A film representing the early efforts of Pixar to explore all elements of CG processes such as animation, shading, lighting, rendering and effects.
Social & External
Wendy the witch has low self-esteem. She doesn’t believe she has any witch power until she makes a new friend who convinces her try something new.
It is an animated adaptation of Lewis Carroll's whimsical poem in which the walrus and the carpenter entice a family of oysters to join them on their journey along the beach.
Forky Asks a Question: What is Money? Hamm attempts to give Forky a lesson on how the US monetary system works.
Trixie explains to Forky what a computer does as they experience the common stresses of technology.
Dolly teaches Forky about the qualities of a good leader, and Forky puts those qualities to the test!
Forky meets Rib Tickles and finds her charming and pleasant, only to be schooled by Rib on the dangers of law enforcement.
When an old man is visited by Death at his home in the meadows, he has to delve deep to secure more time for himself. Based on a story by Richard Kennedy.
Computer animated short film showcasing the work of the German CGI software firm Mental Images GmbH.
A sinister flying pod crashes to Earth and unleashes a giant mechanical roach that attacks the city.
The Paccha-Picchus are festive little creatures. They live a carefree daily life in sync with the mountains. When the mountains come, their oasis rises and they are lifted up into a winter climate. The Paccha-Picchus are very fond of the winter climate, which is vital for them. But one day, the mountains stop coming and the restless Kinko decides to go looking for them.
Jack is having a party with some friends. Disused, he decides to take a psychedelic drug. With a lighter mind, he enjoys the moment, his belly rejecting his visceral anguish as the evening progress. Arrives the time when he confronts a too big anxiety of which he cannot get rid of.
A star athlete has to come to terms with her debilitating grief to regain her confidence and finish her race.
Animated adaptation of poetry by Sir Clement Markham.
Beckett cycles through a limited number of drawings, but adds new information to each drawing every time we see it, giving the sense of a world that is infinitely rich and also obviously contained tightly within the edges of the paper. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
An encounter in the woods is captured on a trail cam.
This short experiments with the flow of oil ink over the surface of the water. Mizue manipulated the ink by blowing with straws or stirring with toothpicks and used stop motion animation techniques to shoot the resulting effects.
With his best friend Luca away at school, Alberto is enjoying his new life in Portorosso working alongside Massimo—the imposing, tattooed, one-armed fisherman of few words—who's quite possibly the coolest human in the entire world as far as Alberto is concerned. He wants more than anything to impress his mentor, but it's easier said than done.
The Berenstain Bears Learn About Strangers When Papa Bear tells the cubs they should never talk to strangers, Sister begins to view all strangers as ominous, until Mama brings some reassuring common sense to the problem. Story and teleplay by Stan and Jan Berenstain
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.
A playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects.
This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.
Experience these masterpieces of storytelling from the creative minds that brought you Toy Story, Monsters, Inc., Finding Nemo and many more. With revolutionary animation, unforgettable music and characters you love, these dazzling short films have changed the face of animation and entertainment and are sure to delight people of all ages for years to come.
I made this film especially for you. I needed to check in with you. I needed to tell you how I feel.
Disney and Pixar present an incredible new collection of 12 short films, featuring multiple Academy Award® nominees (Best Short Film, Animated: "Presto," 2008; "Day & Night," 2010; "La Luna," 2011) and a host of family favorites. Join the celebration of imagination with this collection, packed with unforgettable animation, fantastic stories and captivating characters. Plus, enjoy all-new extras that share how Pixar's storied talent got their start — including student films from acclaimed directors John Lasseter, Andrew Stanton and Pete Docter!
In this powerful abstract film with a soundtrack of African drum music, Lye scratched "white ziggle-zag-splutter scratches" on to black leader, using a variety of tools from saw teeth to arrow heads. The first version of the film won a major award at the International Experimental Film Festival Held in Brussels in 1958 in association with the World's Fair. Stan Brakhage described the film as "an almost unbelievably immense masterpiece".
Distant, well-worn memories of childhood are inhabited by a little gray wolf. Through astonishing imagery, the memory of all of Russia is depicted.
A static camera observes a room as it slowly fills with thirty-six characters from different stages of life, looping further through an absurd dance of social disconnection as each character moves in.
Short animation of a Russian folk tale, made in 1981. A parody of the fable by Ivan Krylov "The Crow and the Fox".
Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.
Animated shapes dance to Cuban music. This was one of the first animations to be painted directly onto the film.
Mike discovers that being the top-ranking laugh collector at Monsters, Inc. has its benefits – in particular, earning enough money to buy a six-wheel-drive car that's loaded with gadgets. That new-car smell doesn't last long enough, however, as Sulley jump-starts an ill-fated road test that teaches Mike the true meaning of buyer's remorse.
A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the changing images varies. "Hell Spit Flexion," or springing out of Hell, is on smaller film stock, taking the center of the frame. Montages of color move rapidly with a star and the edge of a lighted moon briefly visible. Purgation is back to full frame; blurs of color occasionally slow down then freeze. From time to time, an image, such as a window or a face, is distinguishable for a moment. In "existence is song," colors swirl then flash in and out of view. Behind the vivid colors are momentary glimpses of volcanic activity.
Three sleepy babies in a clog-boat sailing through the night sky attempt to fish with candy canes for very smart fish.
A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.
Mater, the rusty but trusty tow truck from Cars, spends a day in Radiator Springs playing scary pranks on his fellow townsfolk. That night at Flo's V8 Café, the Sheriff tells the story of the legend of the Ghostlight, and as everyone races home Mater is left alone primed for a good old-fashioned scare.
In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly onto their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.
A hand drawn animated short by Studio Ghibli.
SANJAY'S SUPER TEAM follows the daydream of a young Indian boy, bored with his father's religious meditation, who imagines "a kind of ancient, Hindu version of The Avengers," with the gods appearing like superheros.
Tom fights with another cat over Jerry.
