Social & External
Himself
Marian and Ido are married and have a 16-year-old daughter, Pinkie. Marian and Ido's marriage has become boring. Ido is a conservative and neat furniture manufacturer, but secretly starts a relationship with the beautiful Emma, his secretary. When Marian discovers this, she offers him a choice: stay with her or move on with Emma. Ido cannot make this choice, so Marian throws him out. Ido moves in with Ida, but continues to interfere intensively with Pinkie, who to his horror becomes friends with Wim, one of his Turkish workers.
The critically acclaimed Dutch theatre show filmed live on stage. This fabulous and hilarious modern revue tackles themes such as pornography, dating apps, homosexuality and ponycamps in a uniquely musical way.
After being emasculated at a sales conference, gay couple Reese and Peyton set out to do the most masculine thing they can think of - sleep with some women.
A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.
Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.
Dutch comedian Ruud Smulders offers the spectators a peek into his thoughts.
Stage registration of the thirteenth show by the Flemish cabaret duo Kommil Foo. About man and his everyday tragedy. And that that man is a wolf to his fellow man...
Stage registration of the fifteenth show 'Breken' by the Flemish musical comedy duo Kommil Foo. The performance opens with the question 'How do you get a grown man into a matchbox?'
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.
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