The popular resistance to the current Greek economic crisis explored and expressed through the ethical and political writings of Ancient Greece.
Social & External
Antigone
Ismene
Creon
Oedipus
Sphinx
Travelling Player
Tiresias
Investigator
The man with the hat
Unknown Role
As local newsrooms vanish, "News Without a Newsroom" explores journalism's uncertain future in the digital age. Through powerful stories and expert insights, the film examines the collapse of traditional media, the rise of misinformation, and the fight to preserve truth, trust and accountability in an era of disruption.
After completing jail time for beating up a man who tried to seduce his mentally-handicapped teenage daughter, the Butcher wants to start life anew. He institutionalizes his daughter and moves to the Lille suburbs with his mistress, who promises him a new butcher shop. Learning that she lied, the Butcher returns to Paris to find his daughter.
Singapore Sling is chasing after Laura, a romantic memory from his past. One night he finds himself in a mysterious villa, watching two women bury a body. He falls into their trap and, in an atmosphere of isolation and decadence, the trio act out insane pleasure games and a ritual of blood and murder.
"Everybody should have a home. If you punish a nation, this is so abstract, it's very mean to use your power to put another country in your control... Instead of punishment, maybe we should have love." Eliane from Chile, Milad from Iran, and Georgia from Greece, three migrants in the UK and their thoughts on love, home, family, and Shakespeare's Romeo and Juliet.
The "Flea" is a handwritten little newspaper written, edited and published by Ilias, a determined twelve year-old schoolboy who lives in a remote village in the mountains near ancient Olympia. His efforts go largely unappreciated by his elders, who tease him and nickname him "The Flea", and his concerned parents are convinced his preoccupation with his newspaper will distract him from more serious studies and forbid him to continue it. Ilias' only allies are a quixotic eccentric and a sensitive schoolgirl. The villagers' scoffing at Ilias' ambitions changes to admiration when an Athenian journalist shows up to do a story on Ilias. He becomes disheartened, however when he realizes much of their enthusiasm stems from hopes for increased tourism spurred by his fame and he distrusts the journalist's motives as well.
Alexander, the King of Macedonia, leads his legions against the giant Persian Empire. After defeating the Persians, he leads his army across the then known world, venturing farther than any westerner had ever gone, all the way to India.
During World War II, Helmut Dantine specialized in playing villainous Nazis in Hollywood melodramas. He offers a compelling performance in a variation of these earlier roles in this suspense filled and politically loaded tale of intrigue. The story opens in German-occupied Athens during the darkest hours of the war. Civilians are not allowed on the streets after dark.
A poor neighborhood of Athens, Asyrmatos, is the center of the world for the people who live there and try in every way to escape from poverty and destitution. A handsome released youth, Ricos (Alekos Alexandrakis), is trying to make money, at the same time that his lover, Stefi (Aliki Georgoulis), is seeing other men and her father, Nekrophoras (Manos Katrakis), is trying to contribute in family finances. Rico will set up a job, but will spend the money raised before he can put it into action. As a result, one of his "partners" (Alekos Petsos) will commit suicide, leaving his pregnant wife, Eleni (Aleka Paizis), to her fate. Rikos, his beloved and her father, defeated and disappointed because of the expectations that were never fulfilled, will be forced to come to terms with the harsh reality.
The parallel stories of four Pakistani immigrants in Greece become the trigger for the director to explore the story of his father, a worker in the Perama Shipyard. The background unfolds a most deadly shipwreck, Libyan immigrants found in limbo, as well as a (possibly racist) crime, which was committed during the shooting of this film.
Young Sung Neng Yee, who is brought as part of a wealthy Chinese family. She is eager to become part of Mao Tze Tung's "new society", but soon becomes disenchanted by the economic misery the changes bring to her family. Before long, the authorities become aware of Neng Yee's feelings and she is taken to a labour camp, overseen by the sadistic Colonel Cheng.
Greece, 1936. An aristocratic woman engages in a series of loveless affairs before finding herself falling for a political activist.
Deng Xiaoping's economic and political opening in China. Margaret Thatcher's extreme economic measures in the United Kingdom. Ayatollah Khomeini's Islamic Revolution in Iran. Pope John Paul II's visit to Poland. Saddam Hussein's rise to power in Iraq. The Soviet invasion of Afghanistan. The nuclear accident at the Harrisburg power plant and the birth of ecological activism. The year 1979, the beginning of the future.
An elderly Israeli Jew of Greek origins was sent to Greece to represent his town in a town twinning ceremony, however he went instead to search for his friend from the childhood, who saved him from the Holocaust. In meantime he formed a special relationship with young Greek woman, and dealt with the broken relationship with his devout Hasidic son.
An opulent beach resort provides a scenic background to this amusing whodunit as Poirot attempts to uncover the nefarious evildoer behind the strangling of a notorious stage star.
Determined to hold on to the throne, Cleopatra seduces the Roman emperor Julius Caesar. When Caesar is murdered, she redirects her attentions to his general, Marc Antony, who vows to take power—but Caesar’s successor has other plans.
Against the stereotypes of the “ideal” woman and the symbols of Pornography, the women in the works of Greek comic artist Stavros Kioutsioukis preserve their personality: they are the girls next door who try and get their rights in Happiness and Love.
A young Greek woman falls in love with a non-Greek and struggles to get her family to accept him while she comes to terms with her heritage and cultural identity.
A traveling theatre troupe tours the Greek countryside from 1939 to the early 1950s, staging “Golfo the Shepherdess”. As the years pass, its members endure persecution, betrayal, executions, and exile. Their personal stories become entangled with the country’s major historical events, in a seemingly endless cycle of violence and loss.
In 1992 – 500 years after the beginning of Spain's global empire with the discovery of America – Spain proudly presented itself to the international community as a modern, developed, dynamic country through the Olympic Games in Barcelona and the Expo in Seville. But for filmmaker Luis López Carrasco (1981, Murcia), 1992 was also the year in which the regional parliament building in Cartagena was razed during furious protests against the threatened closure of various local industries. El año del descubrimiento revives this almost forgotten history in a typical Spanish bar in Cartagena, where different generations come together to drink, eat, smoke and talk. Stories from witnesses, demonstrators and strikers from back then and discussions among younger café visitors on themes such as class consciousness, the economic crisis and the role of unions percolate to the surface amidst talk of other life issues.
Director helmut Dietls and Patric Susskinds illustrate a legendary story of two lovers who cant keep themselves away from death.