Rebellious City is a documentary about the Provo movement and the city of Amsterdam in the sixties.
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A backstage and on-stage look at Nicki Minaj's career during the Pink Friday Tour, festivals, and more.
UNESCO Memory of the World: Explore the Bibliotheca Philosophica Hermetica’s new home with 25,000+ rare books on alchemy, hermetica & mysticism at the Embassy of the Free Mind museum, set in Amsterdam’s historic canal mansion, the House with the Heads.
In the chaotic aftermath of the fall of Saddam Hussein, Fakhir, a father of eight, is serving in the Iraqi army. All around him, he sees innocent civilians getting injured by landmines, so he determines to disarm them with his own hands, using just a pocketknife and some wire cutters. He clears thousands of roadside bombs, mines and car bombs, knowing that every time he cuts a wire it could cost him his life—which he seems to find less important than the lives of others. In 2014, by this time having lost a leg, he starts working for the Kurdish Peshmerga, disarming boobytraps left behind by Daesh in and around Mosul. An enthusiastic home video maker, Fakhir collects hundreds of hours of footage of his day-to-day work.
In 1917, French artist Marcel Duchamp declared everyday objects as art. A provocative act that sparked a heated, still topical discussion around the question: what is art? Since then, that question has been asked time and time again. To the artist and to the viewer. If everything is possible and everything is allowed, how do you remember what art is? Director Ditteke Mensink spent two years at De Ateliers: the breeding ground for top talent in the visual arts. Her stay ended in a harsh confrontation with herself, the young artists and modern visual arts.
We get up, go to work, eat and go to bed. Is our life about daily rituals or is there a deeper, more inscrutable meaning of life? Kjeld lives surrounded by nature in his small house and soon becomes a father. He seeks satisfaction in the simplicity of life in nature. Anna is a young artist looking for answers in her poetry and music. A philosophical documentary essay in which the search for the core of life is central. How should we live if there are no answers anywhere?
Kim and Bob have been inseparable since childhood. Does puberty end their friendship?
The city from the unique perspective of the many wild animals and plants that inhabit it. Seen through the eyes of the adventurous urban cat, Abatutu.
10 May 1943. Something is spotted drifting ashore off the coast of Northwest Donegal, Ireland. Something that would change the lives of the local people forever.
After a $30K film project went south, Isaiah had to make a risky decision to flip the idea upside down, and turn the train-wreck of a film into his own disaster-piece.
The dutchified Hungarian Joszef Katús returns, after a months-long absence, to Amsterdam on 29 April 1966. The arrival of the Provos changed a great deal in the Dutch capital. The film follows Katús, mostly roaming the streets, in a loose documentary style. The events are set against the backdrop of four national occasions - The Queen's Birthday, Labour Day, Liberation Day and Remembrance Day.
What if your house is no longer a home, but a bureaucratic nightmare? The residents of the Van der Pekbuurt in Amsterdam are fighting for a fair and sustainable renovation of their beloved working-class neighborhood. The houses are creaking and creaking, mold is rampant and it is almost impossible for the residents to get anything done when maintenance is in arrears. Cost savings are given priority, which is why the renovation plans are increasingly being stripped down. Will the Van der Pekkers succeed in enforcing a fair and sustainable renovation?
Frans Bromet follows scoot drivers of different ages about their lives. He talks to them about what has changed since they got a mobility scooter, about how their living space has increased, about the limitations of the vehicle and about what is and is no longer possible in private.
A cinematic and introspective look at the residents of a Quebec town—once the site of the world's largest asbestos mine—as they grapple with their community's industrial past. Striving to honour their heritage while reconciling with their history and forging a new path forward, the miners delve into the intricacies of progress and healing.
The Platoschool was founded in Amsterdam in 1983, a primary school for parents who wanted more than just math and language for their children. The founders of the Platoschool had great ideals, ideals that the parents of documentary maker Yara Hannema fell in love with. The children would grow into special people with a high level of consciousness, but the teachers ran wild in their strictness and discipline. There was beating and abuse of authority. The school was discredited and had to close its doors in 2002.
Henri Storck’s militant short on Depression-era Belgium, set in Walloon slums on the outskirts of a prosperous city. Staged vignettes expose substandard housing, overcrowding, and numbed survival through claustrophobic, frame-filling images; a coda on slum clearance and “garden city” rehousing offers guarded hope.
Hans: Het Leven voor de dood (Hans, Life Before Death) is a documentary feature film about the life of the young composer Hans van Sweeden (1939-1963) and those who knew him intimately. The film is about the harrowing life of the musician, poet and actor Hans van Sweeden (1939-1963), who ended his life at the age of 24. Simultaneously, the film offers a poignant portrait of his contemporaries in the turbulent fifties and sixties and the children of the Nazis. It won the Golden Calf for Best Feature Film in 1983. Award of the Dutch film critics, 1983; the Belgian film critics Award, 1984; Best Dutch Documentary 1980-1990. (Wikipedia)
An exciting video tour of Amsterdam.
This film presents scenes in Amsterdam including canals, Rijksmuseum, the harbor and home life of a typical family.
Nocturnal life in the partly deserted dock area of Amsterdam. Director Marjoleine Boonstra encounters lone wolves, leading secluded lives in makeshift shelters, and people that work as pilots, night watchmen or skippers. According to a young pilot `it was actually like a dream', working by the IJ river at night. And this is what it looks like: a dream world. Between interviews, Boonstra makes her camera glide through the area, along the quay, across the water, along cranes, containers and sea-going vessels. A world of lamps, reflections and shadows. In this landscape of stone and metal, an extraordinary group of individuals lives and works. For example, an English woman cleans up a submarine for a party, a refugee from former Yugoslavia has created a place for himself and a night watchman has to `see to it that that boat stays where it is'. Peaceful music emphasises the relative quiet, in which the interviewees reflect on their lives and the harbour.
