Bukovyna, Ukrainian Land

Dovzhenko and Solntseva's documentary about the Bukovina region.

Victory in Soviet Ukraine

A wartime documentary directed by Alexander Dovzhenko and Yuliya Solntseva, depicting the final campaigns that drove Nazi forces from Ukraine in 1944–45. Combining frontline footage, liberated cityscapes, and scenes of returning civilians, the film chronicles both the devastation of occupation and the triumph of Soviet arms. It stands as both a historical record of the Ukrainian front and a patriotic celebration of victory at the close of the Second World War.

Tres instantes, un grito

Home Movie

Filmmaker Jan Oxenberg narrates her own home videos, commenting on how her views towards lesbianism and femininity have evolved over time.

Dying Green

A doctor's efforts to live a green life near the Appalachian Mountains lead to the development of a radical idea to use green burials to conserve one million acres of land and to create wildlife reserves.

Miró, The Painter

Short piece for the TV series Aujourd'hui en France [Today in France]. Reporting on a Joan Miró exhibition at the Maeght Foundation, Sarah Maldoror enjoys filming the Spanish painter and sculptor engaging with children during a theatre piece. The filmmaker's central themes are in full bloom here: the theatre, the interrelationship between the arts and the transformation of the childhood experience through art. The ensemble is like a work by Joan Miró translated into real life.

Born in Deir Yassin

The evolution of the village of Deir Yassin, which was conquered in a highly controversial and pivotal battle in 1948, and which turned into the government-owned psychiatric hospital in 1951.

Sweet Sweet Kink: A Collection of BDSM Stories

Sweet Sweet Kink takes a sweet, sweet peek into the kinky world of bondage, dominance, and sadomasochism through stories of intimate connection, consensual exploration, and deep self-reflection.

Early Directors on Directing

There were more women directors before 1920 than at any other time in history. The first director to put a narrative story on celluloid was, Alice Guy Blaché in 1896. Few people know that Lillian Gish became a director in her own right in 1920. Ida Lupino directed over a hundred episodes of "Have Gun, Will Travel," "Thriller," "Gunsmoke," and many independent features.

Through the Night

When one’s sole focus is to provide for their children, the stakes are extremely high. The need for multiple jobs to make ends meet has become a common reality for many families in this country, which leads to a very important question: who looks after the children while their parents work? Through the Night examines the economic and emotional toll affecting some American families, told through the lens of a 24-hour daycare center in Westchester, New York. At the center of it all is Nunu, the primary caregiver and a hero to many families in need of a safe space to bring their children.

Of Men and Gods

A documentary about the issues that confront homosexuals and transvestites in Haiti. The various caracters in the documentary have their own explanation as to why they are gay (all the interviewed people are male) and how the majority of them feel that the Voodoo godess Erzulie has made them into what they are.

Mannequins

Mannequins examines the suburb as a state-of-mind through the eyes of a 7th grade teenage girl.

(Dis)Honesty: The Truth About Lies

Documentary exploring the human tendency to be dishonest. Inspired by the work of social scientist, Dan Ariely, the film interweaves personal stories, expert opinions, behavioral experiments, and archival footage to reveal how and why people lie.

What Has Happened to This City?

Explores the processes of political maneuvering which led to the Hyderabad communal riots in 1984. The city’s history, the provocative speeches of its politicians and the instrumentalisation of religious processions stands next to the testimonies and the striking visual accounts of the Old City’s working class – those who lose their livelihoods through violent attacks and long periods of imposed curfew.

Soul In The Hole

"Soul In The Hole" is a documentary depicting the lives and struggles of a team of street-basket players aspiring to win the prestigous tournament which the movie's named after while at the same time balancing their personal issues and problems.

Rowdy Ronda Rousey

On Feb. 23, 2013, Ronda Rousey made history by becoming the UFC's first female bantamweight champion. After locking up her signature arm bar on Liz Carmouche, Rousey became the No. 1 female fighter in the world, and she has been on the rise ever since. Where did this force of nature come from? And how high can Rousey go? The film takes an inside look at that fight and how Rousey's ascension is paving the way for female fighters.

Brittney Griner: Lifesize

From a celebrated hoops prodigy to a self-reliant professional basketball star, from Baylor to the WNBA and overseas, Brittney Griner had a wild ride last year. Her trip ended in China, where she drew oohs and aahs from fascinated crowds ... and learned a little something about herself along the way.

Beastie Boys Solid Gold Hits

Solid Gold Hits is a greatest hits collection by Beastie Boys, released in November 2005. In contrast to 1999's The Sounds of Science anthology, Solid Gold Hits consists only of tracks that were released as singles. Where The Sounds of Science is a double CD compilation, Solid Gold Hits contains one CD with all their singles that broke gold, plus a DVD with the respective videos of the songs. Although the standard US release of the CD/DVD has 15 songs, the Japanese release has the song and video for "Right Right Now Now" as the last song.

Richard Attenborough: A Life in Film

The life story of the film director, movie star and industry figure who furthered the cause of cinema: Lord Richard Attenborough.

Children of Shatila

Many people first became aware of the Shatila refugee camp in Lebanon after the shocking and horrific Sabra-Shatila massacre that took place there in 1982. Located in Beirut's "belt of misery," the camp is home to 15,000 Palestinians and Lebanese who share a common experience of displacement, unemployment and poverty. Fifty years after the exile of their grandparents from Palestine, the children of Shatila attempt to come to terms with the reality of being refugees in a camp that has survived massacre, siege and starvation. Director Mai Masri focuses on two Palestinian children in the camp: Farah, age 11 and Issa, age 12. When these children are given video cameras, the story of the camp evolves from their personal narratives as they articulate the feelings and hopes of their generation.