiet, sparsely-furnished flat in the centre of town.
An exhortation to drivers to pay attention to road safety. In just 15 minutes, John Krish manages to give this road safety film something new and different by presenting events not from the point of view of the driver, but of his brain, memory and ego, who operate from a rather camp technology-driven command centre.
Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.
Directed by J. Stuart Blackton.
In this fragile yet frightening poetic fantasy set against a dark industrial landscape, a woman sits knitting on the porch of her home when a man appears and takes the knitting from her.
It's Christmas time, and a grandmother spends a quiet afternoon tending to the family chores. But the arrival of an unexpected visitor brings with her some deadly consequences.
This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". In New Delhi, India, during the Krippin Virus Pandemic, Vatsala and her family are preparing to evacuate to a shelter. That night, Vatsala sneaks out of her home and into the chaotic streets of the city to find her boyfriend, Pritam.
It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.
An alcohol/drug abuser re-examines his life until he nearly dies from an overdose. Then a friend convinces him to join a self-help group which turns out to be demonic.
Overwhelmed by grief following the death of his wife, Donnelly shares a train carriage home with a troubled young man identified only as the 'Kid'. As the Kid becomes more agitated and foul-mouthed, the journey takes on a violent and dangerous hue – for the bereaved Donnelly and for other hapless passengers on the train. Academy Award Winner: Best Live Action Short Film – 2005
Edward James Olmos narrates this multi-fest winner about an immigrant who recalls a vivid and momentous memory where he discovered his boundaries.
A young man's struggle with his sexuality overtakes his life, driving him deep into his subconscious where guilt and fears of physicality chase him still further. Cornered by an intangible terror, he realises he must either break out or break down.
Oscar got caught spraying graffiti. Now doing community service at a nursing home, he meets Isabel who is suffering from dementia. At 84 years old, Isabel may be a little old school, but soon the entire block is covered with her pink tag.
A mother who writes children’s storybooks, ironically, doesn’t have enough time to create stories for her own son. The restless child finds a chance to create his own stories when his grandfather, comes up with a game. They fill an old milk can with pieces of paper, each containing a word which will be a “story-starter”. Tales of heroes and villains, magic and places fill up the child’s imagination. But the child’s made-up story is in need of a happy ending. Now, it depends on the storyteller mother to create the greatest ending of them all.